Murano Glass "Saffo" Table Lamp by Mangiarotti Angelo for Artemide
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Murano Glass "Saffo" Table Lamp by Mangiarotti Angelo for Artemide
About the Item
- Creator:Artemide (Maker),Angelo Mangiarotti (Designer)
- Dimensions:Height: 13.25 in (33.66 cm)Diameter: 8.5 in (21.59 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Excellent original condition. Minor scuffing to aluminum base.
- Seller Location:Fulton, CA
- Reference Number:1stDibs: LU5539223717952
Angelo Mangiarotti
Italian architect, designer, teacher and urban planner Angelo Mangiarotti was a leading light in the international design community from the 1960s onward. While he was an adherent of the rationalist principles of purity of line and simplicity of construction, he sought to imbue his designs for coffee tables, dining chairs, sconces and other furnishings with a sense of character and lightness of spirit that was often lacking in late-20th-century modernist architecture and design.
Born in Milan, Mangiarotti studied architecture at Milan Polytechnic, graduating in 1948. Five years later, he won a visiting professorship at the Illinois Institute of Technology — beginning a peripatetic academic career that would see him teaching in numerous Italian institutions as well as in schools as far afield as Hawaii and Australia. He worked with Bauhaus eminences Ludwig Mies van der Rohe and met such greats as Frank Lloyd Wright and Walter Gropius. He returned to Italy in 1955 and would go on to work on numerous industrial, residential, commercial and civic projects in his home country, most notably a group of six railway stations in Milan.
As a designer, Mangiarotti and the development of his career embodies the evolution of modernism in the latter decades of the 20th century. In the late 1950s and early ’60s, after early experiments in plywood furniture and one-piece foam-core seating — including the 1110 lounge chair for Cassina — Mangiarotti began to design using more classic materials, from delicate, curvaceous blown-glass table lamps for Artemide to chandeliers with crystal links for Vistosi.
In 1971, Mangiarotti introduced what became his signature designs: a series of tables in marble and other stones that featured “gravity joints,” their legs held in place by the weight of the tabletop. Tables in his Eros collection have muscular proportions that anticipate the robust, overscaled lines of postmodern works that would appear 10 years later: His Eccentrico table, for example, is a striking assemblage in marble featuring a top that is cantilevered dramatically on a canted columnar base.
But simplicity and practicality were consistently the primary watchwords of Mangiarotti’s designs. The purity and elegance of the objects he created offer a graceful counterpoint to a traditional decor, yet they have a singular sculptural presence that allows them to stand out powerfully in a modern interior.
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Artemide
Artemide is an iconic firm in the design world. The mid-century Italian company is one of the best known lighting manufacturers and its award-winning fixtures are held in museum collections everywhere. Vintage Artemide table lamps, pendants, ceiling lamps and other lighting represent a thoughtful merge between functionalism and eye-catching design.
Artemide, which is based in Pregnana, was founded by Ernesto Gismondi and Sergio Mazza in 1959. During that year, Mazza created the first table lamp for the manufacturer — a modernist work in glass, marble and metal that he called the Alfa. Gismondi, who studied aeronautical engineering at the Polytechnic University of Milan and missile engineering at Rome’s Professional School of Engineering, applied his knowledge of cutting edge technology and materials such as fiberglass resin to Artemide’s designs for lighting and furniture.
In 1967, Artemide won Italy’s Compasso d'Oro design award for its Eclisse table lamp, which was designed by Vico Magistretti two years earlier. Other award-winning fixtures include the Tizio table lamp designed by Richard Sapper and the Tolomeo table lamp.
Designed by Michele de Lucchi and Giancarlo Fassina, the Tolomeo featured the patented George Carwardine mechanism used in the original Anglepoise lamp. De Lucchi would later be recruited to join visionary postmodern design collective the Memphis Group. Artemide’s Gismondi purchased the brand after founder Ettore Sottsass dismantled the collective in 1988, and it was bought by Alberto Bianchi Albrici in 1996.
Artemide’s list of design, innovation, sustainability and other industry awards is long and distinguished. The firm continues to actively collaborate with internationally revered designers and seek out new talent through workshops with design schools. The company’s deeply held values — energy-saving lighting, sustainable design and ethically sourced materials — characterize its current offerings, and Artemide furniture and lighting can be found in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art and other institutions.
