Painted Floor Lamps

Paavo Tynell Model 9602 Brass and Rattan Floor Lamp with Canvas Shade. Originally designed by Paavo Tynell in 1935, this authorized GUBI re-ed...

Paavo Tynell Model 9602 brass and rattan floor lamp. Originally designed by Paavo Tynell in 1935, this authorized GUBI re-edition is executed i...

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to illu...

TIFFANY the iconic lamp! For 20 years, we have been committed to offering you unique collections in terms of design and quality. Using an ancestral manufacturing silvering method, a...

Step into the 1980s with our beautifully restored pair of Mid-Century Modern floor lamps. Expertly crafted from a harmonious blend of brass and metal, these lamps are in impeccable c...

Ancient antique pair of very large and important candlesticks, tall lamp holders in gilded and richly carved wood, total of 8 arms each, moved and with a candle holder at the end, co...

Fabulous pair of Mid Century Modern Glass Mushroom floor lamps by the Laurel Lamp Co. C1965. Lamp bases have been resprayed satin white and r...

The Giro (Portuguese for spin) minimalist floor lamp fixture plays with the concept of movement and function. It presents a side table that spins around the stem fixed into a concret...

This Floor Lamp in Painted Steel and Pau Ferro Hardwood is in the minimalist style. For the 'Rotula" floor lamp fixture, Alessandra Delgado was inspired by the subtle elegance of the...

Verner Panton 'Panthella' floor lamp for Louis Poulsen. The Panthella Collection was designed by Verner Panton in 1971 and remains one of his most popular fixture designs. Panton d...

Floor lamp made in porcelain from the Firefly collection. Floor lamp from the Firefly collection, a series of original lighting designs with plant patterns. The lamp’s porcelain elem...

A vintage Mid-Century French pair of spotlights made of hand crafted painted metal, in good condition. The detailed Parisian cinema floor studio lamps are composed with a customizabl...

Combining sustainability to the ancestry of handmade knowledge with the use of industrial materials, the designer Tavinho Camerino balances tradition and contemporaneity on his Taboa...

Painted metal floor lamp. An elegant floor lamp, Splendid astonishes with its colors and materials, glazed in blue and yellow gold. Precious, sacred and eternal colors, rooted in a ...

Fabulous and rare pair of Mid Century Modern Sculptural floor lamps attributed to the Majestic Lamp Co. All original parts with restored bases (painted, rewired). Shades are totally...

Axolight Float Floor Lamp in Blue Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer Mario Aless...

Axolight Float Floor Lamp in Mauve Dust Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer Mario...

Axolight Float Floor Lamp in White Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer Mario Ales...

Axolight Float Floor Lamp in Concrete Green Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer M...

Axolight Float Floor Lamp in Black Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer Mario Ales...

A magnificent pair of antique Athenian Neoclassical style scrolled iron faux candlestick torchères - floor standing lamps. Each with single light mounted over large oversized faux c...

Axolight Orchid Floor Lamp with Die Cast Aluminum Body in White by Rainer Mutsch Orchid design expresses the enchantment of nature with its splendid ste...

Axolight Orchid Floor Lamp with Die Cast Aluminum Body in Anthracite Grey by Rainer Mutsch Orchid design expresses the enchantment of nature with its splendid stems and buds. Direct...

Axolight Orchid Floor Lamp with Die Cast Aluminum Body in Sand by Rainer Mutsch Orchid design expresses the enchantment of nature with its splendid stem...

Francesco Librizzi 'Alicanto' Floor Lamp for Fontana Arte in Black and Gold. Executed in blown glass shade and black painted metal stem with golden accents, this floor lamp's elegan...

An exceptional pair of early 20th century Mediterranean style painted an patinated brass floor lamps on limestone bases. Recently re-wired, all sockets have chain pulls, in excellent...

