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Small Picture Frame Blue enamel round and curved Art Nouveau style Salimbeni
About the Item
Round curved frame in 925/1000 silver with translucent enamel on Art Nouveau guilloche, with hand engravings. External diameter cm. 9 internal cm. 6 thickness cm. 1. Weight gr. 98. Designed by Giorgio Salimbeni in 1972 and produced in the headquarters of the Salimbeni Company in Florence with manual workmanship by skilled artisan artists with a high thickness plate and large reinforcements suitable for supporting numerous enamelling firings at high temperature at around 800° C.
This frame is not just an accessory; it is a statement of refined taste and unparalleled artistry.
The hallmarks struck to the underside of this fine picture frame include:
manufacturer's mark: 391FI
metal mark fineness:925
It is a new object that has never been used but is considered vintage because it was built more than 20 years ago.
Guilloché is a craftsmanship performed on mostly precious metals, which allows to obtain surfaces engraved with complex and repeated geometric patterns. Guilloché engraving was invented in the mid-1800s in Switzerland by watch manufacturers to embellish the dials of their luxurious artifacts. The technique consists in engraving the metal with a burin using a machine with mostly manual controls. (see photos in the gallery) A copier following the sinuosity of some matrices placed on the machine transmits a movement to the object subjected to engraving, thus obtaining that the burin “cuts” the metal. By moving the positions of the matrices and the copier, precise intertwined engravings of an almost infinite geometric type are obtained and their continuous differentiation certainly adds value to the objects that are produced. The dexterity required to carry out this operation is highly specialized, the existing machines are very old, as there has never been a mass market and above all for the conservation of art. After the engraving, we generally proceed with fire enamelling, a meticulous and very long process during which the guilloché engraved surface is covered with various layers of colored glass powder and cooked in small special ovens at a temperature between 700 and 800 ° C. The result of transparency and perfection can also require numerous firings, at least 10 for a single color, for surfaces with multiple colors, it can even reach 50 firings. One color is applied at a time and then baked, the glazes used have a different blend so that when the next color is placed the previous one does not move. The inclination of the surfaces of an object can create great difficulties both for the guilloche engraving and in the enamel firing phase as the positioning of the machine becomes more complex and a great skill and competence is required while the liquefaction of the enamel produces situations complexes that only the highest level of craftsmanship can achieve. In Salimbeni production, guilloché engraving and enamelling have been the main processes for more than a century and are found in almost all products. In the construction of an object Salimbeni starts from a drawing, which can also be provided by the customer, to build the structure by hand with silver plates of different thicknesses. Once the necessary shape has been obtained with welding and finishing, processes common to the talented silversmiths, we proceed with the guilloché engraving and subsequent enamelling, as well as all the final polishing and galvanic finishing, for gilding and / or other. Our most complex and most precious productions also required months of work for small objects, seeking a perfection that is generally not contemplated in craftsmanship but which for us is the basis of our daily life.
- Creator:Salimbeni (Manufacturer),Giorgio Salimbeni (Designer)
- Dimensions:Height: 0.4 in (1 cm)Diameter: 3.55 in (9 cm)
- Style:Art Nouveau (In the Style Of)
- Materials and Techniques:Enamel,Sterling Silver,Champlevé,Enameled,Engraved,Fired,Hand-Carved,Hand-Crafted,Hand-Painted,Plated
- Place of Origin:
- Period:
- Date of Manufacture:1972
- Condition:
- Seller Location:Firenze, IT
- Reference Number:1stDibs: LU6492243266622
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It is a new object that has never been used but is considered vintage because it was built more than 20 years ago.
The hallmarks struck to the underside of this fine box include:
manufacturer's mark: 391FI
metal mark fineness:925
Art Deco was also born in France and is the abbreviation of "Art Decoratif".
With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe.
Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style.
Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai).
Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations.
Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag.
About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...
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It is a new object that has never been used but is considered vintage because it was built more than 20 years ago.
The hallmarks struck to the underside of this fine box include:
manufacturer's mark: 391FI
metal mark fineness:925
Art Deco was also born in France and is the abbreviation of "Art Decoratif".
With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe.
Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style.
Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai).
Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations.
Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag.
About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...
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