British Racks and Stands

19th Century English Oak Hall Tree with multiple spindles for hanging coats and hats. The tree has a mirror as well a hinged compartment for storage. It also has a drip pan with an u...

Joseph Ellwood is a British designer and maker, he has been named one of 10 'Future Icons' in design by Wallpaper* magazine, collaborated with the luxury brand Rimowa and embarked on...

Philip Webb for Morris and Co. A rare walnut sheet music or folio stand with elongated turned finials, pierced circular decoration and a three quarter turned gallery below with three...

Large Windsor and Newton artist’s fully adjustable studio easel raised up on trestle base terminating in four lignum vitae casters Dimensions Height 71.5 Inches ajustable to 97 Inche...

Antique Victorian quality mahogany towel rail having five quality mahogany towel rails supported by shaped turned mahogany ends standing on shaped ...

A classic design. It fits many decors.

Fun and whimsical Victorian magazine rack black patinated sheet steel famed in brass with brass spider and flies attached. All mounted on a stepped mahogany base. A wooden handle hel...

Circa 1900 period Edwardian oak still or umbrella stand that fits in a corner. The top is decorated with finials and a curved front rail and simple side rails. The top is supported...

A delightful 19th century Victorian English mahogany lectern hand-crafted in England circa 1860 featuring a tilt top that can be placed at different angles, a well turned and banded ...

This is an antique Canterbury stand. An English, mahogany three sectioned magazine or newspaper rack, dating to the Victorian period, circa 1900. Exuberant craftsmanship, ideal fo...

19th century oak umbrella or cane stand from England. The back has lovely serpentine and scalloped details, which give it a lovely shape and will lend itself to a beautiful silhouet...

An English, Aesthetic Period cast iron hall tree by John and Thomas Cox of Birmingham. This design was registered on October 6, 1884. This Victorian hall tree features a mirror, shel...

A fine antique English burl walnut music Canterbury whatnot stand etagere, circa 1880. This late 19th century music Canterbury having a twin-tiered what...

The patina, the form, the function and the overall presentation of this antique Aesthetic Movement mahogany hall tree make it worth a second and third look. It has all the elegance ...

Hinged, two part mahogany three tier towel rail. The rails and uprights are square cut and morticed together. The two sections are joined with three brass hinges. England, circa 189...

Vintage Beech Shop Display Glove Stand circa 1930s Maker : Harris & Sheldoon Ltd B, Ham Mounted on Brass & Copper Telescopic stand Beech Carved Hand for glove Display. Brass & Cop...

Fabulous carved and paint decorated in the Arts & Crafts manner. Copper bottom with cutouts on all four sides. This item can be parcel posted. Feet to keep it elevated. In excellent ...

Vintage Beech Shop Display Glove Stand circa 1930s Mounted on Brass & Copper Telescopic stand Beech Carved Hand for glove Display. Brass & Copper Columns & Fittings, Base with C...

Antique Victorian quality mahogany towel rail having five quality mahogany turned rails supported by barley twist columns standing on cabriole legs...

This antique walking stick or umbrella stand is unsigned, but presumed to have originated from England and date to approximately 1900 and done in the period Edwardian style. The stan...

A very nice late 18th century blacksmith handwrought iron game rack with a center ring with six hooks supported by three arms. Game racks are used to hang small game meat such as fow...

Stylish and seperable/demountable antique bookcase. This rare, three-tier and free standing bookcase could be the perfect finish to a small area for reading, rest and relaxation. Ho...

Vintage English bamboo easel.

Stunning Nouveau coat racks made in bent walnut wood. Two pieces available. This charming coat racks were designed by the mastery of Michael Thonet and produced in the early 1900s in...

English Regency rosewood pedestal base music stand with an adjustable lyre design rack and 2 side telescoping brass candleholders.

Antique English Edwardian Towel Rail C.1910 A handsome example. presented in good condition commensurate with age. Please message for a shipping quote.

19thC Cast Iron Hall Stand by the Falkirk Foundry - large and impressive decorative 19thC black painted, stamped to the reverse along with a registration kite mark lozenge, complete ...

19th century English Mahogany Canterbury A Canterbury in mahogany wood with three divisions and a drawer, raised on legs with brass castors. Made in...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

This 19th Century English cast iron hall stand is a richly detailed example of Victorian design, combining elegance with utility. Crafted in an intricate openwork lattice pattern, it...

