Table Lamp PH 2/2 ‘Question Mark’ Designed by Poul Henningsen for Louis Poulsen

Ceiling lamp PH 4/4 designed by Poul Henningsen for Louis Poulsen, Denmark. 1930's. Nickel plated brass and original glass. Measurements: D: 40 cm/ 15 3/4''

Nickel-plated brass and original frosted painted glass. Provenance: From a private Danish collection. Example made in the mid 1930s. Poul Henningsen’s lamp designs are characteris...

Table lamp model AJ designed by Arne Jacobsen for Louis Poulsen Entwurf, Denmark. 1957. Chrome-plated metal. Early model without on / off switch. Adjustable shade. H: 53 cm / 1' ...

Table lamp designed by Bertil Brisborg for Nordsika Kompaniet, Sweden. 1960s. Ceramic and brass with fabric shade. Stamped. Measurements: H: 44 cm/ 17 10/32" Diameter of shade: 3...

Lacquered metal and leather. Measurements: H: 38 cm/ 15" D: 38 cm/ 15" W: 36 cm/ 14 1/8" Alvar Aalto was a Finnish architect and designer. His work includes architecture, furniture...

Brass. Table Lamp Model 2552 Designed by Josef Frank for Svenskt Tenn, Sweden, 1950s Measures: H 49.5 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Very rare table lamp model PH-2/2 ‘The question mark’ designed by Poul Henningsen. Produced by Louis Poulsen in Denmark.

Pouls Henningsen PH 3½-2½ Table Lamp. Denmark, designed 1928, new, current production. PH 3 ½-2 ½ Table was designed in 1928 and is one of many development projects undertaken by PH in connection with the development of his world-famous three-shade system. The table lamp is based on PH's original drawings, and comes with the first type of shade holder, with adjustment screws. The top metal shade has a rolled edge, a decorative and stabilising feature that makes the shade appear thicker than the actual material. The two bottom shades are made of mouth-blown opal glass. PH found that this combination utilises the light source more efficiently, directing the light downwards due to the reflection from the white inner surface of the top shade. The frame is brown painted brass giving the lamp the same appearance as the burnished brass lamps of the time – a process that is no longer recommended due to environmental considerations. Material: Top shade: Spun aluminium painted in yellow with a white rolled edge. The inside of the top shade is white. Middle and lower shade are mouth-blown glass. Shade holder: Silk matt...

Poul Henningsen PH 4/3 table lamp for Louis Poulsen. Poul Henningsen’s legendary design stems from his own, brilliant three-shade system from late 1920s. Poul Henningsen design fr...

PH80 table famp by Poul Henningsen (1894-1967) for Louis Poulsen Denmark. Made in white acrylic lamp shades.

PH 4/3 Table by Poul Henningsen for Louis Poulsen, showcasing a 3-shade lamp system with handblown amber glass.

About This Product Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis P...