Enameled Table Lamps

Pair of 19th c. Italian Carved Wood Fragments converted to Lamps. The Shades are included and are Hand Made of Parchment Paper. They are Hand Gilded and Decorated. The lamps have be...

19th century Italian giltwood lamp. Stunning tall 19th century Italian gilt wood candlestick or pricket that was converted into a table lamp. Thi...

Classic pair of late 19th century Italian giltwood candlestick lamps featuring much detail and nice old patina. The fluted Corinthian columns sit on tri-shaped plinths with claw feet...

Pair of fine quality 19th Century Louis XVI style Sevres porcelain ormolu mounted table lamps. Traditional French porcelain. These beautiful h...

19th century green with gold scene design details Moser glass pair table lamp with brass base. Each lamp is in good working condition. Minor wear consistent with age / use. Each lamp...

19th C. Pair Pink side Table Lamps Opaline Glass Vase Nightstand Lights antiques . Pair of beautiful 19th century opaline opaque pink glass with gilt...

19th century, small pair of French chiseled gilded bronze candlesticks The elegant and refined pair of bronze candlesticks finely chiselled and gilded was made in France circa mid...

A Large Pair of French Baccarat Opaline Glass Vases / Lamps, 19th Century, Circa 1870 These opulent lamp / vases are adorned with meticulous hand-painted floral motifs, showcasing t...

19th century Italian giltwood Corinthian column lamp. This beautiful gilt wood lamp was made from an antique fragment and is newly wired for the American market.

Pair of 19th c. Italian Giltwood and Painted Candles converted to Lamps. The Shades are included and are Hand Made of Parchment Paper. They are Hand Gilded and Decorated. The lamps h...

Pair of late 19th C Baccarat white opaline vases with gilt and floral decorations. Vases are beautifully mounted on gilt wooden base. In excellent condition with minimal gilt losses ...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 - 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d'Artois, the Marquis de Marigny, and the duc d'Aumont. The collection of the duc d'Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley's most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D'aumale, Richard Wallace, the Duc and Princess d'Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...