Mahogany Furniture

circa 1890 Large 19thC English Oak & Mahogany Glazed Bookcase Cabinet sku 1789 W189 x D28 x H231 cm Weight 88 kg

An Extremely Good Quality Regency Period, 19th Century, Mahogany Sofa Table Of Generous Proportions, Having Superbly Figured Rectangular Two Flap Top With Attractive Banded Decoratio...

circa 1890 Monumental Oak Glazed Haberdashery Bookcase Cabinet Provenance: St James's, London. An exceptional example sku 1788A Base W437 x D45 x H96 cm Top W457 x D28 x H216 cm Toge...

This is an extraordinary low bookcase attributed to Francois Linke of France. The cast bronze ormolu has been meticulously restored to reveal its original fire-gilt dore' bronze and ...

A rare Murano glass tile top game / dining table with brass edging and tapered mahogany legs. Designed by Edward Wormley for Dunbar with early green Dunbar label. This is the largest...

Georgian Mahogany chest of drawers with secret drawers withn, The priamary wood is mahogany wth the secondary wood in oak of the highest qality and in wonderful condition,. The dra...

A pair of Edward Wormley for Dunbar armchairs with brass handles and brass feet.

Early 19th Century mahogany chest of drawers, the crossbanded and moulded edge top above a selection of four long oak lined graduated drawers with pierced brass ring handles, support...

Classic French Art Deco cabinet by Sue et Mare, circa 1920, in blonde mahogany with gilt bronze mounts. Documented, please see photos. 32.5” wide x 15.5” deep x 61” high. SUE ET M...

Gorgeous sideboard by Paolo Buffa - Italy, 1940's Walnut with wood inlay trim throughout with signature tapered legs and brass accents. Cabinet has 3 drawers on each side of drop dow...

Beautifully inlaid mahogany Sheraton North Shore, Massachusetts American sideboard. Three drawers over four doors resting on turned and fluted legs. Central drawer has satinwood inla...

A pair of scarlet English Chippendale style side tables, with fretwork stretchers and finial.

A fabulous quality early 18th Century mahogany oval Pembroke table, having a wonderful solid figured top with a moulded edge, single oak lined drawer at one end with brass ring handl...

Beautiful coffee table model #5004 designed by Paul T. Frankl, 1948 for Johnson Furniture Company. Constructed from mahogany and cork, this Asian inspired coffee table can also funct...

Inlay Dining / Centre Table Italy circa 1960 Mahogany table with inlay, in two pieces. 48"dia x 29.75”h

Enchanting 19th century Anglo Indian stand or table handcrafted in mahogany having an outlandish top with an inset brass tray and carved floral border on a carved camel with striking...

The desk body is made of pine and oak with a Karelian birch veneer and the mirrored base is supported by four curved feet, embellished by an entwined patinated bronze snake with a gilt head and tail. The pad feet are supported by ebonized mahogany floor plates. The middle portion consists of five small drawers and a large desk drawer and within a manufactured mahogany interior with seven compartments and eight secret compartments as well as two movable elements, one of which is covered with velvet. The lower drawers have gilt gooseneck fittings. The mirror attachment includes a mechanism for taking the mirror plate vertically out and up to 180 degrees, which can, in turn, be fixed in almost any position. This mirror is flanked by two carved mahogany phoenixes with gilt heads and feet, and on the reverse side there are two more secret compartments in the lower area of the right as well as the left foot of the base. The Poudreuse Secretary is an exceptional example of Russian furniture of the first quarter of the nineteenth century. The depiction and symbolic arrangement of the remarkable bronze snakes and the carved phoenix is typical of the style of the important Russian architect Andrey Voronikhin (1759-1814). As well, this Poudreuse Secretary Desk has as well a similar structure to a dressing table made by the celebrated cabinetmaker (ebéniste) Heinrich Gambs...

English 18th Century Spinet Case by Crang & Hancock London Converted Writing Desk This is a fine example of the English spinet in its most fully developed form. Rare ca. 1760 pentag...

This Nineteenth century French crotch mahogany demi-lune sideboard features a richly detailed design that includes a stunning marble top, intricate bronze mounts, and the elegant cro...

A good antique Georgian Regency mahogany cheval mirror, circa 1820. The mirror having a pair of brass urn shaped finials to the top of the upright supports, to the center is a swing ...

Baker Furniture demilune with shell design, pie cut figured mahogany with cross banding. The frieze with alternating marquetry inlay and resting on tapering legs with spear feet. Di...

