Ceramic Furniture

Allegory of the Earth. Glazed porcelain. Hispania porcelain, Manises, Spain, 20th century. With mark on the base. Porcelain figurine enameled with touches of gold that shows a ha...

Provenance: A New England Estate Hand-painted in the 18th century circa 1765 these beautiful Mennecy Porcelain soft-paste pomade pots are rare. Pots like this held rich creams and l...

A Meissen porcelain ‘Gold Dragon’ pattern three-piece garniture. A Meissen porcelain reticulated three-piece basket Garniture and stands. ...

Elaborate porcelain group of the 19th century: Young mother in elaborate Rococo clothing, seated on a magnificent Louis XVI-style armchair, resting her left foot on a low pedestal, ...

Mid Century Modern vintage pitcher from porcelain in white and pink pastel color tones by the famed Italian porcelain manufacture Capodimonte 1950s Italy. The amazing porcelain pitc...

This figure of an elegant young nobleman ready to play Real Tennis was made of German (Saxony) hard-paste porcelain circa 1820. Real Tennis, a favorite pas...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

I want to offer you this rare exquisite set of sixteen Coalport plates Each plate is painted with beautiful scenery of different castles, churches, palaces, lochs, valleys and bridge...

I am proud to present you with this fabulous Meissen blue onion serving piece. I do not think I have ever seen a Meissen serving piece like this. It is a covered serving bowl...

A fine KPM porcelain basket. With reticulated or pierced sides, twin handles, and a hand-painted floral spray to the center. Simply a wonderful porcelain basket! Date: Late 19th or Early 20th Century Overall Condition It is in overall good, as-pictured, used estate condition with some very fine & light surface scratches and other signs of expected light wear consistent with age. Maker: KPM Porcelain Marks: Base bears a blue underglaze factor scepter mark, an iron-red orb mark, hand-painted cyphers and numbers, an impressed cyphers, and a cut slash...

A very beautiful Italian white and gold porcelain vanity bottle with bird design in the Rococo style, circa early-20th century, Italy. A white porcelain bottle...

A very fine and exquisitely hand painted French porcelain cabinet plate with a scene titled Grande Cascade du Bois de Boulogne made by Lahoche et Pannier...

Pair of polychrome Capodimonte porcelain figurines, a man with basket of grapes and a girl with a basket of flowers, both with round gil...

This is a beautiful oval Meissen reticulated bowl hand painted with a central painting of a flower bouquet and accents of butterflies and insects. ...

This a set of hand painted Porcelain cachepots depicting a decoration in a gilded centerpiece of a flower arrangement in the front and gilt acanthus growing along the diameter sides of it . Also, there are three hand painted cobalt blue rings around the cachepot decorated with gilt rows of parsley leaves alternated with the white background. The cachepots have two gilt & white rocaille shaped handles. Under the base is written in French that it was handcrafted in Paris, France by Le Tallec. Camille Le...

Maiolica puerperal cup Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm) Weight: 0.78 lb (358 g) State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked. From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany. In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility. During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc. Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift. This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor. In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...

I would like to offer you this beautiful large round platter in the Meissen purple Indian pattern. It has detailed paintings of pink flow...

I would like to present you with this stunning Meissen purple Indian round cake stand or platter. It would be perfect to serve delicious beautiful cakes to your special guests. It could also be used as a round serving platter for cookies, pastries, appetizers and side dishes. It has detailed paintings of pink flowers with some purple and gold accents on a white ground. The detail of the painting on this cake plate is beautifully done. It has a gold border. Inside the gold border is an intricate pink design accented with gold dots. This is one of my favorite Meissen patterns. It is definitely eye catching, and would make a stunning addition to any table setting. The pink and gold tones of the pattern are not only beautiful and intricate, but they give a bright and cheerful feeling to any dinner service. This Meissen round platter is 10.75 inches in diameter. Price of this beautiful Meissen cake...

The octagonal plaque is painted in blue with a courteous scene. A young man offers a flower to a young lady accompanied by her chaperon, against a background of trees and shrubbery. ...

An early-20th century French hand-painted plate by T & V, Limoges, France. Plates' design is beautiful fuchsia-purple and pink mum flowers and green leaves, finished with a gold gilt...

Coffee assortment with “barbotine” decoration Manufacture of Pasquale Rubati or Felice Clerici Milan, 1770- 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). ...

Sick cup Pasquale Rubati Manufacture Milan, Circa 1770 - 1780 Maiolica decorated in polychrome “a piccolo fuoco” (third fire) It measures: h 2.36 x 7.4 x 7.87 (h 6 x 19 x 20 cm) ...

Very fine, elegant antique handmade and hand painted Meissen porcelain, 2 lobed scalloped serving dish with rocaille handle in the "Blue Onion" pattern. In perfect condition. The ...

Small oval tray Felice Clerici Manufactory 1745-1780 Milan, Circa 1770-1780 Maiolica polychrome. Dimensions: 10.82 x 8.66 in (27.5 x 22 cm); weight 0.4...

This is a set of six KPM bread and butter plates. They depicts a bouquet of flowers in the center and four different small bouquets around the ...

This blue and white hand-painted Dutch Delft dish was made in the Netherlands in the 18th century, circa 1780. The composition has excellent movement. The ...

