Baroque Armchairs

A pair of exquisite armchairs from the early 20th century, crafted by a skilled Danish cabinetmaker. Embracing the graceful curves and organic flower motifs of the Art Nouveau moveme...

Pair of custom made hand carved walnut armchairs. Ivory and Light Blue patterned upholstery. Baroque architecture of the 17th and 18th centuries was known for its highly decorat...

This is a rare elegant model of a late 19th-century pair of armchairs in the Baroque style. These armchairs are very comfortable and generous in size. The walnut legs are of two diff...

Pair of friar armchairs. Walnut wood, leather, metal. Spain, 17th century. Armchairs with arms and high backs of the type known as “frailero”, which have leather with studs on the s...

Pair of 19th Century Carved Giltwood Italian Armchairs of generous proportions. Each armchair is raised by cabriole legs, the front legs having rollers. Each chair features beautiful...

An extremely decorative pair of Italian early 18th century Baroque period Giltwood armchairs. Each wonderfully detailed armchair is raised on front cabriole legs displaying stunning ...

A Pair of French Baroque Walnut Armchairs Provincial Fauteuils à la Reine with Needlework Aubusson style upholestry. A pair of French provincial,...

Opulent pair of grand fauteuil armchairs or throne chairs designed by Hendrix Allardyce Hollywood, CA. Known as Avignon chairs featuring large carved beech wood frames in the French ...

Pair of 19th century Austro-Hungarian wingback chairs reupholstered and fully restored, with French polish finished carved walnut legs.

Pair of armchairs Portuguese, 19th century, in carved chestnut wood. Open backrest, decorated with plant motifs, ending in claw feet and ball. Upholstered seats. Dim.: 131 x 63 x 46 cm.

The highly decorative nature of Baroque-style furniture is prevalent on this set of carved armchairs with raw silk upholstery. Although not a true pair (the carved elements are notic...

19th Century venetian baroque armchairs in hand carved walnut, wax polished with straw seat. Canopy of the seat recently made in perfect condition Excellent as head of the table, ...

Pair of Spanish colonial style armchairs, having leather both seats and backs, and brass nailheads. Measure: Height to the arm: 28.74in.

Pair Antique Italian Baroque giltwood armchairs with Damascene Silk are a gorgeous example of the style rendered only as the Italian master ...

Magnificent pair of walnut hand carved cardinal armchairs with royal antique red velvet with golden metal threats upholstery. These extraordinary la...

Extraordinary and exquisite set of original Louis XV salon gold gilded chairs with curved wood edges, intricately carved surfaces and Grey Green Pat...

Pair of armchairs in carved and gilded wood. 19th Century Covered in green damask fabric, Measures: W. 70 - D. 70 - H. 100 Cm Good conditions.

Pair of Venetian hand painted armchairs in white antique painting and giltwood Green Velvet in back and seats Beautiful hand paintings in both backs.

Pair of Venetian hand painted armchairs in white antique painting and giltwood Green Velvet in back and seats Beautiful hand paintings in both backs.

Splendid pair of armchairs designed at the end of 1800, of fine French manufacture. The armchairs are in oriental style as you can see from the sinuous and curved shapes and woven d...

A ruler worthy throne like armchair. The upholstery fabric and pattern can be customisable cater to your personal stylistic and preferences. Comes together with an extra plush of padding for comfiness. Laid on the hand carved wooden frame...

Hand-carved in Italy in the 1600’s, this pair of elegant walnut armchairs features a rich foliate and floral needlepoint upholstery. The chairbacks, seats and aprons of each chair has been covered by embroidery patterned with green, gold, and pink flowers and a subtle metallic silver border. The fabric is affixed to the wood frames by hundreds of iron nailheads. A pair of finials in the shape of curled leaves with fruit top...

Louis XVI style pair of carved armchairs, Spain, 1900s Good antique condition with some minor marks from used and age. Beautiful Solomonic c...

Specially designed armchair take on a neo-baroque style. This accent furniture is a great head turner piece in any living space. An eye catching black-gold upholstered fabric part of...

Louis XVI style pair of carved armchairs, Italy, 1900s Good antique condition with some minor marks from used and age. A set of two antique baroque side chairs hand-crafted out of walnut wood in a good condition. This set of dining chairs features a walnut color with a beautiful patina finish, hand-carved details through the entire frame, and intricated engraving leather...

Adding a sophisticate touch to your room with a golden beige armchair decorated with gold leaf finishes. Elegantly wrapped with our own design of damask upholstered fabric. Outstandi...

Classic bergere armchair with cushion, decorated with dark walnut finish and patinated gold leaf. Both internal and external upholstery is in high-end Italian fabric with classic-sty...

A most handsome pair of Italian mid-19th century Baroque st. dark oak and leather throne armchairs. Each chair is raised by elegant topie shaped feet below block reserves and unique ...

True essence of the artisanal work is shown through this luxurious classic two seater sofa. A highest quality blend of fabric choice and texture, the recreation of luxe indigo - gold tone of the velvet stripes and frill over the beautiful damask upholstered back seat. The solid wood hand carving...

Pair of Sicilian armchairs in red lacquer in the style of Barocco 1700, lacquered in red lacquer, the Sicilian and delicate style of great passion and design, a pair of very rare arm...

Bringing the 18th century french palace furniture style to your luxururious living space. The grand armchair's rounded embelished arms and legs are in...

Beautiful pair of Italian 19th century carved wood armchairs in Rococo Baroque style newly upholstered in white fabric with very elegant shape and great color of wood to highlight th...

A sensational and extremely unique pair of Italian early 19th century Baroque polychrome and giltwood armchairs. Each rare armchair is raised by han...

This is a good pair of early 18th century Italian Baroque hall chairs. The chairs are in overall good condition considering their three hundred years of use. The appropriate upholste...

A pair of multifunctional bleached Oak Swedish carvers or side chairs. Featuring scrolled arms, decoratively carved seat backs and front frieze. The chairs have been reupholstered in a warm mid-tan leather. Perfect as dining table or handsome decorative statement side chairs.

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Our Custom Occasional chair in walnut with barley twist legs and stretchers. Beautifully carved scrolled arms. As shown in COL and nail heads. Can be made in any finish, in solid Wal...

18th century Italian giltwood armchairs.

This pair of open armchairs are characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashi...

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Pair of 18th century style Italian walnut armchairs. Good carved details with pegged joinery. Hand caned seats with older custom fit cotton wea...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

With new leather seat and back, flat arms and carved stretchers. Provenance; Fogg Estate, Chestnut Hill Ma.

Pair of Italian baroque style 20th century armchairs with giltwood filigree frames, button-tufted burgundy and cream upholstery with embroidered flowers, and burgundy velvet seat cus...

Pair of Italian Baroque style 20th century armchairs with gilt wood filigree frames & burgundy button-tufted upholstery with embroidered flowers and burgundy velvet seat cushions.

Pair of early 19th century walnut armchairs with giltwood finials. The armchairs are upholstered in an embossed gold metallic glazed charcoal colored ...

Fine pair of Italian 19th-20th century baroque style giltwood carved winged throne armchairs, each finely carved throne with scrolls and wavy armrests, on cabriole carved feet. (New ...

Wood carved armchairs from Napes, Italy, circa 1680. Very rare and has the antique fabric in good condition. Some parts appear gold leaf and other...

Unusual and theatrical pair of heavily carved armchairs, the backs featuring a pair of birds with finely detailed feathers.