Hepplewhite mahogany side table, the top having beautiful color and patina, the single drawer with oval brass pull and oak secondary wood, nicely ...

This majestic commode has undergone a meticulous complete restoration. The chest may be re-lacquered in another Ben Moore color in advance of shipment, if so desired. A stellar ex...

Exquisite Mid Century Modern Italian folding, rolling bar cart by Cesare Lacca. Made in the 1950s Italy, it evokes the same influences as other icons of the era: Gio Ponti, Ico Paris...

Pierre Cardin for Francia, 'Eventail (fan) coffee table, mahogany, France, 1984 A rare masterpiece designed by the the groundbreaking fashion designer Pierre Cardin (1922 - 2020). C...

A Fine chest with four drawers in bookmatched, crotch West Indies mahogany with serpentine front and resting on carved slipper feet. Features a serpentine top in quarter-sawn sapele ...

A superb quality late 18th century Georgian mahogany secretaire cupboard having well figured and banded top over one secretaire drawer to frieze, enclosing attractive satinwood in...

Attributed to but not stamped "Nicholas & Stone" vintage mahogany /maple Windsor style bow back side chair with original rush seat.

A large and comfortable Cordovan leather shapely Devon style wing chair. The large back with flared wings with a loos leather cushion seat with brass nail head trim...

This is an exquisite and wonderful quality antique Edwardian mahogany heart-shaped bijouterie table, circa 1890 in date. This attractive bijouterie table features a delightful glaz...

An unusual Desserte console in what may be the fabled plum pudding mahogany. Locks stamped ‘Paris’ ( see photo ) . The galleried top encasing a grey veined white marble top ( no cra...

A Good Quality And Unusually Small Georgian Mahogany Butlers Tray, Of Diminutive Proportion, Having Elegant Shaped Sides With Pierced Carrying Handles And Well Figured Top, Housed On Later Square Chamfered Leg Mahogany Stand. During the 18th and 19th centuries a coffee table was not what we regard as a coffee table in the 21st century. Coffee tables back then were always full height, effectively side tables. The modern, low, coffee table is really something which began to be seen during the early 20th century onwards. Based on the above there is a variety of different methods to incorporate a coffee table into an interior for people who wish to furnish their properties with genuine antique furniture, whilst still allowing for the practicalities and function which is required in modern times. Therefore it is now incredibly common to find 18th and 19th century trays of varying shape, size and design utilised as coffee tables. As with all the others that we have seen this particular tray has been fitted onto a low, practical and sturdy stand constructed from old antique wood. It’s worth noting that generally this means an old broken table...

Magnificent pair of ebonized solid mahogany club chairs in the style of Paul Follot in luxe gray velvet. They have been newly refinish and reupholstered.

A good quality George III period mahogany oval butlers tray of panelled construction, having original brass hinges and pierced handles to folding sides, housed on later square leg mahogany stand. During the 18th and 19th centuries a coffee table was not what we regard as a coffee table in the 21st century. Coffee tables back then were always full height, effectively side tables. The modern, low, coffee table is really something which began to be seen during the early 20th century onwards. Based on the above there is a variety of different methods to incorporate a coffee table into an interior for people who wish to furnish their properties with genuine antique furniture, whilst still allowing for the practicalities and function which is required in modern times. Therefore as is now normal with by far the majority of these butlers trays which we see, due to the fact they make absolutely perfect coffee tables, this has been removed from its original, tall, folding stand at some point and fitted onto a lower, more practical and sturdy stand constructed from old antique wood. It's worth noting that generally this means an old broken table...

A very good quality Georgian, 18th century, mahogany oval Pembroke table, having well figured top with two drop flaps and crossbanded decoration, over one frieze drawer opposed by on...

A Superb Quality Early 19th Century Regency Period Mahogany Bowfronted Chest, Of Rare Small Proportions, Having Extremely Well Figured Top Over Two Short And Two Long Drawers With Replacement Brass Handles, Raised On Elegant Original Turned, Tapering Legs. This is a quite beautiful piece of antique regency furniture...

An 18th century George III period mahogany Serpentine Chest, having well figured and cross banded top above four long drawers with original brass handles. Flanked by fluted canted...

Sideboard, mahogany, brass, France, 1940s. A beautiful Art Deco sideboard in a rich mahogany and elegant brass details. A well designed piece that is crafted with beautiful details...