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- Marbro Turned Glass Table LampBy The Marbro Lamp CompanyLocated in Fulton, CAA Marbro turned green glass table lamp retaining its original lamp shade with Greek key design. Excellent original condition. Base measures 7' diameter. Marbro Lamp Company The company was founded by Morris Markoff and his brother, hence the name Marbro from Markoff brothers. They started the company shortly after WWII. The company was located in a 3 story brick building in the garment district of Los Angeles, just south of Downtown right by the Santa Monica Freeway. During the time they ran the company, they sold almost as many antiques as they did lamps. They also had a sizeable business in decorative accessories such as tables and a lot of animal figurines. There were quite a few dog figurines that were life-size. One dog figurine was a life-size Great Dane purchased by the actor Jack Webb who starred as Sgt. Joe Friday in the 1951 TV hit series, Dragnet. There were quite a few celebrities that came in to their shop. One actress who shopped there repeatedly was Deborah Shelton who at the time played the part of “Mandy” on the TV series Dallas (remember J.R.). Marbro sold their products mainly through interior designers and a few upscale furniture stores. You would not find a Marbro product in a chain furniture store or a discount store. Most of the products were built to order. A typical order from a designer or retailer took between 75 and 90 days to complete. Most of the components that made up the lamp bodies (ceramic, brass, glass, etc) were purchased from small companies around the world. In the later years almost all of the brass came from India. For the most part, none of the bodies were made on site. Marbro was well-known for importing a variety of unique lighting components from all-over the world. Italy was the source for alabaster, Japan and China for Porcelain, Brass in India and Crystal from Germany and France. Lamps would also be made from sculptures that customers brought to in to the shop. Once the lamp bodies arrived, a group of Marbro employees would make the wood bases, spin the metal caps, make the shades, and do the painting and tinting. With the help of about 20-40 other true world class artisans, metal workers, finishers and handmade shade makers, they produced lamps and shades that were truly some of last of their kind of art. For example, Marbro brass was never just plain brass. It was stained with a tinting that was homemade and kept secret by the company which is reminiscent of the Handel Lamp Co. of the early 1900s. There were quite a few of these preparations all kept in one of those little metal boxes on a 3 x 5” file card just like a recipe. It was truly a unique method of making lamps. Many of the lamp bodies that the company bought were not exactly matched as pairs. Sometimes 10-20 crystal vases would have to be sorted through to get 2 of the exact same height so that if the lamps were purchased as a pair, they would match. All of the shades were made by hand by a group of women on the second floor of the building with very little automation. The manufacturing plant was closed in Los Angeles in December 1990 and the inventory and equipment were moved to Labarge Mirrors in Holland, Michigan. At the time Labarge Mirrors was a Masco Corp subsidiary. Some time later, the Marbro product line was discontinued. Eventually, Masco sold most of their home furnishings manufacturing holdings. Marbo assembled a very talented, experienced and unique group of artists and craftsmen and many of their Fine lamps exhibit a certain unique signature style. Most of the employees were in their 50’s and older. There were quite a few employees in their late 1960s and 1970s. Today their lamps are collectible and sought after especially by certain knowledgeable collectors who are familiar with the company's lamps and history. Many of Marbro lamp are commonly referred to as “Hollywood Regency” style. This rather lavish style of decorative arts is currently in the midst of a tremendous and accelerating revival. It is obvious from the company's careful selection of art objects and their unique proprietary methods of lamp making that their goal was to design beautiful unique and very high quality lamps. Their success is obvious from the very Fine collectible Marbro lamps that are still sought after today. Marbro lamps present a particular appraisal Challenge due to their very unique style and market conditions. Generally, there are fewer collectors of Marbro lamps as compared to many other lamp companies of the 1900 - 1950’s era. This in no way devalues your lamp but implies a special category of a more limited number of buyers and collectors. During the 1950s, Marbro sold to many very affluent customers including movie stars and others connected to the film industry. Their lamps were considered very exclusive and definitley high end for that period. The key to selling vintage Marbro lamps...Category
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