Late 20th Century Native American Objects

A striking carved and painted mask in the tradition of the Native Indian tribes from Pacific Northwest Coast by David Frankel in 1994. The mask...

Tsonoqua/Dzunukwa, “The Wild Woman of the Woods,” is an important ancestor figure to the Kwakwaka’wakw people of British Columbia. A giantess that fills important cultural roles during the potlatch, she is best known as a wealth-bringing being to those who encounter her and as a creature that parents tell their children stories about to make them behave and not venture far from the village – as she is also a cannibal and has been known to snatch stray children from the woods. She is the female counterpart of the male Bak’was, the Kwakwaka’wakw “Wild Man of the Woods.” Tsonoqua is analogous to the Coast Salish Sasq’ets, better known as Sasquatch, the Nuxalk Sniniq (female) and Buks (male), the Tsimshian Ba’oosh, the Haida Gagiit, the Athabaskan Hairy Man (or Woman), and the Tlingit Tl’anaxéedáakw. She is also what a lot of folks would call Bigfoot. This pole is carved in a Coast Salish style but shows several Kwakwaka’wakw influences, so is perhaps better termed a female Sasq’ets pole. This pole shares a lot of stylistic elements with work by the Coast Salish Horne family and was perhaps carved by one of them. The features of the face that identify this pole as a Wild Woman are the tightly squinted eyes, the prominent cheekbones, and the pursed red lips that depict her making her telltale whistling call. Large breasts are created by “split-u” formline elements on her chest, motifs which are repeated (unpainted) on her arms and legs. Her hands and appropriately large feet are rendered naturalistically, and she is depicted in a kneeling position. A very fine example of Northwest Coast carving. Period: Last quarter 20th century Origin: Salish Size: 49"H x 17'W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.  Native American, Carving, Totem, Pole, Painted, Cedar, Salish Indian

Large Coushatta lidded pine needle basket with pine cone and needle décor on top. This basket is attributed to Elssa (LC). Made from longleaf pine needles native to the state stitched with raffia on the sides. The lid with rounded knob is decorated with multiple pine cones and green raffia pine needles. This beautifully shaped basket is a masterpiece with its tight weave and snugly fitting lid, hallmarks of a skilled maker. 10 1/2"D x 11 1/4"H The Coushatta Tribe first entered documented history...

Raspberry Alabaster feather bundled bear Fetish with distinct heart line Amos Pino 1998 Ramah Navajo Band, Navajo Reservation, El Morro, New Mexico M...

Jicarilla apache lidded waste basket with quadrupeds (we think horses) and geometric design. Outside faded but still graphic. Handle cutouts. Acquired...

Coushatta lidded pine needle basket with pine cone and needle décor two sides and top. This woven by L.C. John, the last of the great Coushatta basket...