Francesco Librizzi 'Alicanto' Floor Lamp for Fontana Arte in White and Gold. Executed in blown glass shade and white painted metal stem with golden accents, this floor lamp's elegan...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

10 years after producing his famous first designs, Mouille departed from naturalism and created a series of lighted columns, among them the large and small signals. The signals combi...

Steel pedestals featuring a combination of incandescent and fluorescent lighting. Each glows through rhythmical cuts in solid panes. The upper part is composed of four elements take...

Porcelain standing lamp from the Nightbloom Collection, created by Lladró in collaboration with the Dutch designer Marcel Wanders. Delicate petals that seem to sway in the breeze ins...

Here you are shown the US wired, Terminus floor lamp with Structure in painted sheet steel. One bulb 12V, 50W., designed in 1981, by Martine Bedin. Martine Bedin is an industrial d...

The Horst Collection is inspired by the life and times of pioneering early 20th century lensman Horst P. Horst, who is credited with introducing color photography to a mass audience ...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at ...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Gloss Black. Established in 1872, Fritz Hansen has become synonymous with legen...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Gloss White. Established in 1872, Fritz Hansen has become synonymous with legen...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Glossy White. Established in 1872, Fritz Hansen has become synonymous with lege...

Unique pair of massive scale painted wood and metal floor lamps. Rich shades of green with gilded accents and ornate carved face and scroll detail. Good vintage condition, lights are...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

The Horst adjustable brass tripod floor lamp collection was inspired by the life and times of globe-trotting early 20th century lensman Horst P. Horst, who introduced color photograp...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 001 features an oil-paper shade constructed from a vintage souvenir parasol handed out at the Japanese Pavilion during the 1933 World's Fair in Chicago. It sits atop a lacquered bamboo column with rattan wrapping and a painted seagrass base. Brass fittings, leather accents, and a cloth-covered cord complete the modernist profile. Made-to-order by hand in New York by artist Christopher Tennant...

Poul Henningsen PH 3-2 1/2 outdoor bollard for Louis Poulsen. Based on Poul Henningsen's revolutionary reflective three-shade system, which directs the...

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to ill...

Figure out a shape while staring at the fireplace, the designer came up with a geometrical shape that we carved it into solid wood. Now we have a worm white light, and a everlasting ...

Paavo Tynell Model 9602 floor lamp with wicker shade. Originally designed by Paavo Tynell in 1935, this authorized GUBI re-edition is executed ...

Mosaik, wall lamp in white steel by LYFA. Size : H 135 x W 25 x D 26,9 cm Materials : Matt painted Steel, Solid brass LIGHT SOURCE (NOT INCLUDED) Socket: E27 Max wattage: 60...

Mosaik, wall lamp in white steel by LYFA. Size : H 135 x W 25 x D 26,9 cm Materials : Matt painted Steel, Solid brass LIGHT SOURCE (NOT INCLUDED) Socket: E27 Max wattage: 60...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

These torchiers are well carved and hand painted with Gilt highlights. They are open in the center so that they May be wired. They are not wired at present. The carving Has open ...

Joe Colombo 'Triedro' floor lamp in chrome and white for Stilnovo. Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Mid-centu...

In his Post Black Shapes period, Serge Mouille experimented with color and columns. With the Totem, he stacked cylindrical shades around a central lighting element. By alternating th...

A houseof icon, this statement lamp has become a favourite, combining soft ambient lighting and pop-art shapes. Sitting on a tripod base, the oversized dome...

Steel pedestals featuring a combination of incandescent and fluorescent lighting. Each glows through rhythmical cuts in solid panes. The upper part is composed of four elements ta...

Steel pedestals featuring a combination of incandescent and fluorescent lighting. Each glows through rhythmical cuts in solid panes. The upper part is composed of four elements ta...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

I have five prototypes, four black and one white, they are unique pieces very decorative. You can put them in different positions.

A new, refreshed and updated version of the Classic blue super lamp with rubber wheels by early Memphis inceptor/memer Martine Bedin (France). Same scale and details but in this instance, an all-white body with multicolored exposed bulb...