Coalport Teacup Trio, Floral, Hockeystick Shape Patt.966, Regency, circa 1820

This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...

This is a beautiful teacup and saucer made by New Hall around the year 1810. The set is decorated in the very desired but rare palm tree pattern with the number 484. We also have a ...

This is an elegant teacup quartet consisting of a small plate, a teacup, a coffee cup and a saucer, made by Minton in about 1830. The set is decorated with the beautifully hand paint...

This is a spectacular pair of oval dishes made by Coalport between 1815 and 1820. The dishes bear the famous and very wonderful bird pattern with the number 759. Panels with stunning hand painted birds and flowers are set in a cobalt blue background with rich gilt decoration. We also have two plates available in this pattern; please see separate listings. This pattern is very desired and doesn't come to the market often, so this is a rare opportunity. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. The stunning thing about pattern 759 is that each bird is different, as well as each flower formation. All birds and flowers are painted carefully in their own colours; they are all different species. Each bird is an individual with its own expression; in fact I once had a large dinner service...

This teacup and saucer set was made by the renowned Paragon fine bone china factory of England in approximately 1960. The set is done with a robin egg blue ground with a large flowered pattern on the inside of the cup which is replicated on the saucer. The cup is done with a wide square mouth...

Early 1800s Coalport John Rose Thumb and Finger teacup and saucer: Hand painted, richly colored and detailed cup and saucer with hand painted gold band. No makers mark or signature. ...

COALPORT - Antique English Regency botanical ceramic cabinet plate - featuring a transfer decorated and hand painted floral pattern with a wreath to ...

A fine Coalport porcelain punch bowl c.1820. Decorated with panels of flowers on a rich cobalt blue ground with richly embelished gilt decoration: ...