French Late 19th Century Neo Gothic Gilded Metal Saint Statue

Wonderful gilded metal saint statue with beautiful expression. France, circa 1880-1900. Weathered. Measurements include the wooden base.

Beautiful weathered white marble statue representing Saint John the Evangelist. Christian tradition says that John the Evangelist was John t...

Beautiful weathered oak panel representing Saint Philomena. Also known as Philomena of Rome was a young virgin martyr whose remains were discovered ...

Very nice saint figure. Hand carved wood with glass eyes Italy, circa 1800-1850. Weathered, small losses.

Very nice handcarved fragment of a marionette. France, circa 1850. Weathered, small losses and old repairs Measurement include the wooden base.

Beautiful baroque gilded metal procession cross with a great patina. France circa 1750. weathered and small losses. Measurements include the wooden pedestal.

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

A Gothic Revival reliquary. Circa late 19th / early 20th century. Made of solid oak with fine carving. Reliquaries have been used to store relics since the Middle Ages. In sacred architecture they are often located behind the main altar in the chancel. In addition to classical, often church-like caskets, anthropomorphic, so-called "speaking" reliquaries were also made, which already inform the viewer about their contents through their own design. Mostly they were made of precious metals and decorated with rich sculptural ornaments or precious stones. One of the most famous examples of reliquaries is the Epiphany shrine of Nicholas of Verdun from the late 12th or early 13th century in Cologne Cathedral. The reliquary offered here has an architectural structure with a rectangular ground plan. The three-sided glazed box with a dormer roof rests on a plinth. A total of 8 columns of Corinthian order form the arcades which are crowned on both long sides by 3 lancets each and enclose the lancet windows...

An unusual pedestal of octagonal Neo-Gothic form, the molded base supporting eight shaped and carved columns decorated with typical Gothic designs, topped by eight spikes surrounding...

19th Century French Gothic Sacrament cabinet was artfully sculpted from solid oak and fruitwood to create a remarkable religious artifact designed to be appreciated throughout the ages! The trapezoidal form of the casework is in keeping with the Gothic style, which historians concur originated in the Cathedral of St. Denis during the middle of the 12th century. Boldly molded crown follows the complex contours and overlooks the case below which features a single door flanked by cornerposts that feature pilasters facing front as well as the sides, with recessed arched panels topped with recessed circular frames above filled with carved rosettes highlighted in gold. The arched recesses facing the front are also filled with carved floral and wheat motifs also highlighted in gold, representing the Bread of Life. The door panel, however, steals the show, with a gloriously carved relief work depicting both wheat and fully laden grapevines adding the significance of the Blood of Christ...

Angel. Metal in silver finish. XIX century. Angel or archangel figure made of silver metal, and standing on a base that resembles clouds. These types of sculptures were common in t...

Early 19th century wooden statue of St Jerome, circa 1800. South Europe.