European Armchairs

An unusual chair with organic shapes. A spring seat, very comfortable. After full carpentry and upholstery renovation. Padded with high-quality velour velvet (color 21). It was produ...

Armchair designed by Peter Hvidt and Orla Mølgaard–Nielsen and produced in 1963 by Fritz Hansen, Denmark. The chair is press shaped in laminated beechwood, the seat is upholstered w...

Jell Armchair by Alter Ego Studio Dimensions: D 120 x W 155 x H 80 cm. Materials: Wooden frame, high resistance foam, upholstery fabric (Floyd by Kvadrat). Available in other fabric...

The Primitive armchair, played on the asymmetry of primary volumes, is made with a padded structure and covered with a melange-colored cloth. “Primitive as primary geometric figur...

Gorgeous Edwardian Tub Chair In mahogany Stood on sturdy turned legs all having their original metal casters. The piece is upholstered in a light s...

A pair of 1960s Richard Nissen “Yin” beech China chairs with club shaped legs, loose seat with black Leather. The armchair is made from an old Chinese principle. The top rail is made...

Parker Knoll. A very good quality Arts and Crafts style reclining armchair with sculptured lazy looking arms slight curve-shaped back and on square legs. The cushions are for displa...

Spectacular reclinable armchair / lounge chair fully made in curved bamboo, rattan and hand-woven wicker.  This gorgeous lounge chairs was produced in Italy during the 1970s and are ...

Characterised by its bold geometric shapes, rich materials, and luxurious aesthetics, Art Deco transformed the way we perceive interior spaces. It was a testament to the fusion of fo...

A hand-painted chinoiserie English Regency style armchairs.

This early original of Wassily pair of lounge chairs, are with the original white leather, highly sought after by collectors. The leather has no structura...

Pair of early 20th century venetian grotto chairs with carved wood clam shell backs and seats, dolphin arms, and legs in a seahorse tail design. 24" W x 20" D x 38" H

The legendary safari chair in cognac coloured leather on a very dark oak frame designed by the grandfather of Danish design, Kaare Klint, in 1933 for his long time collaborator Rud R...

Beautiful elegant and practical dark brown leather swivel armchair Features a tilting base with four practical castors Signed at the bottom of the backrest Every item of our Galler...

Pair of T-Line armchairs designed by Burkhard Voghterr and made by Arflex in the 80s. In excellent condition with light signs of wear on the fabric.

Pair of two Art-Deco lounge / arm chairs, walnut bentwood and re-upholstered fabric, Praque 1930s. These armchairs would make an eye-catching addition to any interior such as living ...

A stunning pair of Henning Kjaernulf brutalist oak armchairs in a unique razorback throne style. Designed by the renowned Danish designer, these chairs are in original condition with...

Rare most elegant version of H-237 armchairs designed by Jindrich Halabala in very good original condition. Dark red upholstery with minimal aged patina. Still very comfortable, can ...

Drawn with the quiet confidence of a single, unbroken line, this pair of French barrel-back lounge chairs distills the spirit of 1930s design into a composition of curved mass and at...

Safari lounge chair, leather, stained beech, metal, Europe, 1970s Stunning safari lounge chair covered in original upholstery made of natural cognac brown leather. The chair shows v...

Sgarsul rocking chair designed by Gae Aulenti for Poltronova in 1962. Bentwood frame, black leather seat and cushion. In excellent vintage condition, absent signs of wear and cracks ...

Large Art Deco armchair in original floral fabric Prague 1930s. Particular large armchair in original floral made in Prague and production of the 1930s in Art Deco style. Thanks to...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

The design of this remarkable chair sis based on a long tradition of safari chairs. From Eileen Gray to Kaare Klint and Elias Svedberg, a lot of great designers have made versions of...

Unusual Victorian inlaid mahogany armchair having a shaped top rail with satinwood inlay and unusual pretty shaped open arms with satinwood inlay. The shaped pierced centre splat ha...

A pair of dark-stained wood and green velvet armchairs designed and produced in Sweden, c. 1930s. Dimensions: 36” H x 24” W x 23” D Seat Height: 18.75” All upholstered furniture c...

This outstanding piece of French Nobility history with its opulent hand painted lacquered decoration featuring classical figures and motifs, set upon a deep, dark olive green backgro...

References: ARC-Mobilier National public collection, inventory number GMT-22591-014 Commissioned by the Mobilier National for the French pavilion at the 1967 Universal Exhibition. O...

A handsome pair of armchairs attributed to Paolo Buffa, Italy, 1950s. The chairs are newly upholstered in a premium taupe (dark brown with a hint of grey) pure mohair fabric and fe...

Great pair of safari chairs model Hunter designed by Torbjørn Afdal, produced by Bruksbo. Original brown leather cushions. Very good vintage condition.  

