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Framed Japanese Carved Wood Noh Hannya Mask on Grasscloth

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    This skillfully executed hand carved figural bull is fully dimensional and has a rich brown color. The bull is depicted in a standing position atop a shaped wooden plinth. The muscular animal has been finished with realistic detail with particular attention given to the bull's facial features and folds of skin. The plinth itself is slightly domed at the center and bears carved elements which include a large rock and stylized plants. The bull measures 8" tall and the base is 10.75" x 4.125". It weighs 1lb 15oz. The carved bull is in very good vintage condition with no cracks or signs of wear. This early 20th century hand carved bull statue...
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  • Early 20th Century Emilio Vasarri Lithograph in Arts & Crafts Wood Frame
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    This rare early 20th century lithograph depicts an image originally executed by Italian artist Emilio Vasarri in 1909. The piece features a scene from classical antiquity and depicts...
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  • Rubboli Lustre Majolica Double-Handled Compote with Mask Head Detail
    By Rubboli
    Located in Cincinnati, OH
    This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...
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  • Late 19th Century Signed Japanese Hand Painted Satsuma Temple Jar Meiji Period
    Located in Cincinnati, OH
    This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...
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  • Shearwater Carved Pottery Vase
    By Peter Anderson, James McConnell (Mac) Anderson
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    A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theatre. This mask is handcrafted and carved from natural wood. Ko-omote translates as "little mask" or sometimes "small face." This particular delicate featured mask (her red lips really stand out) is used for main and sometimes secondary roles when the character is a young girl or, in some cases, a supernatural being. What is also interesting about this mask is the blackened teeth which centuries ago, was customary for Japanese women to paint their teeth black after they became married. We believe this mask dates from the mid-to early Showa period, perhaps Mejia. The mask was acquired from an antique mask...
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  • Late 19th/Early 20th Century Carved Hannya Noh Devil Mask Curio
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  • Japanese Antique Edo Hand Carved Wood Noh Theater Mask Otobide 17th-18th Century
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    A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is handcrafted and hand-carved from natural wood, clearly by a master of his trade. We believe this mask is of the Noh theatre character Otobide. This mask dates back to the Edo Period (1603-1868). It comes with a wooden storage box (which may have been added at a later date). A rare, unique, and exquisite mask. Finely carved and executed. Would be a great addition to any Japanese or Asian art/artifacts collection or an eye-catching stand-alone accent piece in about any setting. Mask dimensions: 7.7" high, 5.7" wide, 2.1" deep...
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