Bronze Table Lamps

2-lights table lamp in handcut clear crystal and golden bronze. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this table l...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

21st Century desk lamp in golden bronze and with porcelain base decorated with gold silk. The metal parts are finely chiselled. The joint on the bar allows you to direct the light so...

La lampada Superba è realizzata in onice bianco, un materiale prezioso utilizzato già nell'antichità. Si ritiene che il suo nome derivi dal greco "onux" che significa unghia. Una leg...

21st Century desk lamp in golden bronze and with porcelain diffuser decorated with marble effect. The metal parts are finely chiselled. The joint on the bar allows you to direct the ...

21st Century desk lamp in golden bronze and with green porcelain diffuser. The metal parts are simple and linear. The possibility of changing, on request, the metal finish and the co...

A large pair of mid 19th century bronze & ormolu candlesticks, having urn-shaped sconces above acanthus scroll decorated tapering stems above scrolled legs ending on triform platform...

A wonderfully unique possibly one of kind bronze lamp with an antique Handel art glass shade. Art Nouveau in style with winding and twisted vine climb...

Louis XVI styled Antique Lamp. tested and works. May be bronze or brass. Includes lamp shade

La lampada Superba è realizzata in onice ambra, bronzo ed ottone. Essenziale nel design per esaltare la rara bellezza di questa pietra naturale semitrasparente. Il fondo è di un colo...

21st Century desk lamp in golden bronze and with porcelain diffuser decorated with gold silk. The metal parts are finely chiselled. The joint on the bar allows you to direct the ligh...

Early 20th C vessel in bronze with vines & leaves overlay in sterling silver overlay by renowned Arts & Crafts studio Heintz Metalworks. Newly rewired for standard bulb.

A French Figural Bronze Inkwell Desk Lamp with Tole Shade, Late 19th / Early 20th Century French double inkwell figural bronze desk lamp, comprised of a central winged bronze cherub...

Hutton-Clarke Antiques is delighted to present a magnificent pair of French Empire Gilt Bronze Candelabra, originating from around 1890. These candelabra are a testament to the exqui...

Mid-century Brutalist Table Lamp in Brass and Resin by Philippe Cheverny, 1970s. Good condition, some scratches.

Clear crystal and burnished bronze table lamp in Liberty style. The pendant are in clear and black crystal. Each object is handcrafted and the care for every detail makes each item u...

LLAMA is a table lamp, composed of a lost-wax cast bronze body, and a handblown glass lampshade. It is a reinterpretation of an archetype of llama sculptures essential within Ecuador...

La lampada da tavolo Monument Valley è realizzata ispirandosi alle iconiche guglie che caratterizzano l'omonima zona desertica degli Stati Uniti. In questa originale creazione dispon...

A very large and elegant table lamp, Post-Modernist, large cubic base in thick nickel-plated bronze plates, topped by a thin cylindrical axis and a beautiful circular lampshade, by P...

