Dakota Jackson Modern 'Ceylon' Lounge Chairs

Today, Dakota Jackson’s luxury chairs, sofas, tables and other pieces are known for their stylish and expressive forms, so it’s perhaps not a surprise that the American contemporary furniture designer has spent a lifetime immersed in the arts.

Born to a family of professional magicians, Jackson was raised in a household that had a flair for the dramatic. A young Dakota moved to Manhattan and mingled with the bustling creative scene. There, he studied minimalist dance at multiple companies, performed with an experimental theater group and worked in special effects. His fascination with illusion and drama seeped into his creative inclinations, especially when he decided to shift his artistic energy toward furniture.

Jackson’s foray into design began in the 1970s when he got his hands dirty during the build-out of his loft apartment in New York City’s Chelsea neighborhood back when lofts weren’t quite the heavenly residences of today. He constructed his own walls and bathroom fixtures and worked with a variety of materials that included lacquered wood, leather and chrome-plated steel, crafting intriguing seating and case pieces that would later end up in museums. (His famed Library chair is part of the collection at Cooper Hewitt, Smithsonian Design Museum.)

Jackson’s work became so well known throughout the buzzing art scene that he garnered the attention of reputable antique dealers who enlisted him to restore their own pieces of furniture. In 1974, Yoko Ono became a client. She commissioned Jackson to design a desk for John Lennon’s birthday. After he finished the former Beatle’s custom piece — an unconventional Art Deco–style writing desk that mirrored a Chinese puzzle box with secret compartments and hidden drawers — celebrities flocked to Jackson like bees to honey, and his name became synonymous with immaculate craftsmanship as well as the era’s radical American Art Furniture movement, which drew on Surrealism, Pop art and other traditions.

Even Belgian fashion designer Diane von Furstenberg asked Jackson to create the now-famous Eclipse bed, a sensual, striking structure framed in glossy cherrywood and upholstered in satin. In 1978, the lifelong arts lover paired a piano factory with his furniture manufacturing company and collaborated with Steinway & Sons on the design of several limited-edition pianos over the years. Today, Dakota Jackson, Inc., counts massive corporations among his clients and continues to design new collections.

Find a collection of Dakota Jackson furniture on 1stDibs.

The success of Holly Hunt — both the designer and her eponymous empire of textile and furnishings showrooms — is based on instinct.

The Chicago-based Hunt trusts her own tastes, reflected in her signature lines of elegant, low-key furniture, lighting and fabrics. She also trusts her judgment about the wants of the buying public, and this savvy sensibility has allowed her to cultivate and market the work of a range of contemporary talents, from minimalists like Christian Liaigre to eccentrics like Christian Astuguevieille.

Hunt is a design world impresario — a prominent arbiter for stylish modern interiors and known foremost for fabrics, seating designs and light fixtures. Modern sophistication, attention to detail, and a desire to cultivate talented contemporary designers are at the crux of the company’s success.

Born in central Texas to schoolteacher parents, Hunt was a creative girl who made her own clothes and bickered with her mother about decor. After graduating from Texas Tech, Hunt worked as department-store buyer and costume jewelry designer before marrying and helping her husband build a multimillion dollar transport company. Her hobby was decorating their homes. After the two divorced, Hunt purchased a showroom in the Chicago Merchandise Mart in 1983. Within 10 years, she was winning applause for her understated designs, her lavish showroom parties and her eye for rising design stars. Liaigre was her first discovery. Correctly surmising that his pared-down furniture in dark wood would play well in the United States in the aftermath of the go-go ’80s, Hunt began marketing the French designer’s work in 1994.

Over the subsequent years Hunt has added a half-dozen showrooms and, following her own style barometer, has taken on other fresh talents, including glassmaker Alison Berger, French designer Christophe Pillet and couturier Ralph Rucci, making a foray into home design.

One constant over that time have been the aesthetics of Hunt’s own designs. Her fabrics — the first choice of many dealers when re-upholstering vintage seating — are understated, mixing muted colors and updates of classic patterns. Her furniture is simple and refined. As you will see on 1stDibs, the name Holly Hunt represents a sense of timelessness and sophistication.