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Ararat Rugs Zig-Zag Lines Rug, Antique Anatolian Revival Carpet, Natural Dyed
About the Item
The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.181. This is an unusual zig-zag line design 17th-century rug from the Konya region, Central Anatolia area, Turkey. This is a unique example of an Anatolian Village rug with its typical pattern and a characteristic palette of a particular region. Among specialists, Anatolian carpets and kilims are believed to record symbols of ancient values and ideas. This tradition dates back several millennia and was only displaced during the industrial age. The Anatolian kilim design tradition probably owes its lucky survival to the fact that pile-woven carpets look more precious and would already have had a higher prestige value several millennia ago. Kilim weaving was, therefore, able to survive undisturbed within an intact cultural context for a long period of time. The design of this rug is interpreted and the most appropriate colors to match the original is used for this rug.
Color summary: 8 colors in total, most used 4 colors are;
Celtic Blue 22 (Indigo)
Maroon 433 (Madder Root)
Dark brown 316 (No Dye – Sheep’s Own Color)
Natural wool color 320 (No Dye – Sheep’s Own Color)
Group: Anatolian Rugs Family
Area: Konya region
Material of Pile: Natural Dyed Hand-spun Wool
Material Warp / Weft: Wool on Wool
Structure: Symmetrical knot
Knots Density: 36x29
Production Place: Wast Anatolia – Manisa Province
Stock Location: Tokyo
Size (EU): 171 x 104cm
Size (US): 5'7" x 3'4"
Area (EU): 1.8m²
Area (US): 19.1ft².
- Creator:Ararat Rugs (Manufacturer)
- Dimensions:Width: 40.95 in (104 cm)Length: 67.33 in (171 cm)
- Style:Oushak (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2022
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Tokyo, JP
- Reference Number:Seller: 003681stDibs: LU8206233206992
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
About the Seller
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Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton.
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