Fabric Furniture

Antique forty six star large wool American flag by Horstmann Company, circa 1908-1912. Horstmann firm was founded by William H. Horstmann (1785-1850), who had immigrated to Philadelphia from Germany. Horstmann bought out a local swordmaker in 1828 and thereafter entered the military goods field. The firm benefitted from the Civil War, becoming the largest military goods supplier in the nation by 1864. WILLIAM H. HORSTMANN & SONS, Manufacturers of Dress Trimmings and Military Goods. 5th & Cherry Streets, Philadelphia, PA. This house was founded, in 1815, by William H. Horstmann, a native of Cassel, in Germany. He had learned the trade of silk-weaving in France, and, emigrating to the United States in the above-mentioned year, established himself in Philadelphia as a manufacturer of fringe, laces and trimmings of various kinds. He married the daughter of Frederick Hoeckly, a German settler in Philadelphia, and also a manufacturer of fringe, coach-lace and tassels. He devised several improvements in this trade, especially by introducing varieties in the styles and patterns of this class of goods, there being at that time only two patterns used in the trade, which were known as the Jefferson pattern and the Monroe pattern. In 1824, he introduced into this country from Germany the use of plaiting or braiding machines, and about the same time he was the first to introduce into this country the use of the Jacquard loom, for weaving patterns in textile fabrics. His location was in the first instance at No. 50 North Third street, but within a short time he removed to a store next to the Harp and Crown tavern, afterwards known as the City hotel, and continued his business within a short distance of this point for many years. In 1828, he commenced the manufacture of military trimmings as a special department, and this branch has grown to most important proportions, Horstmann's military goods being in demand throughout time country. The firm have also executed large Government contracts in this line for the War and Navy Departments. In 1831, he established a branch house in New York city, and about the same time erected a factory at the corner of Germantown road and Columbia avenue. The factory was continued here until time erection of the extensive building at Fifth and Cherry streets, where the works, salesrooms and offices of time firm now are. This massive structure is six stories high, and extends 140 feet on Fifth street and 200 on Cherry street, and reaches back to Race street. The separate departments into which the business is divided are thirty in number. More than 1000 distinct looms and machines are in use in the building, many of them very costly and some invented and used exclusively by this firm, the motive power being supplied by a steam engine of fifty horse power. The area covered by the works is about 11,000 square feet. Time number of hands employed is very large, about 500. When the erection of a vast factory at this point was first proposed, a strong opposition was made by time holders of the neighboring property. The ancient German Lutheran Church and burying ground, since removed, stood opposite the site, and a bill was introduced into the Legislature to forbid the use of a steam engine within 100 yards of any place of worship. The interests which such a bill would have affected injuriously, especially those of several newspapers, roused a strong opposition to it, and it failed to become a law. In 1845, William H. Horstmann, the founder of the house, retired from the business, and his two sons, William and Sigmund, assumed the management and it was under their direction that the new building, above described, was erected. The goods produced by this house are of almost endless extent and variety. They include goods woven from all the various textile fibres—cotton, wool, silk, etc.—in every style, color and pattern, and are used for an infinite number of purposes. Narrow woven goods are time staple production, made up into material for dresses for both sexes, for use in daily life, and for regalia for ""societies;"" for the costumes of the stage, the upholstering of houses and of carriages, the uniforms of soldiers, together with equipments for the same, and for funeral purposes. The raw material used in the manufacture is to a great extent very costly, and their store rooms often hold as much as $200,000 worth of goods in an unworked state. There are two rooms devoted to power looms in the factory, one for coach lace and one for other styles of weaving, in which about 250 of these machines are constantly running. The braiding machines in the coach lace room are very noteworthy. The cord to be covered with braid is drawn through an opening in time middle of a flat, circular, metallic plate, about 15 inches across. Up to a point on this cord, about a foot above the plate, the threads of the braiding material converge, like the ribs of a tent-roof, and there weave in and out and out and in, as the coating of braid grows, and time covered cord rises and is wound away above. The weaving is accomplished by the motion of the spools below that carry the different threads of the braid. These spools stand in uprights, which are carried round and amongst each other in curved slots in the above-mentioned broad metallic plate. All but two of these spools run in and out among each other, with a swift, easy and intricate motion, mind so rapid that time eye can hardly follow it, while one or two special spools run steadily round and round among time twisting spools with the most extreme swiftness. Many other machines, displaying equally ingenious mechanism, are used in the factory. The various details of equipment manufactured and supplied by this house are also important, both for their number and the superior quality of the manufacture. The one article of swords may be taken as an instance. This trade grew naturally and immediately out of the established army and navy goods department of the works, it being necessary that the sword itself should be furnished together with the sword-belt and other trappings all complete. Every part of the sword and trappings, with the exception of the blade, is made on the premises. The blades are almost all imported from the ancient German sword-blade emporium of Solingen, where, it is said, swords have been made ever since the year 1147, when Count Adolphus of Berg brought home from the East and established there the business of forging Damascus blades. There is in this department a stock of some thousands of blades, of many different patterns and sizes, ready to be set and finished. Any style or sword can be had from this warehouse, from the plainest kind up to a presentation sword...

