Coromandel Screen

This magnificent six-panel Chinese folding screen depicts a lively battle scene with gilt brushwork and fine inlay of soapstone, agate, jade, jasper, mother-of-pearl and bone. The sc...

A hallmark of Chinese architecture, tall door panels such as these were used in provincial courtyard homes to easily open up a room to the outdoors. Designed with solid wood panels instead of lattice windows, these door panels were likely installed facing the street, used to protect the home rather than provide decoration. The doors were originally linked by hinges set in opposite directions, allowing the doors to fold upon themselves as they open. Instead of the elaborate carvings often found on Qing-dynasty doors...

This lacquered wedding chest dates to the early 20th century and was likely originally used as a bridewealth chest during a traditional Korean wedding ceremony. The exterior is finished with red and black lacquer and decorated with two round medallions conveying blessings of luck and longevity. The chest opens from the top, secured with a brass lock plate in the form of a butterfly, a traditional symbol of a life of prosperity and joy. Vintage newsprint...

This lacquered wedding chest dates to the early 20th century and was likely originally used as a bridewealth chest during a traditional Korean wedding ceremony. The exterior is finished with red and black lacquer and decorated with two round medallions conveying blessings of luck (?) and longevity (?). The medallions are surrounded by raised decoration resembling folk paper-cuts in the shape of floral wreaths and phoenixes. The chest opens from the top, secured with a brass lock plate in the form of a butterfly, a traditional symbol of a life of prosperity and joy. Vintage newsprint...

2 Asian Chinese style (20th Century) black coromandel 4 fold screens with scene with people on one side and floral & bird design on back. (PRICED EACH)

Six-panel double sided Coromandel Asian Screen lacquered in gold on one side and black on the other. The subject matter on the gold side is a festival and ...

Lovely antique Chinese four-panel screen, crafted most likely in the 19th century. Composed of exquisite coromandel wood, the panels depict a bustling scene from a Chinese village wi...

A superbly decorative six-panel lacquered 'Coromandel' screen, exquisitely carved and hand-painted with oriental figures, flowers and exotic beasts on a dark brown background, in the traditional 17th century manner.  Late 19th – early 20th century. Why we like it We like its impressive proportions which make it perfect for a feature wall, and the exquisite quality of decoration. The subtlety of colours lends a 'soft' look to the piece. The central motif depicts a scene set in the gardens of a Han dynasty palace, while the outer borders are decorated with the “one hundred antiques” motif interspersed with floral arrangements. In this regard, the present screen not only conveys auspicious meanings but also demonstrate the owner’s fine scholarly taste. History The term 'Coromandel', which is used to describe this particular type of lacquer technique (kuancai), is rather misleading. In the 18th century it was used commercially to indicate the place from which these objects were shipped to England through the East India Companies, and had no reference to China, the place of their origin. Similarly, Chinese painted wallpaper was often called 'India paper' in historic documants. The kuancai lacquer technique, literally meaning “cut out colour” and found almost exclusively on screens, emerged in the 16th century to serve the domestic market. The iconographic elements were carved through the built-up coats of dark lacquer and filled with pigments and gold. Seventeenth century examples usually consisted of twelve panels, and were often employed in entrance halls or as room dividers or windscreens for gardens and terraces. They were often commissioned as gifts and depicted court scenes, episodes from the world of the immortals, panoramic or landscape views and auspicious symbols. This type of lacquerware was flourishing during the reign of the Kangxi emperor (1662-1722) and saw a revival in the 19th century. Stylistically the present screen may be compared with the twelve-panel lacquer screen from the Kangxi period in the Victoria and Albert Museum illustrated by W. De Kesel and G. Dhont in Coromandel Lacquer Screens, ill. 23, pps 36-37. Such luxurious items were popular in England during the height of fashion for oriental exoticism, called chinoiserie in Europe. In the 20th century, Coromandel screens still remained a staple in the European interior design. Coco Chanel had a collection of 32 rare Coromandel screens, which she proudly displayed in her home at 31 Rue Cambom, Paris. She one...