Scandinavian Modern Model 2411 Armchairs, manufactured by Asko, 1950s. Birch frame, new sheepskin upholstery. Good vintage condition, minor patina consistent with age and use. The ar...

Pair Regence Fauteuils Armchairs Original Side Chairs Aubusson Tapestry Antique . Rare Pair of the 18th Century Regence Period ( French Regency ) Fauteuils Armchairs in Walnut with t...

FRENCH MOUSTACHE BACK CLUB ARMCHAIRS These French leather moustache back club chairs are an excellent choice for any home, fitting in with any eclecti...

Svensk design, “Swedish design”, is unquestionably a conventional and popular branding device, with many companies explicitly promoting their products as examples of god design, “goo...

Set of 2 art deco armchairs by Jindřich Halabala for UP Zavody produced in the 1930s. It is made of bentwood and spring seats. It is painted with an oak stain and finished with a str...

Beautifully crafted Art Deco chair. Marbled off-white paint on the carved solid wood framework. The delicate and very elegant damask fabric is in wonderful all original condition. T...

Pierre Chapo, Pair of Armchairs Model 'S10' Elm, leather and canvas France 1960s This pair of 'S10' armchairs, crafted from elm, leather and canvas, dates back to France, circa 1960...

The Art Deco period peaked in popularity in the first half of the 20th century, spreading across Europe and the United States up to the start of World War II. Characterised by its bo...

Arne Jacobsen Swan Chair (no labels) in Red Upholstery on a Four Star Metal Base Arne Emil Jacobsen, usually known as Arne Jacobsen, (11 February 1902 to€“ 24 March 1971) was one of...

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Antonín Šuman for Ton, +75 armchairs model ‘E4309’, lacquered beech, fabric, Czech Republic, 1977 A large set of dining chairs that were designed by Antonín Šuman and manufactured ...

Contemporary camel upholstered bench - Alchemy Bench by Rick Owens 2015 Dimensions: L 100 x W 74 x H 75 cm Materials: bronze, camel skin Weight: 55 k...

Diversifying from printing to publishing, William Strachan was a successful businessman. Most known for his unquestionable expertise and talent, William was entrusted with the printing of Johnson's Dictionary, and also published the works of famous philosophers. Nowadays his original painting by Reynolds is located at the National Portrait Gallery in London. Honoring this Scottish gentleman...

Beech bentwood frame with an embossed plywood seat and backrest. First time mentioned in the J. & J. Kohn catalog 1902 with the catalog no. 67. A beautiful original condition. A sui...

Beautiful white boucle Armchair GFM-142, designed by Edmund Homa, a polish architect, designer of Industrial Design and interior architecture, professor at the Academy of Fine Arts i...

Italian 1950s mid-century striking armchair, upholstered in green wool on brass legs.

Armchair in the rare version with curved backrest designed by Paolo Piva. The seat cover is manufactured of dark blue leather while all metal parts are of blackened metal, emphasizin...

A single armchair manufactured by Gebruder Thonet in 1909 and designed by the Viennese architect Marcel Kammerer. This Thonet armchair presents a structure in dark brown stained bent...

A pair of Art Deco armchairs designed by J. Halabala from the 1930s. Furniture in very good condition, after professional renovation. The seats were covered with a new fabric, the...

18th century Swedish Rococo arm chair from Sundsvall Medelpad, Northern Sweden. A beautiful arm chair with nice proportions & curvy legs. Scraped b...

A comfortable soft leather lounge chair from the seventies that differs from the average De Sede chairs its own character created by the accent of the p...

Modern blue velvet armchair cactus shape with gold swivel base polished brass Ajui Armchair is a luxury armchair that features an artsy interpretation ...

A nice pair of 19th century Swedish Neoclassical armchairs in simple, elecant classical form, minimal carvings re-upholstered in green velvet. Arm hight 23.50" Seat hight 16" Seat si...

Step into the realm of bold, uncompromising design with the Logniture Brutalist Sculptural Armchair—a true masterpiece in solid burnt oak wood. This one-of-a-kind armchair is not jus...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) In Stock in Los Angeles Set of 2 Black Gaia Velvet and Leat...

Pair of mid century Scandinavian armchairs circa 1960. Good quality pair of lounge armchairs upholstered in a blue crushed fabric.  Solid beech arms and legs. Very comfortable chai...

A Sculptural Danish armchair in elm designed by Illum Wikkelsø for Cabinetmaker Niels Eilersen. It was made in Denmark during the 1950s. It has been reupholstered with dark brown lea...

This is an exquisite pair of French mid-19th century Louis XV Style Bergère armchairs. The style was a direct response to the previous Louis XIV style, which valued furniture that em...