Stone Furniture

The top of this night stand has shaped molding. The drawer and cupboard door both have shaped raised panels and the original turned knobs. The lower apron has shaped carved molding w...

Italian Travertine 1970s console table designed by Stone International, Italy. Warm cream and gray stone table top edged in teak. Dimensions:139W x 74H x 57D.Perfect Original Cond...

Ring Shelf is a free-standing, asymmetric, laquered wood ring. This object’s variations in form along with the dynamic composition of aluminum sheets that the ring encompasses open t...

French art deco sculpture from the 1930s in patinated Zamak. The base is made of two types of marble. The sculpture is unsigned. Maker unknown.

Facet Side Table with Smoke Crystal Top Brass Hand Repoussé Smoked Crystal Hand Carved Limited Editon Each piece is individually crafted and is unique. Repoussé is the tr...

Ring Shelf is a free-standing, asymmetric, stone ring that touches on the of modernist sculptor Isamu Noguchi’s incorporation of varicolored stone segments to form larger structures....

Bagatelle vase is an emblematic Lalique piece and best seller. From a naturalist inspiration, it was drawn for the first time in 1939. This vase became a classic of the collection co...

French Art Nouveau sculpture with a clock decorated with a pair of women rejoicing in the season's harvest. In great condition. Sold as is...

19th Century Farm Thresher used to separate the usable part of the grain from the straw to which it is attached. Dragged by farm animals with the stone face on...

Onyx marble sculpture depicting the white rhino Italy 1950s.

Stylish Art Deco alabaster urn shaped uplighter table lamp with carved bottom, Spain, 1930s. Elegant and classical design, highly decorative eff...

21st century abstract sculpture DROP ART by Renzo Buttazzo from Italy Sculpture in Lecce Stone Delivered with a certificate of authenticity. Since 1886 Renzo Buttazzo work with Pie...

21st century abstract sculpture ILOVEU by Renzo Buttazzo from Italy Sculpture in Lecce Stone Delivered with a certificate of authenticity. Since 1886 Renzo Buttazzo work with Pietr...

A early 18th century French sandstone colomn with base. Could be used indoors or outdoors.

French made, organically colorful Art Deco pendant. If you are looking for a practical size, beautiful, timeless and ready to use alabaster chandelier then this leopard skin pattern, mineral stone...

Rare coffee table in solid oak and Vallauris ceramic, large herbarium pattern. The assembly of the wooden structure free of metal hardware. Very beautiful rustic chic French design. ...

Stunning pair of 19th century bedside cabinets. Both the quality and the superb condition of these striking nightstands are like an ode to their makers. Mind you, these cabinets are...

Stunning midcentury dresser made by JL Metz Company. Featuring weathered cherry wood with accenting burl front drawers, inset travertine top and patina brass s...

Wonderful French Paper-Mâché bucket, in a gorgeous shade of ochre. No visual damage, nor any repairs. Could possible make a nice Wine Bucket?

Medium sized basin. This would make a nice small fountain or larger planter.

Cocoon floor lamp attributed to Achille Castiglioni for Flos. Made in Italy in 1960s. Resin shade, marble base, brass and wooden stem. Has foot switch. Takes one medium bulb. Complim...

French Art Deco palisander and pewter inlaid inkwell with 2 crystal wells.

Pair of wonderful coral and gilt wood fragments. These were custom made. Pieces of coral mounted onto antique gilt wood bases. One of a kind.

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

Late 19th century French Louis XVI style carved and painted console with Carrara marble top. Circa 1890. A favorite of top designers!

This is a petite Burgundy hard stone mantel from the late Louis Philippe period. This coming from the small town, Buxy, in the beaujolais region. Measures; 114 cm EW 44,88" 105...

Stylish 1980s tessellated stone pedestal by Casa Bique. Crafted from tessellated stone in variants of coral hues, this cylindrical pedestal makes for a nice accent piece to display y...

“Console 0024c” is a sculptural console table in Red Travertine created by the artist Desia Ava. The piece features strong lines and gentle curves. Marked by architectural aestheti...

Round scagliola plinth that combines highly polished surfaces with stone-like cracks and crevices formed during the casting process. Cast by hand and finished with natural oils and waxes. Pictured colourway - Carmine red, ivory white, midnight blue & raw Sienna. About Christopher Wall Design...

A matched pair of Empire mahogany pedestal cupboards of cylindrical form, both with green marble tops, and two shelves to the interior. One wi...

This mid-20th-century English Bulldog garden ornament, crafted from concrete, showcases a captivating patina that enhances its charm. Despite minor impe...

