Pair of Sergio Rodrigues Kilin Chairs in Rosewood and Cowhide, OCA, Brazil 1970s For Sale
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Pair of Sergio Rodrigues Kilin Chairs in Rosewood and Cowhide, OCA, Brazil 1970s

About

A charming pair and wonderful examples of Kilin chairs by famed Brazilian modern designer Sergio Rodrigues for OCA in 1970s Brazil. Frame is a succulent rosewood and the leather slings are hair-on cowhide. The pattern on each sling is slightly unique. This pair just recently took their journey here to the US from Brazil - we sourced this pair from Rio de Janeiro and are ready to take center stage in your interior design project. Armchairs are in very good vintage condition and ready to be used immediately. Nothing is needed to be done, chairs are sturdy and structurally sound. Meaurements: H 27 x W 26 x D 25 Seat depth 17.5 Seat height 13.

Details

  • Period
  • Materials and Techniques
  • Condition
    Good
  • Condition Details
    This pair of armchairs are in very good vintage condition and ready to be used immediately. Nothing is needed to be done, chairs are sturdy and structurally sound.
  • Wear
    Wear consistent with age and use.
  • Dimensions
    H 27 in. x W 26 in. x D 25 in.H 68.58 cm x W 66.04 cm x D 63.5 cm
  • Seat Height
    13 in. (33.02 cm)
  • Seller Location
    Los Angeles, CA
  • Sold As
    Set of 2
  • Reference Number
    LU1330213049022
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About Sergio Rodrigues (Designer)

The prolific architect and designer Sergio Rodrigues is often called the "father of modern Brazilian design," but it is the second adjective in that phrase that deserves emphasis: Rodrigues’s great achievement was to create furniture in a style that captured the spirit, character and personality of his country.

     Modernity came slowly to 20th-century Brazil, politically and culturally. The nation finally realized genuine constitutional democracy in 1945, ushering in a new, progressive era in the arts. Until that time, heavy furniture based on historical European models had been the norm. In the late 1940s, designer Joaquim Tenreiro introduced sleek, minimalist chairs and cabinets; José Zanine Caldas, now best known for his later artisanal work, created plywood furnishings for mass-production; the Italian architect Lina Bo Bardi, a former editor for the Gio Ponti-founded magazine Domus, set up shop in São Paulo, designing elegant, flexible chairs set on slim metal frames.

     This was the heady scene into which Rodrigues, the son of an artistically prominent Rio de Janeiro family, arrived after graduating in 1952 from the national university. He established Oca Industries in 1955, a company that would become the preeminent maker of modernist furniture in Brazil. When architects Lúcio Costa and Oscar Niemeyer were tasked in 1956 with the whirlwind project to plan, design and build the new capital, Brasília, in five years, they used Rodrigues’s early chairs, with their softly-contoured lines and caned seats and backrests, to furnish many of the buildings.

     Rodrigues would realize the true expression of his talents in — and garner international awards and acclaim with — his Mole chair of 1957. The word mole means "soft" in Portuguese, but can be interpreted as "easygoing" or even "listless." Rodrigues's chair features a sturdy, generously proportioned frame of the native South American hardwood jacaranda, upholstered with overstuffed leather pads that flap like saddlebags across the arms, seat, and backrest. It is a chair that invites sprawling — perfect for the social milieu of the bossa nova and caipirinha cocktails; where a languorous afternoon spent chatting and joking is the apex of enjoyment. Most of the estimated 1,200 chairs, sofas, tables, beds and dressers Rodrigues designed in his long career are imbued, in one way or another, with this air of robust relaxation. Sergio Rodrigues was a designer true to the temperament of his people.

About the Seller

5 / 5
Vetted
Platinum Seller
1stdibs seller since 2015
Located in Los Angeles, CA
Associations:
20th Century Specialists
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