Marquetry Musical Instruments

Astounding, finest quality, hand-made estate 3.72 note "Reuge" music and jewelry box grand piano with gorgeous instrumental motif marquetry on burl walnut wood case. The music box plays 3 songs. Flawless sound featuring a 72 note Swiss movement. The wood piano case is handmade in Italy by the world's best master artisans in marquetry. One cylinder; 3 melodies playing one after another. It plays for a very long time when fully wound. Reuge 72...

Exquisite late 19th century Swiss marquetry / parquetry cylinder music box capable of playing eight different tunes. Rectangular hardwood box with painted wood grain sides and inlaid...

An 1899, Bluthner grand piano with a rosewood case, decorated with Art Nouveau and Empire style elements. It was showcased at the 1900 Paris Exposition Universelle. Piano bought by King Edward VII and Queen Alexandra in the Coronation year of 1902 to be situated in the ballroom of Malborough House. It was sold in 1936 to Major Maconochie in Bath. This piano is in great original condition having only had two previous owners. A rare opportunity to acquire a royal piano. The piano cheek side panel is inlaid with an Art Nouveau design featuring a stylised female head surrounded by whiplash lines and foliage. Musical instruments sit centrally in the design. Columnar, Empire style gilt mounts stand each side of the inlay. Napoleonic emblems of stars, palmettes and foliage feature here. Symmetrical female heads with flowing tresses and floral...

A magnificent French 19th century Louis XV designed marquetry kingwood Grand Piano . Signed in the bronze by Joseph Zwiener. The finest gilt bronze mounts. 6 legs . The piano works b...

Antique marquetry wood music box by Langdorff & Fils Swiss, Late 19th Century Height 31cm, width 68cm, depth 35cm Crafted in the late 19th century, this exquisite music box was pro...

Marquetry wooden music box by Nicole Frères Swiss, Late 19th Century Height 14cm, width 64cm, depth 19cm This elegant wooden music box is a fine example of 19th-century craftsmanshi...

A very rare Louis XVI period serinette or bird organ in the form of a transitional style gilt bronze mounted and marquetry inlaid miniature commode in the manner of gilbert, by Robert Richard, Paris. With a label for ' RICHARD - maitre facteur d’orgues et mécanicien / Rue de richelieu à la bibliothèque Du Roy / Paris 1775'. This rare Serinette or Bird Organ has a wooden cylinder barrel mounted by twelve pins and linked to twelve sound pipes. A crank attached to the front panel controls the bellows that activates the mechanism. The exceptional marquetry inlaid case is in the form of a gilt bronze mounted transitional style miniature commode. The top of the commode is inlaid with a landscape scene with buildings, opening to an interior with an allegory of Love Conquering All, represented by two doves perching on a bow and quiver. The front of the commode depicts two obelisks centred by a Fine musical trophy and each side is inlaid with panels depicting the Medici Vase. The back of the commode is decorated with floral marquetry. A closely related Serinette dating from circa 1770, also in the form of a miniature commode, with the marquetry case stamped by the master marqueteur Leonard Boudin, is in the collection of the Victoria & Albert Museum, London. The term serinette is derived from serine, French for finch. The instrument worked like a small barrel organ with a barbed cylinder, wind box and lead pipes and produced a high, thin sound in imitation of birds. Other versions included a merline, which copied blackbirds and a turlutaine, which copied curlews. Used to teach caged birds to sing tunes, different barrels could be inserted to train different birds. It first appeared in France circa 1730 and became a popular drawing-room toy for fashionable women. An interesting painting commissioned in 1751 for Louis XV by Jean-Baptiste-Siméon Chardin and now in the collection of the Louvre, depicts a refined lady seated in her salon playing a bird organ to encourage her bird to sing. Robert Richard Robert Richard was a Parisian organ and harpsichord maker and the mécanicien du roi to Louis XV and Louis XVI and was based in the Bibliothèque du Roi in rue de Richelieu. Initially working alongside the Cliquot family who acted as 'facteur d'orgue du Roi', he is recorded as building an organ for the church of Notre-Dame de Quebec, in Montreal in 1753 (destroyed in 1759) and as the inventor of a mechanical concert shown in an engraving by d'Eisen in 1769. Canon Jean Marie De La Corne described Robert Richard as : ''Le plus habile ouvrier de paris, fameux mechanitien et Homme de probité''. French, Dated 1775. Literature: Pierre Kjellberg, The French Furniture of the 17th century, The Editions of the Amateur, 2008 Count Francois de Salverte, Cabinetmakers of the 18th century, Editions of Art and History, 1934 Raymond Russell, Victoria and Albert Museum Catalogue of Musical Instruments, Volume I - Keyboard Instruments,(London, 1968; p. 69.) Elizabeth Miller...