Leather Armchairs

This armchair is comfortable, sturdy and very appealing to the eye with its midcentury modern style. Rounded ash wood frame painted in graphite black finish. Natural hide leather wit...

Armchair designed by Stephen Burks 2010. Manufactured by BD in Spain. “Grasso is not fat. Grasso is more than fat. It’s overflowing.” This is how Stephen Burks sums up his new co...

Animals inspire interiors! A really aggressive armchair with two golden snakes that act as armrests, recalling the rich details used in Roberto Cavalli's world. Snake Armchair...

The distinctive, reassuringly chunky lines of Faye Toogood’s Roly-Poly furniture collection become even more inviting in her new collaboration with Driade. The latest line for the Italian design house takes the rounded, welcoming shapes of her limited-edition Assemblage No 4 range. The low seat has been augmented with upholstered cushions that nestle in its curved, bowl-like form, the collection also features a new sofa...

Jacob armchair by Collector Materials: Fabric. Dimensions: W 110 x D 90 x H 75 cm x SH 42 cm This fun and sophisticated armchair, it’...

Katakana lounge chair by Dare Studio, 2009 Dimensions: H 79 x D 82.8 x W 72 cm Materials: American black walnut, black leather Features: Can be used in vertical or horizontal posi...

Developed for both outdoor and indoor areas, this armchair refers directly to a sport with great cultural identification with Brazil: surf. The first piece produced in order to present the concept had the backrest and chair seat shaped manually in expanded polyurethane, the same used in the manufacture of surfboards. Now, in the official release for the market as serial pieces, we offer both chair and armchair in two versions: upholstered or wooden chair seat.

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

The “Astral” armchair is Lattoog's latest release for Empório das Cadeiras and is the youngest of a family of furniture affectionately baptized by the designers of Série Viralatas. two pieces of furniture, in general modernist classics, are fused (or syncretized) to result in a third design of an original piece of furniture, completely different from the others, but with a strong “genetic load” of its generative matrices. A concept invented by Lattoog in 2005 that has been a great influence for designers from Brazil and abroad as well. Here, strong but subtle references to Brazilian roots and culture are presented: Miscegenation, syncretism and “viralism”. Astral is born from the fusion of the shapes of the Tank armchair...

A Classic traditional English look, this tufted leather club chair is comfortable, stylish and will sit well among both modern and traditional decor. With deep tufted cushions to ...

Gaulino easy chair designed by Oscar Tusquets manufactured by BD Barcelona design, circa 2010. Solid ash lacquered in black with seat in black hide. Gaulino chair which, desi...

Price listed for starting fabric. Armchair. Steel frame. Upholstery with self-extinguishing polyurethane foam/heat-bound polyester fibre with elastic strips suspension. Fixed internal nylon cover. Removable external fabric, Pied de poule or leather cover.The exterior body can be covered with cowhide 95, combined with fabric or leather. Cannot be covered with cowhide 95 in the shade white 0704. Arom is the latest armchair...

Ubald Klug created one of the icons for de Sede: DS 1025, better known as “Terrazza,” in which, depending on the arrangement, multiple sofas can be combined to form either a mountain...

Armchair designed by Färg & Blanche manufactured by BD Barcelona. Solid wooden structure and upholstered seat with the possibility of integrating a swivel system within the base. ...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Armchair with wooden structure and upholstered seat. The first sketches of the Coral Line, consisting of an armchair and a chair, start from the observation of marine life, shells an...

THE COLLANA SERIES – WHERE ARTISTRY MEETS COMFORT IN EVERY CURVE." THE ARMCHAIRS 

The Collana armchairs are a celebration of refined design and unparalleled comfort. Crafted to elev...

Captivating lines and rock soul for the Wild armchair, a piece of furniture that perfectly expresses Roberto Cavalli Home Interiors' bold and unmistakable style and the stylistic cod...

Wild charm and refined details for the Clifton armchair. Upholstered in a new textural and luxurious Cocco leather, it features along the external structure the “spiga” quilting. Clifton Armchair with structure in solid poplar wood and solid fir wood. Upholstery in leather cat. A Vintage col...

A small armchair with a decidedly formal character, softened by the embrace of the back and the sinuous line of the piping, which, upon request, can be done in a contrasting leather. Like the other chairs in the Lola family, every part of the Lola Club armchair is covered in leather. One of the characteristics of Lola is the detail of the piping that follows the profile of the seat and back, hiding the joining points of the fabric. Created in France, the Club armchair is a type of armchair usually covered in leather. The origin of the term “club” are unclear, but it may be a reference to the English...

Armchair designed by Stephen Bruks manufactured by BD Barcelona. An iron tubular (25mm) structured armchair. Seat and backrest upholstered in fabric. The fabric upholstery ooze...

Elettra Armchair is designed by B.B.P.R for Arflex. A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless...

The Maiori occasional armchair is a new way of decorating an interior environment. Its smooth and tapering silhouette allows it to create harmony in a brand-new or existing ambience...

The Flow series was designed to complement any space. With a minimal design, it's guaranteed to bring a high level of comfort and usability to different areas like patios, gardens, pools, and even spas. Besides, thanks to the innovative design, it is possible to transport the Flow series wherever desirable with minimum effort. Its resistant base supports a cloud of comfort, and you can find a wide variety of different colors. The piece has a zipper that allows removing the fabric for washing, increasing the product's life cycle. All the pieces of Flow series come with a brand new protection cover that completely closes the piece, protecting it from everything. The series Flow includes a sunbed, lounge chair, a sofa, and a pouf. The Flow armchair...

Manhattan leather armchair, dark grey contemporary top-grade leather with an unusual double iron frame. Dimensions: 30" W x 32" D x 30" H Seat - 18 H Arm - 22.5" H.  

