Fabric Furniture

Mid-Century Modern 'System 123' Chair by Verner Panton, Denmark,1973

Antique Persian Afshar Bagface Bag, c. 1900 This highly graphic Afshar bag face draws a large central indigo-blue hexagon against a complimentary contrasting terra cotta field. Both...

Pair of carved wood stools with beautiful carved detail on the foot. New upholstery.

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

Mid-Century Modern Set of 6 Chairs, Italy, 1960s - New Upholstery

Antique Karabagh Prayer Rug, 19th Century Additional Information: Dimensions: 5'9" L x 2'7" W Origin: Caucasus Period: 19th Century (4th Quarter) Rug ...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Light green Floral French Provincial square needlepoint pillow. Made of wool with an ivory cotton cloth backing. It is new and has never been used. Measures: 16 x 16 inches. Kindly ...

Not quite neutral, beautiful with some whimsy. Soft and inviting. 12′ x 9’8″ 11547 The early adoption of rug-making by native Moroccans is certainly due in large part to the...

Sweden midcentury Lounge chair.

Persian runner, 100% wool. Measures 16’9” x 3’ 14985

This pinwheel rug is a stunning tribute to the 19th century Kazak pinwheel rugs. Its bold color scheme blends rich blues, peachy tones, and fiery r...

Antique Karachopf Kazak Rug, Late 19th Century The madder field with a central rectangular medallion within an indigo serrated leaf and rosette bo...

Mid-Century Modern Pair of Yellow Armchairs, Italy, 1970s - Original Fabric.

Behold the illustrious Drumond Armchair, a distinguished creation birthed in 1950 under the skilled hands of Oca, a venerable atelier situated in the heart of Brazil. Reverberating w...

Antique Persian fine traditional handwoven luxury wool brown rug. Size: 9'-8" x 12'-6".

Antique Persian Tabriz Rug, 19th Century Excellent condition. Additional information: Dimensions: 4'5" W x 6'1" L Origin: Persia Period: 19th Century (4th Quarter) Rug ID: 10099

Antique Persian Veramin Kilim Rug, c. 1900 This kilim has a macrame end finish at one end and camel warps alternating with brown and white ply warps on the other. Very good color. Additional Information: Dimensions: 10'0" L x 5'0" W Origin: Persia Period: c. 1900 Rug ID: 15773 We will never offer acid-washed rugs.

A lovely vintage table lamp in brass, wrapped in peach fabric. This was made in England, it dates from the 1970s. It is of excellent quality an...

This Vintage Oriental rug is a genuine work of art, made with precision and care using only the highest quality materials. The intricate patterns and ...

Antique Shirvan rugs are among the most highly sought-after Caucasian weavings, renowned for a nuanced, complex style that sets them apart from other rugs from the region. These piec...

Italian Bulky Pair of Lounge Chairs in fabric. These two armchairs can be adapted in a modern living room to provide comfort and a touch of style. They are comfortable and robust arm...

Architecture Panini schools XIII century, oil on canvas. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST BY SENDING AN EMAIL. ULTERIORI FOTO, INF...

This stunning Vintage Oriental rug is a genuine work of art, made with precision and care using only the highest quality materials. The intricate patterns and flawless craftsmanship ...

This small area rug, known as the 19th Century Red Ivory Blue Floral Kashan, is crafted from top-quality wool. Its design draws inspiration from tradit...

Dimensions: 9’2″ x 4’8″ 14238 An epitome of history, character and culture, Antique Khotan rugs add richness to a room. Produced in Khotan, an area situated along the silk trade r...

Oil painting on panel, 20th century, Vergani, landscape Refined and detailed oil painting on panel depicting a glimpse of "old" Bergamo, with ch...

Central Asian Suzani Rug, Mid-19th Century Additional Information: Dimensions: 5'2" W x 7'3" L

Mid-Century Modern Rattan Three Seater, Beige Boucle Fabric, Italy, 1960s - New Upholstery

Stools from the turn of the 1960s. Beautiful leopard high-quality upholstery. The stools consists of an upholstered part, a seat and wooden legs narrowing downwards, characteristic of the 1960s style. We can prepare this stools also in another option of fabric and wood. Please check the last pictures with color samples.

Superb pair of Gio Ponti style armchairs. The armchairs are in perfect vintage condition, finely lined in yellow silk, the feet show some signs of aging but in perfect structural co...