A very fine quality and extremely rare matched pair of regency mahogany cellarettes, or wine coolers, of bold proportions and sarcophagus design, each With superbly carved knob to hinged lid, enclosing Lead lining to one and later paper lining to other Both with panelled front raised on original bracket feet with castors. Each bearing makers stamp of " T & G Seddon " (This incredible matched pair of cellarettes...

A superb quality 18th century Georgian mahogany north Country chest having well figured top over four well Figured long drawers retaining original brasswear Flanked by canted corn...

Extraordinary 4 door Art Deco credenza in book-matched rosewood with ribbon inlays in pewter and bronze with solid brass artisan center medallion of 3 swimming dolphins and delicate ...

Vintage Dakota Jackson post modern Art Deco style executive partners desk featuring mahogany with leather insert and stainless steel frame. A V-Shape pattern veneer top with Black Leather inset. 2 pedestal cabinets below: each with 2 standard drawers and 1 file drawer, front and back. Polished Stainless Steel drawer pulls, post, floor plates, and arced trestle supporting desktop. DJ Chelsea Black Leather, Polished Polyresin finish. Dakota Jackson (born August 24, 1949) is an American furniture designer known for his eponymous furniture brand, Dakota Jackson, Inc.,[1] his early avant-garde works involving moving parts or hidden compartments,[2][3] and his collaborations with the Steinway & Sons piano company.[1] Jackson helped establish the art furniture movement in 1970s SoHo,[4][5] later becoming a celebrity designer in the 1980s.[6][7][8] His background in the world of stage magic helped him get his first commissions and is often cited as the source of his point-of-view.[6][9] Early life Dakota Jackson was born on August 24, 1949, and grew up in the Rego Park neighborhood of Queens, New York. Stage Magic Jackson's father, Jack Malon, was a professional magician.[10] Mr. Malon learned the trade from his own father, who studied stage magic in early 20th century Poland.[1] Jackson began studying magic at a young age and sometimes performed with his father.[11] Jackson's name, in fact, grew out of a road trip to Fargo, North Dakota.[11] Throughout his adolescence and into his early 20s, Jackson immersed himself in the world of magic.[2] In 1963, Jackson began to perform in talent shows at his junior high school, William Cowper JHS 73 (which is known today as The Frank Sansivieri Intermediate School),[12] and at children's birthday parties.[13] Jackson also began to build his own props, including large boxes for sawing a woman in half and small boxes from which doves would emerge in full flight.[11] Jackson acknowledges the importance of these early experiences with magic to his later career as a furniture designer: "The demands of performance taught me how to discipline myself to achieve aesthetic ends."[1][2][14] After Jackson graduated from Forest Hills High School in 1967, he continued performing as a magician, working in art galleries, night clubs, touring in the Catskills, and giving private performances at society events.[2][13][15] When he was 17, Jackson had studied with magician Jack London to learn the dangerous bullet catch trick.[16] "What appealed to me was the notion of doing things that appeared miraculous" Jackson once recalled.[6] "I was interested in spiritualism. I was interested in things like bullet catching, things that really challenged individual sensibilities, that were frightening, on the edge."[2] He didn't find the opportunity to perform the trick publicly until a decade later at Jackson's final professional performance as a magician.[1] It was documented in Andy Warhol's Interview (magazine), in a story titled "Dakota Jackson bites the bullet."[1][16] Jackson admits that he sometimes tires of references to his magician background, although he acknowledges it as an important part of his history.[2] The Downtown Arts Scene In the late 1960s, Jackson moved into a loft on 28th Street in Chelsea.[1][17] Jackson became part of the Downtown scene, a community of "artists, dancers, performers, and musicians" who moved to the neighborhood for the cheap rent and social life.[1][8][17][18] In October 1970, Jackson performed with the Japanese group Tokyo Kid Brothers at New York's La MaMa Experimental Theatre Club (also known as Café La MaMa) in a rock musical production called "Coney Island Play" ("Konī airando purē).[19] The show explored themes of cross-cultural communication and understanding[19] and was a follow up to the group's debut performance of "The Golden Bat" at La MaMa earlier that summer.