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A Crisp Cold Painted Austrian Bronze Figural Lamp Sculpture by Franz Bergmann
$6,000
£4,481.71
€5,195.83
CA$8,330.85
A$9,337.81
CHF 4,861.92
MX$114,018.66
NOK 61,728.77
SEK 58,513.32
DKK 38,766.53
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About the Item
A Fine cold painted bronze figural lamp sculpture with an Arab warrior resting at the base of a palm tree rooted to a rock. He sips tea in an ornate cup as the fire he built to heat the tea dies down. Brilliant cold painted color bring the restful scene to life. A blue light bulb is nestled within the branches and leaves of the palm, emitting a soft blue light when turned on.
Artist: Franz Xaver Bergmann (1861-1936)
Origin: Austrian
Date: Early 20th century
Signature: Signed
Dimension: 17 in. x 11 in.
- Creator:Franz Bergmann (Artist)
- Dimensions:Height: 17 in (43.18 cm)Width: 4 in (10.16 cm)Depth: 11 in (27.94 cm)
- Power Source:Plug-in
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Early 20th Century
- Condition:Rewired.
- Seller Location:New York, NY
- Reference Number:Seller: AusBr092021-111stDibs: LU4745240761022
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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