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Inger Waage for Stavangerflint Norway Sera Teapot, Scandinavian Modern 1960s
About the Item
Rare Sera teapot was designed by Inger Waade for Stavangerflint in 1960s; the service utilizes the forms, or blanks, created by Kare Berven Fjeldsaa that were utilized with a few other designs. Abstract folkloric motifs in minimal black and brown palette on monochromatic olive brown background work perfectly with ergonomic and balanced shape of the piece. Sera is one of Waade best known designs for tableware; it was in production for several years until 1970s.
The teapot is signed on the bottom with Stavangerflint mark; it is in good vintage condition.
Inger Waage (1923-1995) was a renowned ceramist, best known for her hand-painted decorative objects of art from the 1950s-1960s. In 1943 she was accepted as a student at the Norwegian National Academy of Craft and Art Industry in Oslo to study ceramics. After graduation in 1946, she moved back to Stavanger and started her own ceramic workshop. In 1953 Inger Waage became the first leader of a new established department for hand crafted products at Stavangerflint AS, where she worked until 1979. Her works are represented at The National Museum of Art, Architecture and Design and the Norwegian Museum of Cultural History in Oslo.
- Creator:Inger Waage (Designer),Stavangerflint (Manufacturer)
- Dimensions:Height: 7.25 in (18.42 cm)Width: 9 in (22.86 cm)Depth: 5 in (12.7 cm)
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421140971122
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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