Lightolier Lytespan Table Floor to Ceiling Lamp

As the leading designer at Lightolier during the postwar building and design boom, Gerald Thurston created his clever lighting — sleek floor lamps, table lamps and desk lamps — to suit the American lifestyles of 1950s and 1960s. His designs were at the forefront of the mid-century modern lighting revolution — like much of the visionary work being done at the time in furniture and interiors, Thurston’s fixtures are both elegant and totally innovative, reflecting the exploration of new ideas and new technology that consumed designers of the era.

Thurston eventually led a stellar team of international lighting designers at Lightolier. He was important to the pioneering East Coast–based electric lighting company, and rumor has it that because he sketched every design on craft paper, the manufacturer insured his right hand for one million American dollars.

While enrolled in the School of the Art Institute of Chicago during the 1930s, where he earned his degree in industrial design, Thurston worked as a freelance designer for the Zenith Radio Corporation. Once he graduated, he found a position at the New Metal Craft Company. There he designed custom lighting fixtures and decorative objects for architects and interior designers.

Lightolier enticed Thurston to join them in approximately 1950. That same year, New York’s Museum of Modern Art featured a green floor lamp of his in their Good Design Exhibition of 1950. The sculptural lamps that Thurston created for Lightolier are representative of his interest in Scandinavian modernist lighting as well as the revolutionary designs produced by postwar Italian companies such as Arredoluce and Arteluce. (Lightolier partnered with the latter, and Thurston found inspiration in the work of Arteluce founder Gino Sarfatti.)

During Thurston’s decades-long tenure with Lightolier, he became internationally known for his many designs. His modernist fixtures are characterized by clean lines, vibrant colors and an appealing meld of metals and rich woods. His slender-legged Lightolier Tripod floor lamp, introduced in the 1960s, garnered widespread acclaim, while his whimsical Cricket lamp, with its arthropodan shade and slim brass frame, is wholly versatile — it can be hung as a sconce or positioned on a desk and offers direct or diffused light.

On 1stDibs, find vintage Gerald Thurston lighting, decorative objects and more.

Italian architect and furniture designer Maurizio Tempestini is well-known among vintage outdoor furniture aficionados for his sculptural Clamshell line and other elegant mid-century modern furnishings for patios and gardens.

Born in Florence in 1908, Tempestini completed his studies in Industrial Decoration at the Porta Romana Art Institute in 1929. His career as an interior architect and furniture and lighting designer flourished during the early 1930s. It was during this time Tempestini was also active as a set designer for several Italian theater productions, including Mario Massa’s Osteria degli immortali and Luigi Bonelli’s comedy Il Gigli.

Tempestini then turned his attention from the stage to designing furniture and decorative objects. He crafted pieces for ceramics factory Cantagalli in Florence, as well as for Murano glass manufacturers Seguso and Cappellin.

In 1934, Tempestini worked on the external renovation of the Palazzo delle Esposizioni at the Parterre di San Gallo in Florence for the Littoriali Exhibition. Later, in 1938, he formed a studio with architects Nello Baroni and Pietro Porcinai before cofounding the legendary postwar Italian lighting maker Arteluce with designer and engineer Gino Sarfatti in 1939.

During the 1950s, Tempestini designed lighting fixtures for Lightolier and began to collaborate with Brooklyn, New York’s John B. Salterini Company. Salterini was an Italian emigree who initially worked in journalism before becoming an eminent producer of high-end wrought-iron furniture.

Tempestini’s modernist outdoor furniture for Salterini resembled indoor seating manufactured by the likes of Knoll or Artifort — his chairs and other seating boasted organic curves and seductive, unconventional shapes. His work complemented Salterini’s own handmade designs, which reflected Gothic Revival and Art Deco influences. Together the designers produced successful lines of garden and patio furniture for Salterini’s eponymous firm.

Tempestini’s name soon became widely known in the United States. His designs were first introduced to the American public in 1951 through Gimbels Department Store and Suniland Furniture in Houston, Texas. Today his bold and stylish patio furniture remains sought after by collectors everywhere.

On 1stDibs, discover a range of vintage Maurizio Tempestini garden elements, lounge chairs and tables.