Pearlware Serving Pieces

A vibrant Neoclassical Revival decorative bowl in the 'Greek' pattern made by Copeland Spode in the late 19th century. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. This Copeland Spode Greek...

A large circa 1820 English Staffordshire blue and white transferware 'well-and-tree' platter in the famous "Italian" pattern by Spode. According to 'The Dictionary of Blue and White...

Perfect for a double espresso! These nine "Dollar" pattern porcelain coffee cups are handpainted in the exquisite "Dollar" pattern. Spode made this set in England circa 1820. The dec...

A brightly colored Neoclassical tazza or cake plate in the 'Greek' pattern made by Copeland Spode in the late 19th century. This tazza, in Copeland Spode’s ‘Greek...

From Wedgwood, a deep blue Neo-Classical style pitcher, in the Etruscan shape and pattern, date marked 1930s. White sprigged figural decoration applied over a deep blue ground. The ...

This is an English blue and white turkey platter by Spode . It is marked and appears in like new condition. It is a discontinued piece.

This is a good stone China (Ironstone pottery) Small Dish or Bowl / Saucer, hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century...

This is a very striking part dessert service made by Spode in about 1828, which is the Regency era. It is made of Spode's Imperial China and has the Frog pattern in mauve/purple. It consists of a high footed comport...

Spode made these fabulous Greekware platters circa 1810. They are decorated in the neoclassical "Greek" pattern with classical figures and mythological scenes based on ancient Greek and Roman art. The dramatic pattern shows a scene from Olympic history. At the center, Cynisca wins the four-horse chariot race at the Greek Olympic Games in 392 BC. She became the first woman to win at the Olympics.** They are large, measuring 20" x 15.5" x 1.75" deep Each rectangular platter is printed in blue with leaf and berry ground, radiating medallions, and urns containing classical scenes. This was the first multi-scene pattern introduced at the Spode factory. Dimensions: 20" x 15.5" 1.75" deep Condition: Excellent. Price: $ 4,200 The central image was taken from a 1791 collection of engravings...

This is a very good example of an English George III period, porcelain, coffee can, made by Spode, England in the early 19th century, circa 1810. The can is nominally straight sided and has the Spode loop handle with a pronounced kick or kink to the lower part, with a lower attachment that curves out slightly from the cup. Spode is the only factory with a handle of this exact shape. The can is decorated with one of their grey "bat printed" designs, showing game birds collected after the shoot. It also has hand painted gilded detail to both rims and the handle. Similar Spode bat printed...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

This rare Spode drabware rectangular tray was made for slices of bread or small breakfast rolls. Made in England by Spode circa 1825, it has a deep, rich color. The carrying handle i...