This beautiful clock was crafted in circa 1870 in France. Known as a carriage clock, it was designed for use when travelling. Such clocks were crafted on a small scale with handles, ...

Assortment of dishes Lombard manufacture 1770 – 1780 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). Two large dishes: diameter 14.76 in (37.5 cm); weight 4.5...

Pair of Rococo style bisque porcelain female figures French, late 19th century One figure: Height 19cm, width 14cm, depth 10cm Other figure: Height...

This French Le Tallec parcel-gilt blue-celeste ground porcelain soupière with lid and tray from the mid-20th century has an oval shape and is in the Rococo style. The piece is in the...

A text-book example of Rhodes Studio decoration on a Wedgwood creamware blank. The shepherdess leans slightly, as though tipsy; typical of this studio. Prov: Kantar Collection. Exh...

This open salt was made in the 19th century in typical Rococo style. The interior of the salt basin and the stand is delicately painted with birds, flowers and insects. In the center...

This French Sèvres-style porcelain plate from the 19th century is set in a gilt bronze mount, ormolu that features a Rococo base, rim and two handles with stylized foliage and C-scro...

Large urn form French gilt bronze and turquoise porcelain candelabra. Inspired by the designs of Sevres Porcelain. On one side there is a design of flowers and the other of a pastora...

Fine German Meissen porcelain beveled wall mirror with a pair of figural cherubs. Finely modelled as an elegant 18th century piece of art, hand painted white porcelain china with cob...

Six Rosenthal Classic rose egg cups in hand painted porcelain with flowers and gold decoration, mid-20th century. Measures: 7 x 5 cm. In excellent ...

I would like to offer you this lovely Meissen purple Indian bowl in this unusual square shape. It has detailed paintings of pink flowers with so...

A fine large Florentine Italian gilt tole wall candle sconce with three arms. Decorated in metal tole roses and leaves. All hand-painted in brushed gold. Three arms each curl upwards...

I am offering you this beautiful Meissen reticulated and fluted bowl. It has a bright and colorful large flower bouquet in the center of the bowl w...

A French 18th century large polychrome Faience lidded soup toureen or entree dish with scallop-shaped edges attributable to Rouen manufacture. This lovely...

A fine Meissen gravy or sauce boat. By the Meissen Porcelain Manufactory. Having tin handles, two spouts, and an integral undertray. In the Neu Brandenstein...

Bring this vibrant antique porcelain piece into your living room, office, or bedroom for a unique flair. This colorful, extremely detailed majolica figurine composition was created i...

Derby was able to produce exceptional work, and these vases are a brilliant example of what they were capable of, when making for the top of the market. The body, the modeling, and t...

Beautiful German Meissen porcelain coffee / tea service for twelve people. The coffee / tea service is in great condition. Just exquisite & very rare to find a complete service for twelve. Each piece has a detailed painting of pink flowers...

This is a KPM Porcelain large octagonal bowl. It depicts a large bouquet of flowers in the center and four small ones around the border. A delicate gilt...

A very fine antique 18th century porcelain bowl. By Frankenthal during the Carl Theodor period. With a group of polychrome enamel decorated fruit and nuts to the bowl, floral s...

Look at the gorgeous hand painted scenes on this set of English Minton luncheon or dessert plates. The miniature paintings of the wonderful landscapes are painted by an extremely tal...

Rococo ceramic sevres chest hand painted signed Rochette perfect condition 19th century circa 1870.

The cobalt blue is exquisite! Provenance: An identical dish is in the collection of the Philadelphia Museum of Art. For an image of this identical plate and a discussion of its origins, see: E B Schaap "Delft Ceramics at the Philadelphia Museum of Art" pages 74 and 75. We are pleased to offer this Dutch Delft dish...

Antique lidded box in hand painted porcelain with flowers and gold decoration on a purple background. Sevres style, early 20th century. Measures:...

This is a hand painted porcelain and gilt bronze oval trinket box. It depicts an oval porcelain plaque featuring an 18th century portrait of an elegant lady. She is wearing a large r...

This is a very old gilt and pale pink background urn depicting a continuous hand-painted scene of a lady sitting in a pastoral landscape holding her fan and observing nature. In the ...

A scarce pair of magnificent Meissen polychrome and partial gilt porcelain candlesticks, inspired by Greek mythology, exquisitely hand-crafted in Rococo taste, Germany, 19th century....

A stunning fine quality Napoleon III Second Empire Period (1852-1870) doré bronze (gilt bronze ormolu) shelf clock with signed Japy Freres eight-day time and strike movement. Born in Paris, France in the third quarter of the 19th century, exceptionally executed in luxurious 18th century Louis XV Rocaille taste, the curvacious sculptural case...

This is a set of six lunch or dessert porcelain plates from the Collection of the Manoir Montsalvy. They belong to the collections #2, 6, 7, 10, 11 and 12. They are hand painted with...

Pair of antique florally decorated porcelain lamps French, 19th century Measures: With shades: Height 101cm, width 49cm, depth 36cm Withou...

A very fine set of 4 antique Meissen porcelain salt cellars. Modelled after salts originally designed for the Sulkowski service by Johann Frie...

Large French Strasbourg 19th Century Faience tall floor candle holder with Ormolu 19th century French Strasbourg faience floor candle holder in R...