American nautical oil on canvas of two masted schooner yacht under full sail with American flag, crew on deck, second vessel in distance, and mounted in a silver gilt frame, Early 20...

Pillow made from an angora Turkish oushak rug. Zipper closure and poly fill provided Measures: 15'' x 20''.

19th Century Russian Neoclassical flame mahogany sofa Russia, 19th Century A fine example of 19th Century Russian Neoclassical furniture...

The tub-form padded back covered in a herringbone rainbow silk jacquard with reeded gilt crest rail terminating in scrolls and issuing two Downs-swept arms with gilt reeding and foli...

Pendolo Pendant I is composed of a directional fabric cone, radiating a subtle cast of light into a space - and a focused beam of light - in a myriad of configurations. Available in ...

Pendolo Pendant II explores two opposing cone forms, and the latent tension between gravity and levity within their arrangement. Configured as a horizontal or near-vertical fixture, ...

An Italian pair of stretched canvas paintings from the 19th century. These antique wall decorations from Italy each have painted canvas stretched over an arch-shaped wood frame, nearly 4 feet in width. The paintings are Neoclassical in design featuring an urn with flame at center, symmetrically framed within an abundant display of scrolling acanthus leaves. A gold tone ribbon fabric with nail-heads outlines the outer edges of each framed piece. These 19th century Italian Neoclassic arched wall ornaments would add the grandeur of height hanging above a pair of window or door casings...

A pair of copper and brass classical vase shape urns, late 19th century, with twin foliate scroll handles, the foliate scroll bands centered by cameo busts,...

Pendolo Pendant II explores two opposing cone forms, and the latent tension between gravity and levity within their arrangement. Configured as a horizontal or near-vertical fixture, ...

The madder red field features an allover pattern of laurel wreaths surrounding either complex rosettes or leaf and star arrays. The burnt apricot and camel border displays tight flor...

Pendolo Flush Mount is a versatile flush-mount fixture, capable of serving as a down-light or directional wall washer. Available in either Natural Burlap or Natural Linen, the cone f...

Amazing French neo classical wine cabinet / Rack with three top drawers. Hand Painted and glazed. Middle drawers comes with built in wine opener case with beautiful smooth wine opene...

A Neoclassical style server, unbranded, similar in quality to Thomasville or Tomlinson. Pecan, or similar nutwood, recessed door panels with wood grain detail & brass accents, brass ...

This fine original fringed indigo & white jacquard coverlet from Pennsylvania is in fine condition. It has a flying geese or birds in flight pattern ...

Large antique stool in Mahogany with Paw Feet from the mid 19th century. Mahogany solid wood. Four ebonized carved paw feet. Restored, hand polishe...

Pair of “Nana” and “Poppa” walnut barrel backed chairs from the area of Genoa. Upholstered in new Correggio silk fabric. "Nana" chair slightly smaller than "Poppa" chair measuremen...

A pair of neoclassical style side chairs by Casa Bique, of Thomasville, North Carolina, USA. Solid wood frame with tessellated white marble veneers, high backs, pink velvet like fabr...

We are delighted to offer for sale this exquisite pair of RRP £30,300 Ralph Lauren Aran Isles sofa and armchair suite upholstered in Scottish w...