Antique French gold bronze & clear and amethyst baccarat crystal chandelier, Circa 1890. This is a nice shape chandelier for lower ceilings and small spaces.

ITEM: Scarab with prenomen for Amenhotep II MATERIAL: Steatite CULTURE: Egyptian PERIOD: New Kingdom, XVIIIth Dynasty, 1143 – 1417 B.C DIMENSIONS: 15 mm x 11 mm CONDITION: Good condi...

Finely carved gold side table with marble top, Louis XV Excellent French Louis XV style table. High-quality, solid beech wood, carved ...

This exquisite mid-20th-century concrete Shepherd dog, covered in moss, exudes timeless elegance with an honest patina. Crafted in England, it takes the form of a small shepherd, its...

Art Deco full desk set in marble and brass, France, 1930s. Composed by: 2 Inkwells W 29.5 cm x D 18.5cm x H 8 cm Ashtray W 14 cm x D 14 cm x H 4 cm Envel...

Contemporary Moroccan free form shaped onyx bowl. Polished and smooth finish. Shades of grey , beige and cream. From a large collection.

Blackwood Bellini Coffee Table by Coco Flip Dimensions: D 126 x W 66 x H 32 cm Materials: Timber / Stone tops, Powder-coated steel frame. Weight: 20kg Frame Finishes: Textura Black....

Lacista Center Table by Andres Monnier Limited Edition Of 8 Pieces. Dimensions: D 29 x W 160 x H 80 cm. Materials: White onyx. Andrés Monnier is a Mexican artist born in Guadalajara...

This sculptural stone specimen features an extraordinarily rare crocodile (Borealosuchus wilsoni), who ruled as the apex predator in the ancient lake known to scientists today as Fos...

Blackwood Bellini Side Table by Coco Flip Dimensions: D 54 x W 54 x H 39 cm Materials: Timber / Stone tops, Powder-coated steel frame. Weight: 12 kg Timber Tops :Blackwood Frame Fin...

Antique Venetian Sandstone Head of a Roman Gladiator is a captivating piece of art that showcases the exquisite craftsmanship of the Venetian artisans. This stunning sculpture depict...

Echoing the contours of our popular WaveWoo dining table, this attractive companion piece offers the same elegant glamour in a uniquely styled coffee table. An expertly crafted base ...

An antique glass dome with Virgin Mary figure and some other wooden and glass parts. It has also a touch relic of Agnus Dei. Found at an estate sale...

South Arabian Alabaster Inscription Calcite Alabaster circa 1st century A.D. ‘’Consequently, neither white marble of Paros nor any other stone which men admire can be compared with the precious stones of Arabia, since their whiteness is most brilliant, their weight the heaviest, and their smoothness leaves no room for other stones to surpass them.’’ - Diodorus Siculus, Library of History, Book II, 52.9 This inscription, finely worked on an alabaster tablet, is a remarkably well preserved example of Ancient South Arabian script, with its distinct bold, angular forms, written in the Qatabanic dialect - that is, the dialect spoken by the people of the kingdom of Qataban, which ruled much of modern day Yemen from the 7th Century B.C. to the 2nd Century A.D. The text, which reads: ‘[... ...]sa?d and Ma?add?i- / (of the lineage) of Hawfa- / She entrusted Anb- / against any malfeasance (which would remove it) from its place’ - indicates that it likely served to commemorate a temple offering. The quality of the script, incised so neatly into the surface of the alabaster, tells us that this piece was commissioned by somebody of considerable wealth and prestige, employing a scribe of equally considerable expertise. South Arabia was known throughout the ancient world for its incredible wealth - so much so that the Romans termed the region ‘Arabia Felix’ - literally, ‘Happy, or Fortunate, Arabia.’ That wealth was built largely on the trade of spices and incense, in which the Kingdom of Qataban played a major part. According to Pliny the Elder, this was the sole country through which frankincense could be exported, first being collected in the city of Shabwa, on the South Arabian coast, and from there travelling by camel up to Gaza, to be shipped all across the Mediterranean - not only that, but all growers of myrrh across Arabia were required to give a quarter of their yield to the king of the Qatabanians. As such, the kingdom became exceedingly rich and powerful, and Pliny goes on to tell us that ‘The nations of the Larendani and the Catabani, and the Gebanitæ [...] occupy a great number of towns, the largest of which are Nagia, and Thomna (the capital of Qataban) with sixty-five temples, a number which fully bespeaks its size.’ Because of the nature of its exports, frankincense in particular - the ‘sweat of of the gods’ according to the Egyptian Book of the Dead, and perhaps most famous as one of the three gifts brought to the newborn Christ - being closely associated with the divine, South Arabia’s reputation in antiquity was as a mysterious, almost sacred, and - crucially - extraordinarily wealthy region, at the very edge of the known world; in the words of Herodotus: ‘’Enough of marvels, and yet the land of Arabia gives off a scent as sweet as if divine.’’ This inscription invokes the protection of god Anbay, the judge-oracle of the chief god ‘Amm, who he served as an attendant. Much of what we know of the religious life of the ancient South Arabians comes to us from early Islamic texts, describing what is known in Islamic scholarship as ‘Jahiliyyah’ - the age before the advent of Islam in Arabia. What comes across in much of these texts is that these religious practices placed a great deal of emphasis on sacred stones, perhaps linked to the brilliance of the alabaster which is local to the region, and which a great many of the cult-objects produced in this time are made from. Hisham ibn-Al-Kalbi’s Book of Idols records: ‘’The Arabs were passionately fond of worshipping idols [...] Whenever a traveller stopped at a place or station in order to rest or spend the night, he would select for himself four stones, pick out the finest among them and adopt it as his god, and use the remaining three as supports for his cooking-pot.’’ This inscription was once in the collection of the intrepid British-Australian travel...

