Hand-Painted Floor Lamps

Charming antique floor lamp, constructed of solid turned wood, with a hand painted Chinoiserie, Japonisme style, made in the US, circa 1900/30's. This example is in overall good, or...

A vintage tripodal, hand carved, hand painted and distressed wood lamp standard by the beloved company, Theodore Alexander. Founded in 1996, Theodore Alexander has become synonymous...

Pair of Brutalist iron candlesticks hand forged topped with hand-hammered brass bobeche cups. This pair of handsome iron and brass candlesticks are forged and hammered with their original painted finish - black over gold. There is some finish chipping off in places around the decorative orbs...

The Ballroom Floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

A most magnificent Mid-Century Modern sculptural and layered Martz ceramic floor lamp with walnut shelf and base. Hand carved multidimensional glazed rings of hand painted brown and white hues give the floor lamp a sense of movement - like moving rings...

Mid-20th century Art Nouveau-style painted ceramic sculptural floor lamp of Maenad holding grapes signed by P. Oltolini, Argentina By: P. Ontolini Material: ceramic, clay, paint, m...

Illuminate your space with this Antique Turned Wooden Floor Lamp, a unique piece of lighting that marries functionality with artistic beauty. ...

The Ballroom Floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

Italian Florentine hand carved wood torchère as floor lamp, a tall solid cembran pinewood pricket carved on three sides, with a deep acanthus leaf and flowers carving, resting on tri...

Beautiful large hand decorated ceramic floor lamp. Rich details such as the fine antelope on the front and flower motifs on the backside, realized in sgraffito technique. Designed by Marian Zawadzki, model "Oryx" for Tilgmans Ceramic in Sweden. Dated 1960 Signed here by. This pleasing vintage lamp will complement many interior styles. A Modern, Scandinavian, Classic or an Art deco home decor.

Table lamp in porcelain decorated with colorful flowers and a bird. Underside with under-glaze blue stamp 'Porcelaine de Paris, France, fondee en 1773'. Sh...

Sare Lamp by Merve Kahraman White and green marble, milk glass and hand painted glass, and polyurethane ruff finished in pearl paint and polished chrome. 21" W x 21" D x 72" H “Sa...

This antique florr lamp is unsigned, but presumed to originate from Italy and date to approximately 1920 and done in a Classical Florentine style. The lamp base is composed of a softwood that have been heavily hand-carved with considerable decorative elements from the top to the base, and has three pull chain light...

Soft cream toleware floor lamp with pale pink flower heads Hans Kögl, 1970's Stunning large statement floor lamp the light has five tall st...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 001 features an oil-paper shade constructed from a vintage souvenir parasol handed out at the Japanese Pavilion during the 1933 World's Fair in Chicago. It sits atop a lacquered bamboo column with rattan wrapping and a painted seagrass base. Brass fittings, leather accents, and a cloth-covered cord complete the modernist profile. Made-to-order by hand in New York by artist Christopher Tennant...

Model No. 014 is a one-of-a-kind art lamp featuring a vintage rice-paper shade constructed from an exceedingly rare 1919 French parasol advertising a lin...

Take a look at this work of art created by a master craftsman, which is hard to find anywhere else in this world in terms of quality and design. Mobach stands for quality, design and...

The Horst adjustable brass tripod floor lamp collection was inspired by the life and times of globe-trotting early 20th century lensman Horst P. Horst, who introduced color photograp...

Matt white toleware floor lamp with soft pink flower heads Hans Kögl, 1970's /80's Stunning large statement floor lamp the light has five tall ste...

Sare Lamp by Merve Kahraman White, black, and pink marble, milk glass and hand painted glass, and polyurethane ruff finished in pearl paint and polished chrome. 21" W x 21" D x 72"...

Traffic Light Walk Don't Walk Yellow from New-York, pedestrian traffic light in forged iron, yellow painted. With orange round traffic light, orange "d...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

The Ballroom Floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

Developed in partnership with Cristaleria Nacional, the Lore lamp is crafted from solid jequitibá wood and features glass lenses from the 1950s that were once used in traffic signals...

This antique torchiere floor lamp is unsigned, but presumed to have originated from the United States and date to approximately 1920 and ...

Tall ceramic table / floor lamp, showing striking illustration depicting late 15th- early 16th century Latin America with Christopher Columbus "Santa Maria" and Azteks and Spanish Conquistadors.

Introducing the Ligurian Summer Collection, a sophisticated family of handmade fixtures in natural sea shell, coiled leather, marble, and bamboo, inspired by the faded splendor of th...

Pair of French Mid-Century Modern bronze floor torchiere lamps. A pair of spectacular solid bronze floor lamps. Each having painted column form ...