Almourol Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Almourol leather sofa draws inspiration from the distinctive...

"Semiretta" Club Chair with Bronze, Polished Ebony, Stainless Steel, Istanbul. Designed by Hasan Samet Bizimyer. Design, Art, Innovation. Bizimyer Furn...

Cambridge armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. With an elegant design inspired by the eternal surroundings of bohemian life, Cambridge exudes ...

A modern tan saddle leather desk chair with brass nailhead trim. A truly timeless classic style crafted in rich tan leather. This ...

From the Old Plank Collection, comes a Louis XVI style dining chair, made in France, by an elderly gentleman, who has been crafting French dining chairs his entire life. Our French L...

Solid wood construction with hand-cut joinery and custom upholstered seat and seat back. This chair shown in walnut and camel leather. In stock leather c...

Katakana lounge chair by Dare Studio, 2009 Dimensions: H 79 x D 82.8 x W 72 cm Materials: European white oak, black leather Features: Can be used in vertical or horizontal positio...

Shift is a series of products that owe their name to the metal leg system rotating around the product to provide support and make it float effortlessly. The seating unit is construct...

Because her grandparents were tailors, designer Miriam Amelung knows the characteristics of fabric and leather down to the tiniest de- tails. In her new, elegant armchair DS-149, natural folds, organic ergonomics or the intense feeling of lightness are thus essential components – as is her dedication to the material: when Miriam and Sebastian Amelung created this new de Sede sculpture, they thought about how the natural folds of a hide might look like on a comfortable armchair. The result is an object that is free from orna- mental add-ons or special effects and is simply an armchair whose form, folds, curves and upholstery create a feeling of taking a heavenly rest break on a little cloud...

Designed by Sergio Rodrigues (1927-2014) in 1973 and produced by Oca, the Kilin armchair is composed of two sides and two crosspieces, with the back and...

Inspired by the classical French armchair, the Bergère has an italicized profile combined with a rigid, boxy outer shell. An icon of Autoban’s unique design sensibility, the sofa’s seat frame is similarly upholstered, but the rest of the wooden framing is exposed. However, at this contemporary reinterpretation of the classical chair, the designers eliminated any frivolous details to arrive at an object of great precision. Also in the same series, the Bergère armchair...

La Ciliegia Collection. "La Ciliegia" Club Chair with Stainless Steel, Burl Walnut, Hand Crafted, Istanbul. Designed by Hasan Samet Bi...

Katakana lounge chair by Dare Studio, 2009 Dimensions: H 79 x D 82.8 x W 72 cm Materials: European white oak, black leather Features: Can be used in vertical or horizontal positio...

Deconstructed Classic club chair, perfectly scaled for comfort and conversation with it"s seating area covered in a luxurious top grain leather, al...

There is subtle, invisible but crucial architectural detail here. One of BassamFellows’ ongoing projects is to create what we think is the most fundamental as well as elegant dining ...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key IDEA of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Rastad & Relling 'Bambi' 56/2 Lounge Chair in Solid Walnut for Fjordfiesta. Designed in 1956. New, current production. Lounge chair in solid walnut or oak with a seat and back in embroidered leather. The Bambi Lounge chair...

Price listed for starting fabric. extra charge for exterior cover in leather. Armchair. Steel frame. Upholstery with self-extinguishing polyurethane foam/heat-bound polyester fibre with elastic strips suspension. Fixed internal nylon cover. Removable external fabric, Pied de poule or leather cover.The exterior body can be covered with cowhide 95, combined with fabric or leather. Cannot be covered with cowhide 95 in the shade white 0704. Arom is the latest armchair...

Lounge chair designed by Mario Bellini in 2015. Manufactured by Cassina in Italy. Price is per piece. Please ask for pricing in other materials and colors.

Elegance, deconstructed design and high comfort. An immersive experience born from the exclusive craftsmanship: rediscover comfort through a vision that shows the essence of unique ...

Contemporary dining chair Alea Paesaggio collection designed by Hannes Peer for SEM. 'Alea' is a very particular chair, born from an idea of deconstruction of the basic chair...

With such an evocative profile, Woody is everything a lounge chair should be. Comfortable, light enough to fit in any corner, and memorable enough to make you smile. You can almost s...

The price given applies to the piece as shown in the first picture. Prices vary dependent on the color and material of the chair. Outdoor LC7 chair designed by Charlotte Perriand i...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architectu...

An English Chippendale style Library armchair with button tufted green leather, with scrolling arms set on carved cabriole legs with carved floral decoration and brass nailhead detai...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

The chair is the modern furnishing object that has occupied designers the most. No other piece of furniture has been so carefully tested, studied and closely examined for its composi...

The chair is the modern furnishing object that has occupied designers the most. No other piece of furniture has been so carefully tested, studied and closely examined for its composi...

A fabulous quality contemporary revolving armchair in the Art Deco style. The cushioned back and seat beautifully upholstered in brown leather flank...

Armchair/ Bergére. Swivel steel base, or fixed with feet. Stiff polyurethane external body covered with cowhide 95. Cannot be covered with cowhide 95 in the shade white 0704. Intern...

Elegance, deconstructed design and high comfort. An immersive experience born from the exclusive craftsmanship: rediscover comfort through a vision that shows the unique essence of h...

Danish style chair with molded backrest and highly stylized arms, has a slim seat upholstered in leather to give a very casual and modern look.   

The slats on DS-2100 in finest leather adapt to individual body contours and provide – with its embracing feeling – the highest level of comfort. Available as a low-backed, visitor swivel chair, a high-backed executive chair, with headrest, tilt mechanism, height adjustment and casters, and as a visitor chair with a four-star base. Be it in James Bond films or in “Men in Black...