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French Art Nouveau "Grape Vine" Desk Lamp by Daum

$13,500List Price

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French Art Nouveau Glass Vase by Daum Nancy
By Daum
Located in New York, NY
A French enameled and etched glass vase with applied handles by Daum. The vase has a pink martelé background. There is carving on the dark green footed base. It is decorated with lig...
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Vintage 1910s French Art Nouveau Vases

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Daum Nancy French Art Nouveau “Snow Drop” Vase
By Daum
Located in New York, NY
A French Art Nouveau cameo glass “Snow Drop” vase by Daum, featuring carved light blue flowers on brown stems against a mottled white and blue ground, circa ...
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Antique Early 1900s French Art Nouveau Vases

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Daum Nancy French Art Nouveau Cameo Glass Vase
By Daum
Located in New York, NY
A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue and grey stems and leaves on an opa...
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Vintage 1910s French Art Nouveau Vases

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Edgar Brandt and Daum “La Tentation” Table Lamp
By Edgar Brandt, Daum
Located in New York, NY
A French Art Deco serpent lamp by Edgar Brandt and Daum titled “La Tentation”. The lamp features a rich brown, bronze Boa Python, almost completely vertically extended, wrapped aroun...
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Early 20th Century French Art Deco Table Lamps

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French Art Nouveau Desk
By Ecole de Nancy
Located in New York, NY
A French Art Nouveau mahogany desk by l'Ecole de Nancy, featuring a hand-tooled leather top, letter rack and bronze drawer pulls with a floral motif...
Category

Early 20th Century French Desks and Writing Tables

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French Wheel Carved Cameo and Mmartelé Galss "Crocus" Vase by Daum
By Daum
Located in New York, NY
A French wheel carved cameo and martelé glass "Crocus" vase by Daum. This Daum vase has gray cameo glass. It is decorated with stems and leaves ascending from the bulbous foot lead...
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Antique Early 1900s French Art Nouveau Vases

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Daum Nancy Art Nouveau Lamp
By Daum
Located in NANTES, FR
Daum Nancy Art Nouveau table lamp, circa 1910. High-quality wrought iron base, stamped (illegible). Powder tulip signed Daum Nancy. Electric and in perfect condition. Height: 40.5 c...
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Antique French Art Nouveau Period Glass Lamp by Daum Studio
By Daum
Located in London, GB
This exquisite Art Nouveau lamp is by the celebrated French glasswork studio Daum which was founded in 1878 in Nancy, France. The lamp is inscribed ‘DAUM, NANCY’. The lamp is of ...
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Daum Nancy Art Nouveau Lamp Probably by Majorelle
By Daum, Louis Majorelle
Located in NANTES, FR
Art nouveau lamp circa 1900. Gilt bronze base probably by Louis Majorelle. Glass paste tulip signed Daum Nancy. In perfect condition. Electrified, B22 socket, bayonet bulb. Height: ...
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Daum Nancy Art Nouveau Table Lamp, Circa 1900 France
By Daum
Located in Toledo, OH
This stunning patinated cast bronze harp top base has a beautiful Daum Nancy acid etched shade. The single socket base features floral detailing and is unsigned. The acid etched carv...
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L. Bessin and Daum Nancy Art Nouveau Lamp
By Paul-Lucien Bessin, Daum
Located in NANTES, FR
Art Nouveau lamp circa 1900. Patinated regula representing a nymph, signed L. Bessin for Paul Lucien Bessin. Glass paste tulip signed Daum Nancy. Electrified and in perfect condition...
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Art Nouveau Lamp by Victor Saglier and Daum Nancy
By Victor Saglier, Daum
Located in NANTES, FR
Gilt bronze lamp around 1900, probably by Majorelle executed by Victor Saglier. Stamped on the foot VS. Glass paste tulip signed Daum Nancy. Lamp electrified and in perfect condition. Total height: 38.5 cm - 15.15 in width: 15cm depth: 13cm weight: 2.3kg Victor Saglier (1809 - 1894) Victor Saglier is a ceramist and goldsmith known in particular for his creations in the Art Nouveau style of the late 19th century. He produces, among other things, objects in enamelled glass, gilded metal and numerous pieces of silverware. On his death, the company was bought by his brothers who continued production until 1948. Victor Saglier's objects are signed by the "VS" brand. Known for his Art Nouveau work, Saglier made several pieces for Louis Majorelle, Daum and Émile Gallé. Its style is typically French Art Nouveau in the language of the École de Nancy. He often drew inspiration from nature for his work, the logic of which helped design both forms and settings. The sign of master goldsmith Victor Saglier is an oval-shaped three-master sailboat surrounded by the letters V and S in a rectangle. Saglier made everyday objects such as glass vases, bowls and pitchers with metal mounts, planters, tea and coffee services and candlesticks in bronze or silver-yellow metal or cast zinc. On his death, the Victor Saglier company at 12 rue d'Enghien in Paris became Saglier Frères. It was run by his brothers Eugène and André until his death in 1948. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.
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