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1960s Arredoluce Pendant, Italia

$6,400Asking Price

About

Arredoluce pendant made of opaline glass, solid brass wire and lacquered aluminium. Well made construction, great attention to detail. Contain one E27 size ceramic socket rated at 100 watt. Fixture measures: 13.5 in. high by 11 in. wide. Rod length is 10 in. could supply longer rod.

Details

  • Creator
    Angelo Lelii (Designer),Arredoluce (Manufacturer)
  • Dimensions
    Height: 13 in. (33.02 cm)Diameter: 11 in. (27.94 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
    LacqueredSteel,Brass,Glass
  • Place of Origin
  • Period
  • Date of Manufacture
    1960
  • Condition
  • Seller Location
    St- Leonard, CA
  • Reference Number
    1stDibs: LU2198319999592

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: St- Leonard, Canada
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Manufacturer

Arredoluce

The lighting company Arredoluce opened in 1943, at the start of a golden era of modernist Italian design, and was born of the confluence of an eager entrepreneurial business spirit and a fresh, innovative, forward-looking creative atmosphere. Angelo Lelii (1911–79), the founder of the firm, which was based in the Milanese district of Monza, was a gifted and at times brilliant designer. He had the insight to commission works from other greats of the day, including Giò Ponti, Vico Magistretti, the brothers Achille and Pier Giacomo Castiglioni and Ettore Sottsass Jr. Lelii’s designs cover a broad aesthetic range. His most famous work, the Triennale floor lamp (circa 1952), is both elegant and practical, with three omnidirectional lighting booms attached to a central pole. His well-known ceiling light of 1954 — in which a conical canister bounces light upward off a lighting-arced enameled-aluminum sheet — is a piece of design poetry. And his 1962 Cobra table lamp has a wild, almost surreal look, featuring a sculptured rod of polished metal with a socket that, like his Eye floor lamp of the early 1960s, holds an eyeball-like directional bulb. Arredoluce also placed few constraints on the creativity of the designers it employed from outside the company. The Castiglioni brothers’ Turbino table lamp of 1951, for example, is a remarkably early example of minimalist design. The company both fostered the tradition-minded aspect of Giò Ponti’s sensibility and produced several of his experimental pieces in Lucite in the 1950s; and Sottsass’s UFO table lamp of 1957, sandwich of two plastic bubbled tablets on four legs, prefigures the look of his postmodern works for the Memphis Group by more than 20 years. From the stylish and utilitarian to the avant-garde, lighting by Arredoluce includes some of the most diverse, remarkable and collectible designs of the late 20th century.
About the Seller
5 / 5
Located in St- Leonard, Canada
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