Floor lamp designed by Hans Bergström for Ateljé Lyktan, Sweden, 1950s. Brass with a fabric shade. Stamped. Measurements: H: 102 cm / 3' 4'' D: 26 cm / 10 1/4'' Diameter of shade...

17’6″ x 11’9″ k5179

In excellent condition with original Giltwood frames... you can tell from the back. One painting is signed. Hard to read: Harold Holding?? Paintings look very real.

A beautifully hand painted oval canvas of a lion with a bee as an over-door.

Woman in the Summer Portrait on Canvas

A stunning Semi Antique Persian Heriz Rug that orignates from Iran in the early 20th century. This beautiful hand-knotted piece is in excell...

Antique French Louis XVI chaise lounge and ottoman, circa 1890. Measurements: Chair- 37.75 inches high x 27 inches wide x 20 deep Ottoma...

Measures 15’9” x 3’6” 14204

This vintage Qom Arsalani rug is a magnificent example of the artistry and craftsmanship that has made Qom rugs world-renowned. With its intricate patterns and exquisite design, it s...

Oil-on-canvas painting by Venetian painter Carlo CHERUBINI (Anona 1897-1978 Venice) made around the 1950s. The work in question presents a seated fe...

This vintage Tabriz rug exudes timeless sophistication with its elegant all-over design and a palette of neutral colors. The harmonious blend of soft tones, including ivory, beige, a...

Designed by Michel Ducaroy for Ligne Roset, the Aralia sofa is similar in style to the iconic Togo and Kashima designs. Built for laid back comfort, the t...

Sterling silver photo frame. The frame was made in Italy by the Argenteria Raddi of Florence. The design is typically Libeerty with the characteristic flowers, festoons and ribbons...

Paul Permeke 1918-1990 The Hat on the Chair Oil on canvas 100cm x 80cm A superb example of Belgian artist Paul Permeke’s work. Signed and dated to t...

The Qashqai rugs come from a tribal confederation that shares similar dialects and heritage. Descendants of the Turkmen and Ersari tribes, many are pastoral nomads who roam depending...

Antique Large Oversized Persian Kirman Carpet, Early 20th Century Additional Information: Dimensions: 13'10" W x 19'5" L Condition: Excellent Origin: Persia Period: Early 20th Cent...

Azerbaijan boats a long tradition of weaving fine, durable flatweaves, employing the bold, graphic designs common to carpets from the Caucasus, with a tribal charm that has made them...

Antique Ardebil 1920 Ardebil 1920 (Vintage) Exciting modernism: 100-year-old Ardebil Measures: 6 feet 8 inches x 4 feet 8 Ardebil was the birthplace of Shah Ismail who consolid...

The Antique Persian Fine Heriz Handwoven Luxury Wool Rug is a traditional and high-quality piece of decorative textile art. The dimensions of 6 feet 3 inches by 8 feet 3 inches (6'-3...

Iconic Alky lounge chair designed by Giancarlo Piretti in the sixties for Anonima Castelli, Italy. The shape of the chair is construct with foam printed direct on a metal frame with ...

Antique Northwest Persian Runner Rug, 19th Century Additional information: Dimensions: 3'9" W x 10'5" L Origin: Northwest Persia Period: 19th Century (2nd Quarter) Rug ID: 19668

New French Provincial square needlepoint pillow case It measures 16 x 16 inches. Please note this piece ships flat and without an insert.

The Chinese Pillar Rug is a type of traditional Chinese rug that is known for its unique and intricate design. This rug features a repeating pattern of rectangular or pillar-shaped motifs, often in bright and vibrant colors such as red, blue, green, and gold. The motifs may also feature floral or geometric designs, adding to the rug's overall beauty and complexity. This rug features a yellow dragon...

Timeless. Teeth showing, wear consistent with age. Subtle and very durable. 11’8″x4’5″ 14756

Czechoslovakian armchair pair designed by Miroslav Navratil in the 1970s. Manufacturer Krkonošský nábytek Vrchlabí.

Antique British Elbow desk chairs in solid Wood dating to the early 20th century, circa 1920. This office chairs are beautifully proportioned, featuring a rounded fan-shaped backre...

Antique Large Persian Serebend Rug, 19th Century Additional Information: Dimensions: 7'7" W x 19'7" L Origin: Persia Period: 19th Century