Four Eocene Era fossil fish from the Green River Formation are featured in this sculptural stone mural: a Cockerellites liops (formerly known as Priscacara) accented by three smaller Knightia eocaena. These fossil fish are about 50 million years old and are forever preserved in a textured matrix of natural, fossil-bearing limestone. This particular mural features a rare layer from our quarry known as Steel Blue Lake; the rich blue-gray color is a dramatic backdrop for the deep bronze color of the fossils. The mural measures approximately 1.33 feet x 2 feet. It is fully backed with wood and it includes a handmade custom Wenge wood frame which compliments the fossil color beautifully. The mural has a built-in French cleat, which allows for an easy installation. DETAILS -Mural size: 16" H x 24" W x 1" D -Mural weight: 20 lbs -Includes a Green River Fossil Company Certificate...

1960s Arturo Pani for Muller of Mexico alabaster coffee table with brass trim and winged legs. Often described as onyx, the surface has just been given a matte refinish. Made in Acap...

SPIRA is a modern tribute to ancient rituals. Vessel 03 repeats the motif of the ancient greek column base. The travertine, with its naturally occurring color variations and delicat...

ITEM: Head MATERIAL: Marble CULTURE: Greek, Hellenistic period PERIOD: 3rd – 1st Century B.C DIMENSIONS: 55 mm x 38 mm x 44 mm CONDITION: Good condition. Includes stand PROVENANCE: E...

Two 1970s porcelain chandeliers with brass and crystal butterflies. Measures: Diameter 52 cm. Height fixture 40 cm. Total height including the chain and canopy 110 cm. Five E14 bulbs.

Italian Louis xv style marble top nightstands. Two drawers with brass pulls.

Ancient Roman Carnelian Intaglio. An intaglio is defined as a small Gemstone, generally semi-precious, that has been carved with images or inscriptions only on the face. This style of carving is the opposite of the cameo technique. The engraving of gemstones was a major luxury art form in the ancient world and an important one in some later periods. This particular Intaglio is Carnelian and dates from the second century AD and shows the head of a figure in profile. It is in very nice original condition and would be ideal for making into a ring. The word Intaglio comes from the Italian word intagliare, meaning “to engrave” or “cut into.” Intaglio describes the process in which an image is engraved into a stone, creating an image in the negative. When a stone carved in this way is pressed into hot wax...

A magnificent modern crystal chandelier by Kinkeldey with 65 asymmetrically faceted crystals. Stunning size and quality ! Nine E14 and one E27 bulbs. Measures: Diameter 48 cm. He...

An English sundial from the late 19th century, with carved limestone and bronze top. This English sundial features an obelisk-shaped base, raised on a pyramidal plinth, with cut-off ...

“Dining table 0024c” is a sculptural table in Travertine Red created by the artist Desia Ava. The piece features strong lines and gentle curves. Marked by architectural aesthetics, ...

Cult stool/ side table; a hand sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a ...

Our Athena table is comprised of crescent shaped table top elegantly perched on a conical pedestal. Deliberately asymmetrical. Carved from small blocks of Calacatta Viola marble. Due...

Modern light cream console or dressing table in lacquered wood & polished brass Malala console table The beautiful Malala console table chooses to be di...