Vintage Brazilian White Armchair and Ottoman, Jangada, 1968, Jean Gillon

This beautiful colonial chair made of horn and leather is African in origin and dates from the early 1900. Despite its age, this chair is in perfect condition, has a beautiful use-p...

After Jean Antoine Watteau (Valenciennes, 1684-Nogent-sur-Marne, 1721), Disembarkation for the Island of Cythera, Pastel drawing, Framed, 19th or 20th century.

The mannequin is fully dressed in a leather jacket, trousers, boots and a velvet shirt. It is detachable from its wooden pedestal.

Very vivid Still Life Jean Jacques Foulon was a Belgian painter. He was born in 1923 in Kraainem and died in Brussels in 1980. J.J. Foulon was educated at the Academy of Fine Arts in...

Portrait of Sultan Isa Çelebi (died 1403),identity inscribed in Latin. Portrait of Sultan Murad III (1546–1595), identity inscribed in Latin. The present paintings refer to the works attributed to a follower of Paolo Veronese in the Bayerische Staatsgemälde Sammlungen , Würzburg . The paintings are comparable and complementary to a set of 6 Turkish rulers sold in 2022 for 1,5 M. by Sothebys. Located at the crossroads of East and West, the Ottoman Empire absorbed a diverse range of influences, including Chinese, European, and Persian, to produce a distinctive and coherent artistic language throughout a range of decorative arts. Ottoman expansion into Eastern Europe and subsequent access to the silver mines of the Balkans between the 14th and 16th C. led to a rich and skilled tradition of Ottoman silverware, tiles, dishes, and other ceramic objects. From the 16th to 19th C. the production of decorative arts continued to flourish with the introduction of both rococo and baroque elements signalling an increasingly open attitude to all things European. The production of Orientalist paintings is rich in topographical landscapes of Istanbul, genre scenes, and portraits of Ottoman notables. Europe’s fascination with its powerful, Muslim neighbours inspired a wave of accounts and paintings of the Ottoman world. The taking of Constantinople in 1453 by the young Mehmet II ('The Conqueror’) not only sparked this interest, but the young Sultan himself, who invited European painters to his court, further fuelled this fashion. The period following his reign saw relations between the Republic of Venice and its powerful neighbour reach a state of relative calm, initiating a period of exchange and trade. The present portraits of the Sultans, depicted in three-quarter view and wearing a large turban and richly embroidered cloak...

Lovely rectangular earthenware tile representing a woman's face surrounded by ribbons and folliage. An exquisite antique with a lot of character that draws the eye and makes you wonder.

Available today, this Brazilian Modern “Jangada” lounge chair with stool in hardwood & leather by Jean Gillon designed in the 1960s is absolutely gorgeous! The chair's name, "Jangada," was named after the small rustic fishing boats used by fishermen along the northern coast of Brazil. The “purplish” tone of the wood chair contrasts nicely with the iconic caramel leather upholstery, adding to its luxurious and elegant appearance. The upholstery took three months to make and was done by some of the best upholsters in Rio de Janeiro following Gillon’s upholstery methodology (as is showcased in the vintage publications attached). Remains of the manufacturing seal can be seen in the wood base. The nets are new. Owning a "Jangada '' lounge chair is not just about acquiring a beautiful piece of furniture; it's also about possessing a part of Brazilian design history and culture. This chair is a testament to Jean Gillon’s creativity and vision, and it would make an excellent addition to any interior space that values and appreciates the significance of this design. Beyond its physical beauty and unique design, the "Jangada" lounge chair also embodies the Brazilian spirit, an specific aspect of Brazilian Modernism that can be seen in other brazilian icons like Sergio Rodrigues, the Tres Pies chair of Joaquim Tenreiro or the Canoa sofa of Liceu de Artes e Oficios. The gorgeous set is showcased in our showroom next to a Novo Rumo rosewood credenza, a bar cart designed by Geraldo de Barros and the convo looks nothing less than spectacular Size: H32.5, W36, D41.5, SH15.5 (in) H82.5, W91.4, D105.4, SH39.4 (cm) Jean Gillon is a Brazilian furniture designer born in Romania in 1919. He studies at the Architecture and Fine arts Schools at the National University. He founded his first company Fábrica de Móveis Cidam in 1961 after emigrating to São Paulo, Brazil in 1956. Gillon's firm designed many luxury hotels throughout Brazil and homes and stores. He was known for his one of a kind tapestries. His second furniture company, WoodArt, produced full lines of Brazilian rosewood furniture...

This Jean Gillon Jangada armchair and ottoman were completely disassembled and each piece of rosewood was stripped, sanded and refinished in multiple coats of hand-buffed finishing o...

Hard to find item by Brazilian designer Jean Gillon. This example is in fair condition, showing cosmetic wear and one tenon has been cracked and re-glued.

With its slung arms, reclined seat, and plush, leather upholstery, this chair, created by Jean Gillon in the 1960s, possesses a quintessential Brazilian...

The "Jangada" lounge chair, a stunning example of Brazilian modern design by Jean Gillon, is a masterpiece that exudes timeless beauty and exquisite craftsmanship. Designed in the 19...

This exquisite vintage Jangada chair by renowned designer Jean Gillon is the perfect addition to any home. Handcrafted with premium rosewood and halyard rope, this chair is both stur...