[20][21][22] Jackson played the part of a "clever conjurer."[19] Over the next few years, Jackson became interested in minimalist dance and performed in the dance companies of Laura Dean and Trisha Brown.[2][15][23] Jackson credits his exposure to minimalism and minimalist dance in particular as having had a strong influence on his approach to design; in 1989, Jackson told the Los Angeles Times: For me the essential fineness of a design is in the idea, not the object itself ... In minimalism, the object is pared down to its basic meaning by stripping away all the excrescence ... —those elements that do not contribute to the pure idea.[24] Design career In the early 1970s, as he experimented with performance and dance, Jackson began branching out as a special effects consultant to other magicians, film producers, and musicians[2][23] such as Donna Summer.[6][9] The loft also gave Jackson an opportunity to apply his creativity and building skills: "These were times when lofts were not ... luxury condominiums. These were tough, tough raw spaces ... and we artists, bohemians, creative people, we created our environment. So I had to build".[17][25] Recognizing his skills as a builder, Jackson decided to shift away from performance and become a full-time maker.[1][15][17] He began making a variety of objects, including furnishings for other artists and magic boxes with hidden compartments for art collectors and galleries.[17][24] Jackson's social connections helped spread word about his work[15] and this led to his first commissions.[1] Early Commissions Desk for John Lennon by Dakota Jackson In 1974, Jackson's career as a designer began when Yoko Ono asked him to build a desk with hidden compartments for husband John Lennon.[26] "She wanted to make a piece of furniture that would be a mystical object; that would be like a Chinese puzzle," Jackson recalled in a 1986 interview published in the Chicago Tribune.[6] The result was a small cubed-shaped writing table with rounded corners reminiscent of Art Deco era style.[15] Touching secret pressure points opened the desk's compartments.[23] This commission helped build Jackson's reputation and allowed him to merge his experience as a magician and performer with his developing interest in furniture.[27] In 1978, a bed designed for fashion designer Diane von Furstenberg garnered Jackson even more notoriety.[8][10][28] [29] Called "The Eclipse", the bed was described in The New Yorker as "large, astounding, sumptuous, with sunbursts of cherry wood and quilted ivory satin at head and foot."[10] A lighting system positioned behind the headboard switched on automatically at sunset and spread out rays of light "like an aurora borealis,"[2][17] which grew brighter and brighter until turning off at 2 am.[23][30] Commissions like these continued to come in[8] and Jackson soon became known as a designer to the rich and famous.[30] Some of his other clients from this period included songwriter Peter Allen, Saturday Night Live creator and producer Lorne Michaels, Rolling Stone publisher Jann Wenner, and soap opera actress Christine Jones.[8] The American Art Furniture Movement and the Industrial Style In the late 1970s, Jackson was among a small group of artists and artisans producing and exhibiting hand-made furniture in New York.[5][31] Jackson and his peers were part of the "American Art Furniture Movement," a group sometimes called the "Art et Industrie Movement,"[32] named after the leading art furniture gallery of the era,[32] Art et Industrie, founded by Rick Kaufmann in 1976.[33] In a 1984 Town & Country article titled "Art You Can Sit On," Kaufmann said he created the gallery to "serve as a locus to the public for artists and designers creating new decorative arts."[31] The works on display were "radical objects" that drew from a number of fine art traditions, including "Pop, Surrealism, Pointillism and Dada [which were] "thrown together with the severe lines of the Bauhaus and the Russian avant-garde, mixed with Mondrian's color and filtered through a video sensibility—all to create a new statement."[31] The article described Jackson as a "ten-year veteran of the genre" and pointed to the "clean forms and quiet colors" of his furniture.[4] Jackson showed a variety of industrial-looking lacquer, metal, and glass works at Art et Industrie, including his Standing Bar (also known as the Modern Bar),[33] a lacquered cabinet that Jackson designed in 1978 for his wife (then-girlfriend) RoseLee Goldberg.[13] Other works from this period include the T-Bird Desk, Self-Winding Cocktail Table, and the Saturn Stool...