American original oil painting on canvas in contemporary gold frame. This is a portrait of Edward W. Blaisdell (1845-1924) a prominent architect who worked primarily on the coast of New Hampshire and Maine. He designed everything from bridges to summer homes to coastal inns. He designed the Grand Passoconaway Inn in York, Maine, which was the center piece of a resort that had all of the latest innovations of the late 19th century incorporated into its structure. He is known for his large shingle style homes that still influence much of coastal Maine architecture. This handsome portrait of a handsome man...

Pendolo IV balances two sets of opposing cone forms to create a dynamic expression of movement in multiple axes. Casting directional light onto 4 dis...

Showroom New - Hickory chair Belknap lounge chair - Among the collections of American decorative arts at Winterthur Museum is an early 20th-century leather covered arm chair. It is o...

Pendolo Pendant II explores two opposing cone forms, and the latent tension between gravity and levity within their arrangement. Configured as a horizontal or near-vertical fixture, ...

1st quarter of the 20th century Persian Formal Tabriz rug in blue-green, beige and brown. Measures: 4.6'' x 6.2''.

The Nolis club chair is our version of one of the most popular styles of club chair known, a classic style club chair that is extremely comfortable and can be a welcome addition in a...

Lisboa sofa, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Lisboa sofa adds a sophisticated and elegant touch to any living area. The sofa is upholstered in ...

1st quarter of the 20th century room size Persian Tabriz rug in predominantly slate grey. Measures: 9.6'' x 13.1''.

Monumental fifteen foot 42 star American flag, circa 1889-1890. The 42-star flag is rare because only a limited number of 42-star flags were produced after Washington became a state on Nov. 11, 1889. But it takes a more intimate knowledge of flag trivia to know just why it happened this way. White stars are added to the blue field of the star-spangled banner on the Fourth of July after a state is admitted to the union. In the fall of 1889, several western territories became states. Dakota was admitted, and then split into North and South Dakota, on Nov. 2, 1889, which made them state and star numbers 39 and 40. Montana was named the 41st state on Nov. 8, followed by Washington, on Nov. 11. Only a few flag manufacturers began producing 42-star flags before the official addition of the 42nd star on July 4, 1890. Those who tried to jump the gun by being the first to produce an up-to-date flag were surprised when Idaho was admitted to the United States on July 3...

This fine eight point star quilt is in pristine condition with a couple minor tiny spots. Mostly posted on the back side. This is a very large quilt.

Pendolo IV balances two sets of opposing cone forms to create a dynamic expression of movement in multiple axes. Casting directional light onto 4 dis...

Pair of Italian Neoclassical style brass Chiavari side chairs. This stunning pair of vintage Italian Chiavari chairs are newly upholstered in a lovely shade of blue mohair. Perfect f...

Painting St. Michael the Archangel, by a neoclassical painter of the 1800s. Oil on canvas; 210 x 140 cm The painting with the large dimensi...

Pendolo IV balances two sets of opposing cone forms to create a dynamic expression of movement in multiple axes. Casting directional light onto 4 dis...

ABOUT An original Penn State College cushion with new pillow inside. CREATOR Penn State College. DATE OF MANUFACTURE New. MATERIALS AND TECHNI...

The pair of vintage painted canvas panels, shown here, are notable for their beauty and condition. Depicting a bucolic outdoor scene, the imagery has maintained good color over time....

Rock Crystal from Madagascar in the form of a Neoclassical designed lamp. Silver metal spacers and base plate. New 18" linen shade.

Pillow made from an early 20th-century Persian Tabriz rug. Measures: 16'' x 23".

Bole positions a rotund form beneath a fabric shade, presenting a grounded yet buoyant composition for the wall. Available in White or Black Enamel, each version provides the perfect...

A canvas and leather strap ottoman with nailhead trim accents. The classic cube design makes it a perfect transitional piece of furniture to use ...

Australian artisan design and craftsmanship, this sage green linen pillow provides casual luxury for interiors fused with timeless elegance. Featuring high-end, European linen expressing the beauty of sustainable design bringing soft textural elements to furniture and interiors. The white velvet piping trim adds a contemporary touch and completes the luxurious and graceful design of the heavy-weight linen pillows. Sold as single units, each sage green pillow...

Magnificent gold or gilded glass top dining table after Versace. Made in the neoclassical taste featuring corinthian style Greek column fluted legs. The table base is decorated with ...

Italian Neoclassical style narrow bench with cut blue velvet fabric.

A vintage Traditional style office side chair by Gregson Manufacturing, of Liberty, North Carolina, USA. Solid walnut frame with black faux leather (...

