Marc Newson Felt Armchair in Fiberglass Shell with Glossy Finish for Cappellini

With his sleek, glossy and dynamic designs, Marc Newson creates cutting-edge work that embodies notions of speed, luxury and progress. His work — be it his now-iconic Event Horizon table, an Italian speed boat, Nike shoes, or an Ikepod wristwatch — manifests a jet-set lifestyle redefined for the 21st century.

A Sydney native, Newson lived in Tokyo for several years and currently resides in London. He has created everything from furniture and jewelry to sneakers and dish racks. Given his globetrotting lifestyle, it’s easy to see why one of his best-known designs is the Lockheed lounge chair — a curvy, pod-shaped piece crafted from the same riveted aluminum that encases airplanes. You may also have spotted one of Newson’s many collaborations with luxury fashion houses — such as Louis Vuitton and Hermès — in a first-class departure lounge.

One of the most influential (and certainly one of the most prolific) industrial designers of the late 20th and early 21st centuries, Newson preaches the gospel of good design with messianic fervor. His work appears in dozens of museum collections around the world, and consistently fetches high prices at auction.

Newson has long been captivated by the space-age modernism of the early 1960s — indeed, his famed Embryo chair for Cappellini would fit right into the Jetsons’ living room. With such a long and impressive list of futuristic design bona fides, as you will see on these pages, Marc Newson is clearly a designer on the move.

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In 1946, at the start of a postwar boom in Europe, Enrico Cappellini opened the doors to a small furniture studio in the Italian town of Carugo. But it wasn’t until his son joined the company nearly three decades later that Cappellini became a powerhouse fixture on the global design stage. Today Cappellini is one of the world’s foremost manufacturers of innovative chairs, tables and decorative objects.

Giulio Cappellini joined the family company in 1977 and, with his appointment, ushered in a stage of boundary-pushing modernism and prolific creativity at Cappellini. With a dual background in architecture and business management, Giulio was well equipped to steer the brand into both innovative design and economic growth in a rapidly globalizing economy.

The second-generation leader’s first major success came in 1981, with the launch of Sistemi, a modular, hyperfunctional storage system that would come to symbolize the chic functionality of Cappellini. That was quickly followed by a collaboration with renowned Japanese designer Shiro Kuramata for the Progetti Compiuti collection, a line that brought unexpected playfulness to the simple framework of a black-and-white cabinet and remains an iconic collectible today.

That first collaboration opened the doors to a prolific output of partnerships, with Cappellini tapping such star designers as Jasper Morrison, Marcel Wanders, Tom Dixon, Ronan and Erwan Bouroullec and Nendo for collections over the ensuing decades that spanned a range of materials and styles. Speaking to this range, Marc Newson’s plumply curvaceous 1988 Embryo chair, Jasper Morrison’s slightly arachnoid 1987 Thinking Man’s chair and Tom Dixon’s sculptural 1991 S-chair — each quite stylistically unique — remain some of the company’s most recognizable pieces, with the latter in the permanent collection of the Museum of Modern Art.

Cappellini, now headquartered in Milan, continues to partner with guest designers across furniture, storage and lighting solutions, though many of its 1970s and ’80s designs remain its most coveted today.

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