A very lovely Chinoiserie floor lamp in turned and polychromed wood with ebonized (black) background & hand-painted in gold depicting figure in landscape with flowers and fern leaves. England, dated 1932 (appears on small dedication plaque). Newly electrified, with new cream-colored shade and antique brass finial...

The Horst Collection is inspired by the life and times of pioneering early 20th century lensman Horst P. Horst, who is credited with introducing color photography to a mass audience ...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Richly carved and polychromed antique Venetian floor lamp Anonymous Probably Venice, Italy; ca. 1900 Painted and giltwood Approximate size: 56.7...

Silver plate and elegant design meet in this floor lamp. A vintage Art Nouveau style silver plated and mirrored torchiere floor lamp with graceful touches at the base--acanthus leave...

Hozcal Lamp by Merve Kahraman Hand-blown and hand-painted glass, light or dark wood options available. 16" W x 16" D x 73" H “The Hozkal Floor Lamp” is a striking, checkered glass...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at ...

Antique French Neoclassical Tole floor lamp & original Tole shade in an ivory colour, dating from around the 1900-1920 period, all in good original con...

A circa 1920's English painted and lacquered floor lamp. Measurements: Height of body: 54" Height to shade rest: 64" Diameter:  14" (base).

An Iconic design symbol and functional work of art: a German Mid-Century Modern / Bauhaus Clamp Lamp, Model #6470 by Christian Dell circa 1930, made for Kaiser Idell. Additional Re...

A single circa 1920's Italian carved wood floor lamp with painted silver finish. Measurements: Height of body: 50.25" Diameter of base: 10"

The Ballroom Floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

Circa 1920 Pair 1920’s painted fluted pine pillars Measure: H195 x 18.5 cm Diameter bottom 15.5 cm Diameter top.  

A pair of 1960's Italian iron torchiere lamps with painted finish and three interior lights. Measurements: Height: 76" Diameter at widest: 17" (Top) Diameter base: 13" (Base)

The Horst adjustable brass tripod floor lamp collection was inspired by the life and times of globe-trotting early 20th century lensman Horst P. Horst, who introduced color photograp...

Have yourself be seduced by this stand floor lamp in crystal amber colour, a combination of timeless classic elements all customized by Modenese Gastone Luxury Interiors...

Excellent example of iron craftsmanship. Great details. Wood neck painted in a faint pink. Rewired to US standards. Shade not included. Second lamp to create a pair is availabl...

This is an exceptional pair of wooden torch holders sculpted, carved, painted and lacquered to imitate marble in shades of green and red, highlighted in...

A pair of carved wood and painted white, elegant torchieres floor lamps in Serge Roche style.

A very functional mid-century style floor lamp by Cosulich Interiors & Antiques, entirely hand-crafted in Italy and customizable to your own request in sizes, number of lights, finis...

Intriguing large hand decorated ceramic floor lamp. Rich details such as the two figurative humans realized in sgraffito technique. Designed by Marian Zawadzki, model "Med offers gåvor" for Tilgmans Ceramic in Sweden. Dated 1963. Signed here by. This pleasing vintage lamp will complement many interior styles. A Modern, Scandinavian, Classic or an Art deco home decor.

Absolutely gorgeous hand painted tilt top oval accent table. Amazing hand painted flowers with great details. Versatile use, cocktail table, tea tabl...

Rare Art Nouveau dragonfly table lamp in ceramic with original lampshade in bamboo. Measures: Height 75 cm. Width 40 cm. Depth 23 cm. Weight 3 kg.

Porcelain standing lamp from the Nightbloom Collection, created by Lladró in collaboration with the Dutch designer Marcel Wanders. Delicate petals that seem to sway in the breeze ins...

A very functional mid-century style floor lamp by Cosulich Interiors & Antiques, entirely hand-crafted in Italy and customizable to your own request in sizes, number of lights, finis...

Bjørn Wiinblad (1918-2006), Denmark. Two colossal unique floor lamps in blue-glazed ceramics, decorated with young women surrounded by floral ornamentation. Original yellow scree...

French 1940s gilt metal and green painted trimmed floor lamp with 4 gilt scroll design legs supporting 4 twisted gilt metal extensions (style of GILBERT POILLERAT)

This five light, antique French cast iron torchere has been painted deep green with gold colored bands around the motifs. The motifs are trefoils, ...

Design by Ieva Kaleja for "Mammalampa". The Sisters in the "mammalampa" collection are characterized by refined and nuanced painterly color relationships. These lamps have been prep...

Design by Ieva Kaleja for "Mammalampa". The Sisters in the "mammalampa" collection are characterized by refined and nuanced painterly color relationships. These lamps have been prep...