Tiffany Studios Leaded Glass and Gilt Bronze Jeweled Drophead Dragonfly Table Lamp, circa 1910. At the turn of the century, Clara Driscoll, head of the women’s glass cutting department and the brains behind some of Tiffany’s most iconic shades introduced the “Drophead Dragonfly” to the world. Unable to cut the pieces of glass small enough to give the desired lacy effect to the wings of the dragonfly, Driscoll came up with the idea of using a brass filigree overlay that would be soldered over top of the glass wings, giving a much more intricate appearance. These filigrees had previously been used on smaller decorative items but were a new concept in lamp design. The Dragonfly became one of Tiffany’s first recorded leaded shades, shown as early as 1899 by Art Nouveau tastemaker Siegfried Bing at Grafton Galleries in London The design won her the bronze medal at the 1900 world's fair a year later. As the son of Tiffany & Co-founder Charles Lewis Tiffany, jewels to Louis Comfort Tiffany were as water is to a fish. It is no wonder with this background that Tiffany made the bold decision to employ Leo Popper & Sons of New York City as its producer of glass jewels Popper was founded in 1880 to produce imitation stones for costume jewelry, and Tiffany’s entrepreneurial prowess saw the possibility of using jewels in leaded glass shades. On the subject, Tiffany wrote: “Anyone who has seen the great rose windows of Chartres has, intuitively or otherwise, understood the relationship between glass and jewels. Designed to refract light prismatically, and placed to raise heads beatifically, they resemble nothing so much as magnificent celestial jewels.” It was likely for this reason that model no. 1507 was Tiffany’s favorite. More than any of its variants, the shade was spangled with a wide assortment of cabochon topaz glass jewels. This lamp features a unique example of Tiffany Studios' iconic Drophead Dragonfly shade depicting a swarm of nine descending dragonflies, each with a distinct combination of body and eye color. Dragonflies, each with wings of strikingly mottled apple green and deep red and a unique combination of eye and body color. The ground is a warm saffron yellow shaded up to rich butter yellow, punctuated by twinkling amber cabochons jewels and topped by geometric bands of purple mauve and mint green. The vibrancy and variation in the dragonfly glass...

Antique French Bronze Woman and Child Figural Sculptural Lamp. 20" tall to the top of the double socket.

Mid-century era sculptural fusion bronze table lamp featuring a classic Western candle stick design with a Chinese motif featuring cranes, foo dogs, and a floral design. along the ce...

A beautiful and grand pair of French antique bronze 5 candle lamps, with handmade pink silk shades. Newly rewired.

An art deco table lamp designed by Melville. G. Willer Beautiful stylish SightLight table lamp, created in America during the art deco...

Viennese bronze Orientalist mosque lamp by Anton Chotka Austrian, Early 20th Century Height 37cm, width 18cm, depth 21.5cm This remarkable antique figurative lamp, meticulously crafted by Anton Chotka, a premier manufacturer of cold-painted bronze products in late 19th to early 20th-century Vienna, presents a captivating tableau. The lamp ingeniously depicts a mosque, an emblem of Islamic architecture, brought to life in intricate bronze detail. Beneath the mosque's mihrab, the pointed-arch niche indicative of Mecca's direction, two figures linger in a state of reverence. One figure is shown in a reverential position, knelt before the holy Quran...

Pair of antique (19th century) French Sevres style porcelain vases with spirling ribbed shape, mounted as table lamps with bronze mounts and fine floral painted designs and gilding o...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Winged Victory French Empire figural lamp patinated and gilt bronze, column on stepped black veined marble base. 19th century, France MEASUREMENTS; 30.25" H x 16" diameter (shade)...

Sita. table lamp - Stylish and useful cast bronze tablelamp with contemporary design. The dome is made of cotton and it can be in various collors. The base presents natural irregula...

Pair Of 20th Century Candlesticks Pair of 20th century candlesticks, 20th century decorative candlesticks in silver metal - one has 2 spots - see photos Dimensions: 14 cm in height a...

Vintage Maitland Smith table lamp featuring a bronze female figure standing on a stacked rectangular bronze and penshell base, her arms wr...

Oval shape bronze lamp probably was a temple bell originally. Very heavy bronze aged beautifully to verde green finish. Sitting on a rosewood base 11x8 To the top of the bronze i...

Two 1950s Chinese style blue and white porcelain table lamp with floral decoration and bronze base. Each lamp decorated with meandering branchwork and cherry blossoms; underside wit...

A mid century, Hollywood regency, asian style lamp by James Mott. Bronze with dragons and loops on a wooden base.. The finial what appears to be original but I don't know for certain.

Gold and gargoyles combine to create an elegant lighting opportunity in this pair of lamps made in Canada. The French Rococo influence is apparent in the gilded cast design and the t...

French Napoleon III 19th century ormolu table lamp with two light sources. Height to top: 77 cm. Circular base and tapered central support mounted with gilt bronze grapes and foliate...

