Old Engraving of the Trarbach Battle in Rhineland-Palatinate, Germany, c.1710

Antique print titled 'Chateau de Rheinstein'. Original antique print of Rheinstein Castle, a castle near the town of Trechtingshausen in Rhineland-Palatinate, Germany. This print ori...

Antique print titled 'Aftekening der Schilderye op 't Stadhuis te Dordrecht (..)'. Scene of the battle of Chattam during one of the many Anglo-Dutch wars. In this battle, the Dutch sailed up the river Thames and destroyed part of the English fleet at anchor in the harbor of Chattam. Pictured in the foreground is the Dutch commander, Cornelius de Wit, being presented with the spoils of war...

This plate shows views of the ruins of the Palace of Cleopatra, Egypt. Source unknown, to be determined. Artists and Engravers: Cornelis de Bruijn (also spelled Cornelius de Bruyn, p...

Antique print China titled ‘Kajutsiu'. This plate shows a view on the Chinese city of Kajutsiu. This print originates from the Latin edition of Nie...

Lithographic print of the Naval Battle of Beziers on 10th July 1690, taken from the book Historical Gallery of Versailles 319bis. Skelton is the engraver. Original print by Victor Gilbert Théodore Gudin...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Lithographic print of the diamond rock battle, the main port of the island of Martinique, taken from the book Historical Gallery of Versailles 112. Chacoane is the engraver. Original...

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether circa 1770, glazed in ebonised, ...