Pierre-Victor GALLAND (1822-1892) ‘Les Quatre Eléments’ Four, oil on canvas. France, Circa 1873. Each painting depicting one of the cardinal elements personified as a female figure in the presence of its most evident attribute. Painted with strong light and colour. Earth panel depicts one of the four elements in a compelling fashion with an ascendent female figure robed in flowing drapery with foot and arm extended reaching skyward: each with attendant putti below. Earth is shown swathed in robes of greens and white, with a fanciful foliate headdress of lush leaves and bullrushes. Air leaps effortlessly into the sky draped in blush pink and holding a slender fruiting bough. Fire ascends dramatically into the sky holding forth a flaming torch and draped in bright burnished orange and grey, her image seemingly lit from a fire kindled below by an ignipotent putto. Water suitably draped in billowing azure blue with a translucent undergarment, holds aloft a bubble representing water is portrayed with shimmering translucent wings, an attendant winged putto pulling at her hem. Under the Second Empire, Haussmann’s transformation of Paris went hand in hand with the construction of luxurious mansions for the new haute bourgeois. Gallards extensive work for wealthy patrons such as Lionel de Rothschild and Edouard André, led him to become one of Paris’s most admired and sought-after decorative artists. His fame quickly spread and led him to carry out projects outside the capital for, among others, Baron von Derwies in Nice, Prince Narischkine in Saint Petersburg and William Vanderbilt in the United States. Literature Pierre-Victor Galland, Un Tiepolo français au XIXe siècle. Published in 2006, Somogy, Piscine-musée d'art et d'industrie André Diligent, Musée départemental de l'Oise (Paris, Roubaix, Beauvais). ISBN 978-2-7572-0027-8. (in French) Materials Oil on Canvas Provenance Acquired in France with four other panels (The Four Seasons), at the end of the 19th century by Herman Ossian Armour (1837-1901), businessman, and founder of the Armour Meat Company and American humanist. He brought them back to his USA residence at Fifth Avenue, New York Bequeathed to Mary Armour...

Ellipse Chair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Ellipse chair is a classic and comfortable piece for any occasion...

These are so elegant! This is a pair of late 19th century Italian neo-classical style arm chairs. The frame is a carved mahogany with peg construction. The grey linen blend upholster...

Charming neoclassical bronze Koi fish or sea serpent figurative Table Lamp with Fabric Shade. These Asian inspired sculptural curved Table Lamp features a fish-like creature mounted on a rectangle Gilt Metal Base. US Wiring and takes a regular candelabra light bulb max. 40 watts. It has a cord switch. The Lamp is quite heavy. The bronze shows a warm patina. Shade measures Top Diameter: 3.5 inches x Bottom Diameter: 8.5 inches, 10 inches Height. Shade is marked Cambridge Lamps...

It does not come with an insert. Linen in the back. Zipper closure. dry cleaning is recommended.

This stately lamp features a dramatic contrast of textures and materials. Almost 3 feet tall, the linen and steel column lamp has a presiding presen...

Opulent pair of Italian hall chairs made in the neoclassical style. The chairs feature a backless design having decorative molded raised arms ending with large greek keys topped...

Accent Size Inspired Vintage Turkish Oushak Carpet 4'2'' x 6'2''

An Italian pair of Neoclassical style armchairs from the early 20th century. This antique pair of accent chairs from Italy are each carved with n...

Offered here is a pair of neoclassical style spoon back slipper chairs designed by Michael Taylor for Baker Furniture. Black frames with beig...

An authentic Persian Sarouk Farahan rug from the 2nd quarter of the 20th century with a traditional medallion border design Measures: 4'4'' x 6'10''

This beautiful painting, due to its very high quality of execution, style and era, can be referred to the great artist Warren Sheppard, who specialized in seascapes. Of great evocati...

Classic tufted curved back bench seat sofa. Curvaceous and shapely, with traditional elements like button-tufting and decorative nailhead trim, this ...

This pillow features Rhodes Stripe with a knife edge finish. Inspired by Ukrainian needlework, Rhodes Stripe is a woven stripe overlaid with charming cross-stitched flourishes that ...

19th century painted Italian armchairs in Neoclassical style having gilt detail, a rounded back, upholstered seat and curvaceous arms.