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Silver Holy Water Font or Stoup. Valladolid, Spain, 1788.

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Bronze Bassin for Holy Water, Spain, 17th Century
Located in Madrid, ES
Holy wall font. Bronze. Spain, 17th Century. Small font for holy water designed to be placed on a wall, which has a container decorated with moldings and architectural elements and...
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Antique 17th Century Spanish Baroque Religious Items

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Bronze, Other

Holy Oils Vase or Container, Pewter, 18th Century
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Santos Oils container. Pewter. Century XVIII. Container made of pewter that has a foot, a body with curves, two handles and a lid. Its exterior decoration shows a clear influence o...
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Pewter

Holy Face. Oil on canvas. Spanish School, 16th century
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Holy Face. Oil on canvas. Spanish School, 16th century. A canvas depicting a face on a light background with no other elements. Iconographically, this is what is commonly called a ...
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Antique 16th Century Spanish Renaissance Religious Items

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Other

Silver Cruet Stand, García Calvo, Valladolid, Spain, circa 1900, with Hallmarks
Located in Madrid, ES
Cruet Convoy. Contrast by García Calvo, Valladolid, 1900. With contrast marks. Glass and silver. Silver convoy formed by a base on large pearls and with a central axis topped by a ...
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Early 20th Century Spanish Neoclassical More Dining and Entertaining

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Sterling Silver

Pax or Pax Board, Bronze, Spain, 16th Century
Located in Madrid, ES
Paper holder bronze, 16th century. Portapaz made of bronze with an "asymmetric" handle on the back, which presents a decoration in light relief framed in an architectural compositio...
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Antique 16th Century European Renaissance Religious Items

Materials

Bronze

Silver Pax O Portapaz, Spain, 16th Century
Located in Madrid, ES
Portapaz. Silver in its color and gilded. Century XVI. Portapaz made of silver that has a handle (decorated with delicate plant motifs similar to those of the pilasters) and a female and a male bust at the bottom, as well as other architectural elements on the back, and, on the front, an architectural composition classicist basement (with busts flanking a flower and a cross), two pilasters (vegetal decoration and capital recalling the composite order) with entablature (flowers flanking an angel's head; moldings), and a semicircular arch finish with elements veined in relief under cross and flanked by two architectural motifs in the upper part. This composition frames and enhances a gilt silver relief where you can see the Lament or Cry over the Body of Christ, with the Virgin holding the head of Jesus, Saint John at her side, the Magdalene and other characters, a cross following the group and a landscape background with houses and plant elements. This architectural structure mentioned is similar to the one present in other 16th century portapaces, such as that of the Magdalena de Dos Hermanas parish (Hernando de Ballesteros el Mozo, around 1575); or that of the Galaroza parish (same author and date); or that of the portapaz of San Miguel de Jerez de los Caballeros (in some details); etc. As for the relief, it is possible to clearly see a strong Italian influence, and the similarity between it and important pieces such as the Portapaz known as “de Cisneros by Juan de Burgos (1493-1497; MuseoCatedralicio de Alcalá de Henares), as well as in paintings and reliefs. Also noteworthy are both the male and female busts in the lower area and the Maltese cross (or Saint John's) that appears in this area. This symbol was used since the 12th century as an insignia by the Knights Hospitallers of the Order of Saint John of Jerusalem, also known as the Order of Malta...
Category

Antique 16th Century Spanish Renaissance Religious Items

Materials

Silver

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