A MINIMAL MODERNIST Telescopic FLOOR LAMP by OSTUNI & FORTI, O-LUCE, Italy 1970

A rare and authentic floor lamp, Mid-Century-Modern, Minimalist, Radical, simple tripod base, thin telescopic axe, cylindrical shade, Model 539 by Tito Agnoli for O-Luce, Italy 195...

A halogen floor lamp type "Eclisse" or "Eclipse", inspired by the space or the moon (just like some of the models from the same period by Gino Sarfatti for ex.), Post-Modern, with a ...

Elegant floor lamp in brass and black varnished metal design by Guiseppe Ostuni and Renato Forti for Oluce. Italy circa 1960 Lovely patina on the brass. Lampshade in beige fabri...

Floor lamp model 399 (from cornalux series) with structure in nickel-plated metal, lacquered metal and cast iron. The lamp bulb is adjustable in height achieved by a bracket that allows the lamp to be slid up and down the lamp stem. This lamp was designed by the Italian duo formed by Angelo Ostuni & Renato Forti and manufactured by O-Luce in 1958. Measurements: H 141 x Ø 24 diameter (base 20cm). Founded in 1945 by Giuseppe Ostuni, Oluce is the oldest Italian design company still operating in the lighting world, a unique production excellence which translates passionate aesthetic and technological research into the potential of light into actual form. Over the years, Oluce has succeeded in building a collection structured like a tale, rich and multifaceted, inhabited by products that transcend fashion to become Italian design icons. Its relationship with the design world begins In 1951, Oluce successfully took part in the IX Triennale, presenting – in the lighting section curated by Achille, Livio and Pier Giacomo Castiglioni – a Luminator designed by Franco Buzzi. As was typical at that time, the company instantly gained visibility on the international panorama thanks to Domus magazine. Major success was then reasserted by Tito Agnoli with nominations at the second edition of the Compasso d’Oro awards, in 1955, for his two lamps (the 363 floor lamp and a special bookshelf model). In 1956 these were followed in rapid succession by two more nominations: one for a remarkable table lamp in polyvinyl slats and another for a pendant lamp (mod. 4461) with double perspex shade. Then, there was the noteworthy 255/387 lamp (known as ”Agnoli”), a spot light supported...