Large Viennese cold painted patinated bronze Orientalist lamp by Titze Austrian, Early 20th Century Height 48cm, width 34cm, depth 16cm Crafted in the quintessential Viennese styl...

A handsome pair of French 19th century Renaissance st. Grand Tour Period patinated Bronze, Ormolu and black Belgian marble lamps possibly by F. Barbedienne. Each lamp is raised on an...

A handsome pair of French 19th century Greek Revival st. Grand Tour Period Patinated Bronze, Ormolu and black Belgian marble lamps, possibly by Barbedienne. The pair of lamps are rai...

This is a nice sized lamp with a 17 inch diameter. The base is heavy bronze with with beautiful clean lines. The shade and slag glass are free of cracks or chips. Each glass panel ha...

Absolutely gorgeous Vintage Authentic Japanese 'Victorian Couple' Boudoir Table Lamp. The lamp Socket was Made in Canada 1920 - 1930 by Leviton 250W250V on the shell. Turn knob/Flat Paddle (old style...

The circa 1920s neoclassic Greek style Caldwell silver table lamp with a lot of details: people body on bottom part and leaves on top

A stunning and most decorative pair of French 19th century Louis Philippe period Patinated Bronze, Ormolu and Crystal candlestick lamps. Each candlestick mounted into a lamp is raise...

Pair of circa 1930’s Opaline glass table lamps with gilt design

Pair of Gilt Bronze Girandoles with Lyre Shape and Crystals, 19th Century France

Pair of two Maitland Smith buffet / table lamps featuring round bronze bases and urn shaped finials with factory distressed patina / verdigris, w...

Magnificent fancy French Empire gilded bronze figural table lamp having lovely nymph holding two branch floral torch with ceramic candles. The details such as her angelic face, love...

Pair of Bronze Stifle Table lamps with linen lamp shades. The base is a nice thick base that offers stability. The weight of the lamps matches the s...

Elegant French Empire Baccarat style crystal and bronze lamp. Circa 1920. Adds a very special touch. So pretty!!

A pair of circa 1930's French Opaline glass table lamps with gilt bronze fittings

Austrian Orientalist cold-painted bronze lamp of a shoe cobbler Austrian, Early 20th Century Height 23cm, width 21cm, depth 16cm The story presented by the makers of this sculptural lamp is set at a shoe cobbler’s workshop. Made in the traditional Viennese manner of cold-painted bronze, the piece is an outstanding example of high quality Orientalist design. Three shoe cobblers are depicted working together in a traditional Orientalist building, one covered by textiles to protect them from the elements. The wall is decorated with a large pair of scissors, a tool often used by shoe cobblers. In the foreground is a male figure reaching towards a wooden bench on which shoes needing repair are displayed. Behind him, sitting on a bamboo-supported table sit two other male figures. The first one is caught mid-speaking, in a pose suggesting he is excited. On his legs is a piece of textile. The man next to him is seen holding threads in both hands, repairing a vibrant red shoe. All figures are dressed in loosely fit clothing...

Empire Style Figural Siren Bronze Lamp A Charming bronze lamp, the lamp has been converted from a gas light has a statue of a Siren set on the back plate of the wall fitting The l...

Cold painted bronze lamp with Orientalist subject by Bergman Austrian, circa 1910 Height 46cm, width 21cm, depth 12.5cm The Bergman Foundry, ...

Pair of small Murano glass lamps with custom silk shades. Dimensions listed (8 in. diameter x 13 in. tall) are the overall dimensions of the l...

Vintage Maitland Smith table in the shape of a tall ginger jar / urn featuring a white shell mosaic in a scalloped feather or leaf vein pa...

Large 18th Century Chinese Export Mandarin Bronze Mounted Vase, wired as a Lamp

A pair of late 19th century French empire candlesticks with three lights converted into table lamps

A pair of late 19th Century Italian gilt bronze and silvered metal candle sticks converted into table lamps