Illuminated Wall Mirror by Guglielmo Ulrich Prod. by Fontana Arte, Italy

Furniture designer Guglielmo Ulrich was born in Milan to a family with Danish origins. After completing his studies at the Brera Academy, the Scuola Speciale di Architettura and the Polytechnic University of Milan in 1927, Ulrich’s status quickly rose in high-society circles, as he’d gained a reputation for creating elegant interiors for a range of commercial and private clients. Architecture and furniture design in Milan was evolving during the era owing to industrialization, and Ulrich’s modernist work was seen as fresh and forward-looking.

In 1930, Ulrich established the furniture company ARCA — which was short for Arredamento Casa — with colleagues Attilio Scaglia and Renato Wild. Together they created a platform for Ulrich’s designs, which were quite different from the typical furnishings found in Europe at the time. 

Ulrich favored simple lines — tapered table and chair legs, lean silhouettes — and the graceful contours of his console tables and dining chairs are representative of an endeavor to streamline neoclassical forms. He created luxurious but practical furniture and home accessories that featured an emphasis on craftsmanship as well as an integration of exotic materials such as ebonized wood, opaline glass and green marble. Ulrich’s designs were very much in line with what we now know as the Art Deco style, which was officially introduced to the world in 1925 at Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. He collaborated with legendary architect and designer Gio Ponti on designs for a hotel property in the late 1930s and co-edited Ponti’s revered Domus magazine with Milanese architect Melchiorre Bega. 

By the 1950s, Ulrich was firmly established as one of the most influential Milanese designers, having a hand in designing homes, commercial properties and more. In 1961, he won the Fiera di Trieste award for his lightweight Trieste chair, a seat that shared common ground with Ponti’s iconic Superleggera chair and was produced by Saffa. 

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Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.