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Midcentury Folk Art Incensario by Aurelio Flores, Izucar de Matamoros, Mexico

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    Vintage Vietnamese Backpack Basket. A woven form starting with a square bamboo base tapering up to an open round sturdy mouth with a a smooth interior surface, specifically used in t...
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    Late 20th Century Vietnamese Folk Art Decorative Baskets

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  • Large Teak Burl Wood Bowl, East Java or Madura, 18th/19th Century
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    A beautiful bowl, originally a musical frame drum called Terbang, which was used in ecstatic devotional music. The drum was hewn from a single piece of teak...
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  • Antique Tutsi Baskets, Rwanda
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    A Group of Tutsi Prestige Basketry Rwanda First half, 20th century Grass and other plant fibers, natural dye, coiling technique Measures: Height, left to right: 7 1/4”; 8”; 9 1/...
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    Early 20th Century Rwandan Tribal Tribal Art

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    Natural Fiber

    Antique Tutsi Baskets, Rwanda
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  • Mid-20th Century Tami Islands Papua New Guinea Tribal Wooden Feast Bowl
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    mid-20th century Tami Islands Papua new guinea wooden feast bowl Of classic form, each end carved with raised and incised imagery depicting stylized sea cr...
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    Mid-20th Century Papua New Guinean Tribal Art

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  • Large Antique Teak Bowl from Northern Thailand, Early to Mid-20th Century
    Located in Point Richmond, CA
    Large antique round teak bowl from Northern Thailand, early to mid-20th century. Carved from one piece of dense teak wood including its handle. Fine wood grain with rustic patina...
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    Early 20th Century Thai Tribal Decorative Bowls

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  • Late 19th-Early 20th Century Lacquer Standing Offering Dish, Burma
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    Late 19th-early 20th century lacquer standing offering dish, Burma Beautifully lacquered in gold and red pigments, such offering dishes were designed to serve meals for monks, hig...
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    Antique Late 19th Century Burmese Tribal Lacquer

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    This impressive one of a kind vide-poche is a true representation of Cesar Torres's work. This beautiful decorative dish is formed by a flower texture and designed with a modern influence. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into Fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...
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