Italian Umbrella Stand by Cesare Lacca for Fontana Arte, 1930s

Architect and designer Cesare Lacca is renowned for the modernist furniture he created during the 1950s. Made with materials like teak, glass and brass, his work continues to command great interest from mid-century modern collectors. His pieces have recently found their way onto some of the 21st century’s most trendy television and movie sets. 

Lacca was born in Naples, Italy, in 1929. Like many Italian designers in the 20th century, he moved to Milan after World War II to launch his career. At the age of 20, he was selected by a group of American curators for inclusion in the 1951 landmark exhibition “Italy at Work: Her Renaissance in Design Today” at the Art Institute of Chicago. It showcased Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino, Franco Albini and Gio Ponti.

Lacca designed a dizzying array of tea carts and serving trolleys across his career, including magazine racks and coffee tables. Lacca’s most well-known piece is a tea cart — most commonly used as a bar cart — that Cassina manufactured. It features beautifully sculpted beech, cedar, teak and walnut with brass details, a glass tabletop and a removable glass tray. 

This Lacca cart was featured as Don Draper’s office bar in his Manhattan advertising agency on several episodes of the wildly popular television show Mad Men, reinvigorating the interest of collectors. Several other Lacca pieces have been part of the set decorations in the television series The Marvelous Mrs. Maisel and the movie Being the Ricardos. 

On 1stDibs, find Cesare Lacca tables, racks and stands, seating and more.

Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.