Ruhlmann, Art Deco Genius, French Book, 2002 Exhibition in Museum des Années 30

"Paul Colin et les Spectacles" French Book by the Musée des beaux-Arts de Nancy in France, 1994. The book was produced as part of the exhibition dedicated to the artist at the Musée ...

L’Art, la Femme et L’Automobile, (Art, Woman and Cars), French Book by Gilles Néret and Hervé Poulain, 1989. When cars started appearing at the end of the 19th century, people hesita...

Nouveaux Plaisirs d'Architectures (New Architectural Pleasures), French book published by The National Center of Art and Culture Georges Pompidou in Paris, 1985. Les pluralismes de la Creation en Europe et aux Etats-Unis depuis 1968 vus a travers les collections du Deutsches Architekturmuseum de Francfort. (The Pluralisms of Creation in Europe and the United States since 1968 seen through the collections of the Deutsches Architekturmuseum in Frankfurt.) This first edition of the book was published on the occasion of the exhibition of the same name, co-produced with the Center de Création Industrielle and the Deutsches Architekturmuseum, presented from February 21 to April 22, 1985. This book takes up the outline of this exhibition, which presents a panorama of various architectural trends from 1968 to 1985 in Europe and the United States through the collections of the German Museum of Architecture in Frankfurt, inaugurated in 1984. It is also an extension of the Images et Imaginaires d'Architecture event presented at the Center Pompidou by the CCI in 1984. A set of two hundred original drawings, thirty-five models, and a few paintings and sculptures testify to a new plurality of research and the current proliferation of architectural creation. This panorama reflects through some forty projects (nearly half of which were finished), many recent currents, and not just postmodernism. The reader discovers, for example, representatives, side by side: - the rationalist movement, such as Giorgio Grassi...

Paris des Années 30, (Paris in The Thirties), French Book by Jacques Lanzmann, 1987. Numerous photographs in black and white from the Keystone press agency in Paris illustrating the ...

L'Auto s'affiche (The Cars in Posters), French Book by Thierry Favre, 2007. Prefaced by Louis Schweitzer, this book unveils a formidable collection of graphic posters illustrating automobile history. This retrospective allows an understanding of artistic trends and the evolution of advertising while discovering manufacturers, luxury models, casual vehicles, trucks, coaches, and other racing cars. The golden age of the graphic poster began in 1880 in the railway tourism sector. The photographic poster has been successful and has dominated the market since the 1970s. The poster is related to the development of the automobile industry at the beginning of the 20th century. It expresses an advertising message but also becomes a mode of artistic expression in its own right. Thanks to the talent of artists like Pal, Mich, Vincent, Mauzan, Geo Ham, Kow, Cassandre, Savignac, and many others, the poster strikes the imagination of passers-by. It entertains, inspires dreams, and innovates. The graphic print expresses all the major artistic trends, from Art Nouveau to Art Deco. It is paradoxical to note that the woman's omnipresence in the image largely contributed to the birth of the myth of the Automobile. After World War I, the automotive landscape changed a lot. The 416 makes counted around 1910 disappeared for different reasons: non-competitiveness of assemblers, too rapid technical development, and damage correlated with the conflict. On the other hand, new brands resulting, in particular, from the formidable evolution of military aviation from 1915 to 1919 appear: Voisin, Farman, and Hotchkiss wanted to branch out from machine guns. Curiously, the big car...

Paris 1919 - 1929 Art, Vie et Culture (art, life, and culture), French book by Vincent Bouvet et Gérad Durozoi, 2009. Paris was an international melting pot of arts and letters during the inter-war period. Between the parade of the Allies in 1919 and the one of the Germans in 1940 on the same Champs-Elysées, Paris experienced a fruitful cultural and intellectual period for 20 years, open to the avant-garde and faithful to the best of tradition. In the period between the two World Wars, France maintained its status as a significant economic, military, and colonial power. The fame of French culture is centralized in Paris, from which ideas and fashions radiate. Artists and creators come from all continents to the City of Light to draw their inspiration and gain recognition in the eyes of the world. During the "Roaring Twenties" that followed the euphoria of victory, Paris shone with a thousand lights. The "Lost Generation," the one of Hemingway and Fitzgerald, is the most significant foreign colonies that animate the nights of Paris who discovers jazz. But the bohemian lifestyle of Montparnasse attracts painters and sculptors from the four corners of the globe, such as Chagall, Giacometti, Miro, and Calder, to the studios, cafés, and bars, such as La Coupole. A chameleon genius, Picasso simultaneously experimented with all the paths, including those of nascent surrealism. Matisse, Léger open academies. The School of Paris brought together painters as varied as Soutine, Derain, Van Dongen, and Foujita. Abstract art set...

Ruhlmann Un Genie De L'Art Deco by Emmanuel Breon et Rosalind Pepall.(Commissaires). 2004 Ruhlmann: Genius of Art Deco. French Text. Published by Somogy Ed...

The Genius of Charles James exhibition catalogue by Elizabeth Ann Coleman. Book accompanied the 1982 Brooklyn Museum show. Soft cover first edition.

The revival of the decorative arts in the post-war France is extremely diverse, from the 40 style that endures through official commissions to the classic or neoclassical furniture w...

The revival of the decorative arts in post-war France is extremely diverse, from the 40's style which endures through official orders to classical or neoclassical furniture whose suc...

Jacques Emile Ruhlmann was one of the greatest and most prolific Art Deco cabinet makers and interior designers of the first half of the twentieth century. This is a fine copy of the...

A hard back book written by one of the great experts on 20th century decorative arts. Arbus was a decorator, furniture designer, architect and sculptor, he was interested in good design and favoured the use of exotic and luxurious materials, such as rare wood veneers and lacquer, in his furniture designs. He made his name through the 1930s and 1940s and was a contemporary of many the great designers of the Art Deco era. Throughout his career he won numerous awards and worked on many significant commissions for the French Government, in particular a jewel cabinet...