Antique Chippendale mahogany fret carved mirror, attributed to the workshop of John Elliott, Philadelphia, circa mid to late 18th century. Provenance: Property from a Chesty County, ...

A gorgeous Mid-Century Modern petite server or bar cabinet By Paul McCobb for H. Sacks & Sons, "Connoisseur Collection" USA, 1950s Mahogany, with brass legs and hardware. Measure...

Carved Mahogany French Louis XV style queen size bed C 1900. This is the bed you have been looking for but have not been able to find! The reason is that there were not very many mad...

19th c. and later, England, an assembled set of dining chairs in the Hepplewhite style, (6) side chairs with pierced splat backs, and (6) side chairs of similar design, all of mahoga...

An outstanding French Empire style king size bed In the manner of Ralph Lauren Late 20th Century Gorgeous flame mahogany, with carved details and brass accents. Measures: 84"W x ...

Single Art Deco square lamp table made of mahogany and maple veneer stained, solid maple and solid glass rod accents.  

This unusual American mahogany petite sized writing table features two flip-top panels with leather inserts and two compartmentalized drawers, one in front and one on the side. The d...

Handsome pair of rich mahogany veneered commodes, chest of drawers, or nightstands made by Bernhardt. The three drawer chests feature parchment style leather wrapped fronts with nick...

Step into unparalleled elegance with our Antique Empire Settee, a masterpiece meticulously revived by our skilled in-house team. This exceptional...

A sophisticated French antique Louis XVI style Neoclassical taste convertible mahogany serving table. Born in Paris, France in the early 20th century, hand-crafted of warm, rich, solid mahogany wood, the elegant Parisan dessert server / cocktail drinks bar cart / tea table having a large removable tray top with brass handles and glass bottom, resting on a two tiered table, the upper and lower tier tabletop featuring striking mahogany with stunning grain detail, warm hue, rich coloring, and beautifully aged patina that adds a rich dark warmth, distinctive depth and mellow luminous sheen that can only be acquired over long periods of time. The upper level is framed by intricate exotic boxwood and ebony banding and stringing raised rim, the lower level having four drop down shelves that can act as extensions, each shelf having serpentine shaped stepped molded edge and patinated brass hardware, all rising on four squared tapered legs garnished with four rows of satinwood sting inlay. The fine antique serving table...

This is a fine George III English mahogany demilune table with two drawers that swing out. The George III style produced exceptional quality pieces that many collectors have deemed t...

Antique Thomas Farrer Mahogany Grandfather Clock with Brass Finials 19thC Measures - 94"H x 19.75"W x 10.5"D

A fine pair of night stands or small chests of drawers by American of Martinsville. Ca' 1960's, with three drawers each. Reconditioned and redone in blue gray lacquer, handles polish...

Antique Victorian player piano by The Cable Company of Chicago which features a Carolina Inner-player. Circa 1915. Includes: I Love Paris and Oh Lady Be Good by Max Kortlander, Hey There and Mack the Knife by J Lawrence Cook, Cherry Pink & Apple Blossom White by Sid Laney, If You Knew Susie Fox Trot, Bye Bye Blackbird Fox Trot, Loving You Has Made Me Bananas by Dick Watson, and two unmarked. The Cable Piano Company, Chicago established 1880 by Herman D. Cable born in New York in 1849. The Cable Piano Company was originally with the Wolfinger Organ Co., which later changed to the Western Cottage Organ Co., and then to Chicago Cottage Organ Co. In 1890 H. D. Cable consolidated with Conover Bros. and his two brothers, Fayette S. and Hobart M. Cable. Cable and Conover acquired the Schiller Piano Co. of Oregon, Ill. By 1920 The Cable Piano Co. had two factories. One factory located in Chicago at 22nd Street, Paulina and Dale Place. The second factory at St. Charles, Ill. In the 1920s George J. Dowling was president and The Cable Co. was manufacturing Conover, Cable, Kingsbury; and Wellington, and Schiller pianos. Player piano names Conover Carola Inner-Player, Conover Solo Carola Inner-Player, Carola Inner-Player, Solo Carola Inner-Player, Euphona Inner- Player, and Solo Euphona Inner-Player. “Tonarch” and “Crownstay”, trademarks of the Cable Co., Chicago. “Tonarch” a patented sounding-board-and- frame construction used in uprights and “Crownstay” designed to maintain the curvature of soundboards in grands. Other owners of the Cable Company include Aeolian with the factory at 2718 Pershing Ave., Memphis, TN., Jackson & Wabash, Chicago, Ill., and Winter & Co. The Cable Piano Company claimed to be "the world's greatest manufacturer of pianos, inner player pianos, and organs." Cable built a factory in 1901 in St. Charles on 3.5 acres west of the Fox River. Cable Piano Company became known not only for its products, but also for its working conditions. During the factory's heyday in the early 1900s, there were as many as 500 employees, many of whom were women. Employees could enjoy the company sponsored brass band and male chorus, or play on the company baseball team. With its own electric plant and fire protection...

Relieve the majesty of Queen Anne's English court from the comfort of your very own home with this fantastic cabriole leg table produced by Englishman Bevan Funnell for his respected...

A Late 20th Century Drexel Heritage Chinoiserie Style Mountain Landscape Carving King Size Headboard. Crafted in solid mahogany with brass trims. Meaurses 78" in width and stands 44....