Wright Brothers' Flyer III Artifacts

This fascinating George III silver tray is a work of skillful English artistry, intricately chased and engraved it represents a prestigious commemorative gift for service. The tray rests on 4 bracket feet with oval handles and a delightful gadrooned border. The tray is distinguished by a spectacular engraved inscription of unmatched quality that bears a presentation inscription. The inscription is surrounded by a laurel wreath border with arms, two coat of arms and flags, two of which bear the monograms for King George III and George Spencer...

Considered the first step into the world of modern photocopying, the copying machine was among the first widely used devices to successfully produce an ex...

As exceptionally scarce as it is fascinating, this autochange disk player by the Polyphon Musikwerke in Leipzig, Germany can change between six disks and play with the incredibly rare addition of bells that accompany the music. Before a coin is dropped into the slot, slide the brass indicator until it points to the desired music selection, insert a penny, and the chosen song will play automatically. An extremely limited number of these automatic disk changers were ever created, and even fewer have survived in such outstanding condition. Standing over seven feet tall, this particular model boasts a magnificent walnut case with handsome burl panels on its original, matching storage cabinet. A true technical marvel for its day, Polyphon’s automatic disk changer symbolizes pure ingenuity and superlative craftsmanship. This antique player...

A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria & Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte...

This exceptional singing bird cylinder music box is a wonder of Austrian mechanical ingenuity. Not only does it play a selection of classical airs with remarkable tone and clarity, but its lush sound is accompanied by a colorful, singing bird automaton...

Tiny dancers twirl to the melodious tunes produced by this Swiss station cylinder music box. The cylinder is joined by a drum and bells that give richness and depth to the wonderful music the box creates. Music boxes were at the height of fashion in the late 19th century and served as a status symbol for the European gentry. Switzerland was the birthplace of cylinder music boxes and home to the great majority of the most renowned manufacturers. This example, in its finely crafted English walnut case, boasts two combs, allowing the box to play in harmony for a richer, more complex song. This particular style, commonly referred to as a “station” or “showcase” box, was used to entertain guests in hotel lobbies, train stations and other similar public places, and as such would have been coin-operated. This example, however, does not accept coins. This, combined with its overall quality, complexity and beauty, indicates it was made for a private household of significant means. Today, these ingenious musical masterpieces are highly sought-after by collectors of musical automata...

Scultura III Tomasso by Brothers Fine Art. Published by Paul Holberton Publishing Ltd, United Kingdom, 2010. 1st Ed hardcover with dust jacket. 80 pages. The Tomasso Brothers...

Catholic artifact, originally made to house a statue. Made of oak, clad in copper The Gothic style decor on the roof is made of brass.

19th Century Medical Science Research Artifact A fine example of 19th Century medical science research artifact, in three sections and not hinged. A...

19th Century Medical Science Research Artifact A fine example of 19th Century medical science research artifact, in two sections and not hinged. A d...

A wonderful 18th century Italian sunburst religious artifact resting in its stone base.

Richard Branson's Virgin Atlantic Flyer trophy. 1987 flying in the worlds largest hot air balloon 3075 miles in 31 hours 41 minutes. Engraved bronze on wood.