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William De Morgan Tile

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Mosaic Tile Decorative Plate
Located in Denton, TX
Mosaic tiled decorative plate/ dish. Signed made in Denmark.
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Mid-20th Century Danish Mid-Century Modern Pottery

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Ceramic

California Art Tile Company Tile California Pottery & Arts and Crafts
By California Pottery
Located in Cincinnati, OH
A larger sized Arts and Crafts hearth art tile depicting a scenic view of a desert with travelers on camels . Hand colored and crafted by the California Art Tile...
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Mid-20th Century American Arts and Crafts Pottery

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Stylish Contemporary Orange Glazed Globular Vase Signed Morgan Dated 2004
Located in Bishop's Stortford, Hertfordshire
An unusual and very stylish contemporary art pottery vase of globular shaped signed Morgan and dated 2004. The rounded pottery vase stands on a flat ungl...
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Early 2000s British Modern Vases

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Early Spode Red Greek Pattern Tile
By Josiah Spode, Spode
Located in Fort Lauderdale, FL
A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...
Category

Antique Early 19th Century English Neoclassical Pottery

Materials

Earthenware, Creamware

Longwy Tile in Cast Bronze Frame
By Faïenceries et Emaux de Longwy
Located in New York, NY
Longwy tile plaque in heavy cast brass footed frame, or trivet. Original condition, free of damage. Tile alone without frame 5.75 x 5.75 inch.
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Early 20th Century French Art Deco Ceramics

Vintage Italian Ceramic Two Sisters Tile c. 1940's
By Deruta
Located in New York, NY
Italian pottery ceramic tile depicting two women, possibly sisters, executed in classic polychrome glaze. This example is in very fine, original, clean and ready to display, free of...
Category

Mid-20th Century Italian Art Deco Pottery

Materials

Ceramic

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