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Raymond Loewy for Rosenthal ‘Form 2000' Coffee Pot, Designed 1954, White Ceramic
About the Item
- Dimensions:Height: 9.26 in (23.5 cm)Diameter: 4.53 in (11.5 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:1stDibs: LU1628229767282
For those in the know, French-born American industrial designer Raymond Loewy is the “father of streamlining.” He is widely recognized as a pioneer of industrial design consulting — a creative powerhouse who took aim at cluttered designs and simplified them. Loewy left his mark on everything from toothbrushes to trashcans to spacecraft interiors. He designed cars, worked in illustration, and crafted comely dressers and other furniture.
Loewy was born in Paris, France. At age 15, he designed a model airplane that was powered by rubber bands. It won the James Gordon Bennett Cup of 1908. Loewy patented the model kit for this plane by the following year and saw brisk sales. With his savings, Loewy was able to study at the University of Paris and then at Ecole de Lanneau, where he earned an engineering degree in 1918.
Loewy moved to New York City in 1919 and found work as a window designer for the department stores Macy's, Wanamaker's and Saks and as a fashion illustrator for Vogue and Harper's Bazaar. Loewy’s big break in industrial design came in 1929 when he altered the Gestetner duplicating machine — removing jutting parts and encasing the moving works in an understated cover. It caused a sensation within the industry — and companies began to call on him.
Loewy designed packaging for Coca-Cola and revised the look of Lucky cigarettes. The “Loewy Look,” which referred to the designer’s efforts to strip a product of any unnecessary detail and streamline its appearance, began to characterize hundreds of products.
Loewy found clients in a dizzying number of companies. He did everything from retooling logos to redesigning products. His 1934 Sears Coldspot refrigerator was a sleek innovation that broke sales records. His Pennsylvania Railroad locomotive resembled a speeding bullet and was the darling of the 1939 World’s Fair. Loewy even reworked shapes for snacks at Nabisco. By the time World War II gathered steam, Raymond Loewy Associates — the industrial design firm he founded — had been operating in a number of American cities. When Time magazine featured him on the cover in October 1949 — Loewy was not shy about publicity — his profile soared.
Loewy worked with Studebaker for decades. The success of their 1953 Starliner coupe was due to his revolutionary design, while their 1963 futuristic, fiberglass-bodied Avanti, which came with advanced safety features and materialized at a time when the company was experiencing financial hardship, was his crowning achievement for the maker.
Returning to his roots in aviation, Loewy worked for NASA from 1967 to 1973 on the interior design of the Skylab space station. He was also involved in the interior designs of the Concorde supersonic jet and Air Force One. Loewy delighted in creating furniture and collaborated with manufacturers such as Mengel Furniture, Rosenthal and Doubinsky Frères. In the 1970s, Loewy and his wife shuttered their businesses and retired in France.
While the Rosenthal Porcelain Factory grew from humble decorating roots — as many pottery companies do — it eventually built a list of universally revered designer and artist partners that included Andy Warhol and Salvador Dalí. And after securing an enviable position as a top manufacturer of serveware and dominating the porcelain and bone china markets, Rosenthal expanded into furniture production, working with influential designers Verner Panton, Luigi Colani and Günther Ferdinand Ris and Herbert Selldorf.
German-born Jewish businessman Philipp Rosenthal founded the company in 1879 in Bavaria. It began as his modest workshop where he painted porcelain and encountered success with porcelain ashtrays. Rosenthal hired the best designers and clay modelers he could find. Adolf Oppel designed figurative Art Nouveau pieces, while Eleonore (Lore) Friedrich-Gronau produced decorative objects, namely her graceful porcelain dancer figurines, for the company.
Dinnerware, though, would be a Rosenthal mainstay. Between 1904 and 1910, Rosenthal produced its renowned dinnerware lines such as Donatello, Darmstadt and Isolde. These were introduced as unornamented white pieces — only later were they given their underglaze designs.
Rosenthal founder Philipp, a Catholic of Jewish ancestry, resigned in 1934 as the company’s president due to pressures owing to discriminatory German laws that took shape during the rise of the Nazi regime. Rosenthal died in 1937, and the family fled to America. The company would not regain its footing until 1950 when Rosenthal’s son, Philip, joined the firm and, in 1958, became chairman and dubbed Germany’s “China King.” At its peak, the company had 10,000 employees.
In the 1950s, Rosenthal’s modernist dinnerware was a significant part of the brand’s offerings, and by 1961 they introduced the famed Rosenthal Studio Line. Although furniture designers and ceramicists would lead the list of individuals working with Rosenthal — among them Tapio Wirkkala, Max Weber and Lisa Larson — the company eventually reached out to fine artists, not only Dalí and Warhol but Sandro Chia and Kenny Scharf. Rosenthal also collaborated with fashion designers Gianni Versace and Donatella Versace.
In a daring move in 1972, the company diversified into furniture, collaborating with some of the giants of mid-century modern design. The revolutionary Sunball chair, an icon of Space Age seating crafted by Selldorf and Ris, was among Rosenthal’s stellar successes in this venture.
Shipping & Returns
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return Policy
A return for this item may be initiated within 7 days of delivery.
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