Silver table oil and vinegar set with coat of arms

Oil and vinegar set in 800 silver and crystal, Italy, 1990 Intact, never used. Small signs of ageing. Found in a noble apartment.

Continental silver cruet, most likely German and from the 18th century, with exquisite pierced work and cartouches with engraved monograms, standing on 4 animal-shaped feet, with 2 g...

Exquisite set of oil and Vinegar LXVI Silver and cristal. Neo classic design animal and winged children figure chiseled in a very delicate way. The central part with draperies arou...

Antique Milanese silver oil cruet consisting of an oval tray supported by four cast zoomorphic paw shaped feet; the edge of the tray is a ribbon decorated by...

There is no letter date demonstrating that this seal was made before 1697 when the letter date became mandatory. This seal is an early shape, engraved with the owners coat of arms. ...

These oil and vinegar bottles are a sleek cruet condiment set, made of fine and elaborate cut crystal and sterling silver with a neoclassical appeal thanks to the Greek key pattern t...

Finest condiment set, consisting of ruby red glass bottles, with silver stoppers. Vintage / made in Vienna (1854). Please note: These most elegant glass bottles had once been pa...

Gustavian silver spoon by Arvid Floberg (1730-1804), Stockholm, Sweden dated 1785(C2) with baronial coat of arms. Rare and of extremely high quality. Simple beauty. Wear consistent ...

Carafe made of clear glass with a bulged stand and narrowed straight neck, cut bottom star, silver fitting over the upper area of the neck piece, volute-shaped handle, which is also ...

An unusual Indonesian lobbed silver dish Jakarta (Batavia) or Coromandel coast, third quarter 17th century, apparently unmarked The eight lobbed dish exuberantly decorated with floral motifs, with the middle section replaced, consisting of indistinctly marked German silver from the early 19th century, bearing the coat-of-arms of the Von Pfeffel family. Diam. 30.5 cm Weight 461 grams Note: Lobbed silver dishes with exuberant floral decorations were characteristic of the decorative arts in the Netherlands in the first half of the 17th century. This style of floral decoration was adopted by silversmiths as well as by furniture makers working on the Coromandel Coast and in Batavia, often by workers who had fled the Coromandel Coast because of war and famine. In Batavia this style was known as “Custwerck” (work from the Bengal coast). These lobbed dishes are seldom marked. Only after 1667 the use of the town mark became obligatory in Batavia but only for silver made in Batavia not for silver imported in Batavia from other VOC settlements. The engraved coat of arms in the centre is a replacement of the original centre. The coat of arms can be identified as those of Christian Hubert von Pfeffel (1765- 1834). As a diplomat, statesman, ambassador of Bavaria in London and Saxony and councillor to the King of Bavaria, he was made “Freiherr” in 1828 and since then used this coat of arms. His son Karl Maximilian Friederich Hubert Freiherr von Pfeffel (1811-1890) in 1836 married Karoline Adelheid Pauline von Rottenburg (1805-1872), the natural daughter of Prins Paul von Württemberg (1785-1852) and his mistress Margrethe Porth. Paul was the jounger brother of the King Wilhelm I of Württemberg (1781-1864). The heraldic motto of the von Pfeffels Vur Schande habe den Huot means as much as “Beware of Shame”. Christian Hubert Theodoor Marie Karl von Pfeffel Karl Maximilian’s grandson was the last male in the von Pfeffel line. His daughter, Marie Louise (Paris in 1882 - Cornwall 1944), born and grown-up in France, changed her name in de Pfeffel. She was the great grandmother of Boris Alexander de Pfeffel Johnson, the present British Secretary of State. None of the members of the von Pfeffel family had any direct links with the Dutch East Indies but indirectly by way of the Royal House of Württemberg they did. Sophia Frederika Mathilda von Württemberg (1818-1877), daughter of Wilhelm I King of Württemberg, in 1839 married Willem III...