Found in England, this large mahogany and brass hall stand dates from the 1920s. Stand features brass drying rods at the top, a single fixed shelf in the middle, umbrella stands at b...

Mahogany Canterbury of good scale, fine turned legs finishing on brass cup casters, making it easy to move around. This large Canterbury has four slatted divisions, so plenty of spac...

Art Deco Set 3 Chrome & Beech Shop Display Hat Stands Telescopic Chrome plated Columns, With Brass Pinch Screw, Beech Dome tops to hold hats for Display Art Deco Shaped Splayed Chr...

19th century mahogany umbrella or cane stand from England. The rim and the base are turned and the stand is made up of mahogany slats, banded together with brass straps. The sides ...

A handcrafted thick saddle leather vintage British fire , powder bucket with handle and canvas interior . A matching strap handle with grommets attach it to the container which can b...

This unique early 19th Century Regency Rosewood Canterbury is designed to hold and organize items such as sheet music, magazines, or newspapers. Features X-shaped wooden storage divi...

Handsome 19th Century British Colonial gentleman's cane or umbrella stand crafted in mahogany in an Eastlake style featuring a brass gallery at the top. Brass finials, bar and bracke...

Most likely by Gillows of Lancaster. Excellent timber. Three shelves each with molded edges and carved volute brackets and panelled ends, raised on flattened ball feet with casters. ...

Cylindrical with two handles and a painted coat of arms.

An elegantly formed semi-circular Edwardian brass umbrella stand. c.1910 Cast iron base, with brass uprights and dividers, usually positioned in a hallway for storing umbrellas an...

With central finial and double lyre ratcheted sheet music holders and a single attached brass candle arm, raised on a turned reeded support, shaped triang...

A very rare 19th Century finely cast brass church lectern. The pierced lectern of rectangular form features a centred cross motif set within a stunning arrangement of richly scrolli...

Stunning and elegant Victorian porte manteau or coat rack/stand.Solid American walnut and original American walnut veneered base with four shaped branches and eight original hanging ...

E W Godwin style of, a fine quality Anglo-Japanese oak hallstand with upper panels depicting songbirds perched in a cherry blossoms, a central bevelled mi...

A stunning antique Victorian music stand. This was made in England, it dates from around the 1850-1870 period. It is of extremely fine quality, the surface has stunning grain patter...

Former English army shell case from the end of the 19th century beginning of the 20th century Large model which is unusual which can be used as an umbrella holder or stick stand or a...

19th century oak corner walking stick stand from England. The top has a scalloped and hand carved decorated back, decorated further with hand turned finials for additional design in...

Early 20th century carved towel rail circa 1910. Good quality towel rail made from mahogany and pine.  Decorative carved shells to the top with further carvings to the supports.  3 ...

A top quality Arts and Crafts oak Hallstand by Shapland and Petter with bevelled mirror flanked by a circular copper disc with hat and coat hooks, stylised cut-outs and stylised flor...

Fabulous decoupaged tole umbrella stand featuring Giraffes, Elephants, Leopards, Lions, Hippopotamus & Monkeys on a black background.

Regency mahogany canterbury, circa 1820.

This is an antique ornate stick stand. An English, cast iron umbrella loop, dating to the Victorian period, circa 1880. A wonderfully decorative and practical hallway piece with deli...

An English brass umbrella stand, circa 1920, with striking swan-head finials and elegantly cast palmed feet. The polished brass frame is both decorative and functional, offering a re...

Royal House Antiques Royal House Antiques is delighted to offer for sale this nice vintage flamed mahogany side table magazine rack with green leather top Please note the delivery ...

This is a vintage coopered stand. An English, oak barrel stick or umbrella stand, dating to the early 20th century, circa 1930. Generously sized, ova...

A large carved and gilded wooden eagle lectern, from Wales, c. 1830, for ecclesiastical use - such as sermons and religious readings - in churches, chapels, and places of worship. ...

This is an antique Canterbury stand. An English, rosewood three sectioned magazine or newspaper rack, dating to the Regency period, circa 1820. Striking craftsmanship, ideal for t...

Falkirk cast iron umbrella/stick stand, having an architectural top with flower head and foliated scrolls. The base with a removable drip tin all raised up on plinth base. Dimensions...

This is a good quality Victorian brass walking stick or umbrella stand, dating to the late 19th Century. It is a charming piece of a semicircula...

Behold the Diana Umbrella Stand - a daring marriage of elegance and simplicity that will leave you breathless. Its round shape and clean-curved lines are not for the faint of heart, ...