Borge Mogensen Leather Chair Made by Johannes Hansen, circa 1960s

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.

While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.

As you will see from the furnishings on 1stDibs, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

Danish master cabinetmaker Johannes Hansen is best known for a celebrated partnership with legendary Scandinavian modernist designer Hans Wegner that lasted half a century. The sophisticated and sculptural chairs, tables and cabinets that Wegner designed and Hansen built earned Wegner worldwide acclaim, and brought meaningful business opportunities to Hansen and his modest workshop.

Hansen was born in 1886 and apprenticed as a cabinetmaker in his early years, opening a workshop and showroom in Copenhagen. In 1927, he helped establish the annual Copenhagen Cabinetmakers’ Guild Exhibition. Later, at the age of 55, Hansen began working with Danish furniture designer Hans J. Wegner, then only 26. With Wegner creating and Hansen executing on his partner’s complex designs, they developed furniture to sell in Hansen's showroom. A business relationship of this type was common in 20th-century Danish furniture making, and Hansen and Wegner enjoyed a prolific and renowned collaboration.

Wegner’s career began in cabinetry before he transitioned to furniture design in the 1940s. He is among the most celebrated figures for collectors of mid-century modern and Scandinavian works of the era. One of the first well-known entries for the Cabinetmakers’ Guild Exhibitions authored by Wegner and built by Hansen was the 1942 Lattice chair, a red Cuban mahogany dining room chair with an upholstered leather seat. The Peacock chair, an iconic design that followed in 1947, was the pair's take on a traditional English Windsor chair. It featured flattened spindles along the back resembling the feathers of a peacock tail — it wasn’t exactly an emblem of the pared-back functionality prioritized by Kaare Klint, Wegner’s former instructor at Copenhagen’s Royal Danish Academy of Fine Arts.

Wegner would go on to design nearly 500 chairs over the course of his life — among them are the Wishbone chair, the Papa Bear chair and the Round chair. The latter, which is often simply called “The Chair,” was manufactured by Hansen and made its debut at the Guild Exhibition in 1949. It was declared “the most beautiful chair in the world” by Interiors magazine a year later, and a pair of the iconic seats appeared on the first nationally televised presidential debate in the United States in 1960.

After Hansen died in 1961, his son, Poul Hansen, took over the business and continued working with Wegner. The company closed in the 1990s, but today, Hansen and Wegner's collaborative legacy endures in collections around the world.

Find vintage Johannes Hansen furniture on 1stDibs.