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Paul Evans, Sculpted Steel Bench, USA

Price Upon Request

About

The technique Evan’s used to create this sculpted steel bench combines welded steel, decorative brass braising, and polychromed enamel. This vivid treatment, which resulted in vibrant works with dynamic pictorial surfaces, was very successful for Evans, and was applied to a number of forms including tables, chairs, cabinets, and lamps. Commissioned by a Virginia collector in the 1970s, the bench has retained its rich chromatic palate.

Details

  • Creator
    Paul Evans (Artist)
  • Dimensions
    Height: 22.50 in. (57.15 cm)Width: 78.50 in. (199.39 cm)Depth: 28 in. (71.12 cm)Seat Height: 21 in. (53.34 cm)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1960
  • Condition
    Reupholstered. Wear consistent with age and use.
  • Seller Location
    New York, NY
  • Reference Number
    1stDibs: LU800820830332

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: New York, NY
  • Return Policy

    This item cannot be returned.

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About Paul Evans (Artist)

A designer and sculptor, Paul Evans was a wild card of late 20th century modernism. A leading light of the American Studio Furniture movement, Evans’s work manifests a singular aesthetic sense, as well as a seemingly contradictory appreciation for both “folk art” forms and for new materials and technologies.

     Evans’s primary material was metal, not wood, which was favored by his fellow studio designers, and Bucks County, Pennsylvania, neighbors George Nakashima and Philip Lloyd Powell. He trained in metallurgy and studied at the Cranbrook Academy of Art, the famed crucible of modern design and art in suburban Detroit. For a time early in his career, Evans also worked at Sturbridge Village, a historical “living museum” in Massachusetts, where he gave demonstrations as a costumed silversmith.

     Evans’s earliest work unites these influences. The pieces that made his reputation are known as “sculpted-front” cabinets: wood cases faced with box-like high-relief patinated steel mounts laid out in a grid pattern. Each mount contains a metal emblem, or glyph, and the effect is that of a brawny quilt.

     Evans’s later work falls into three distinct style groups. His “sculpted-bronze” pieces, begun in the mid-1960s, show Evans at his most expressive. He employed a technique in which resin is hand-shaped, and later sprayed with a metal coating, allowing for artistic nuance in the making of chairs, tables and cabinets. Later in the decade and into the 1970s, Evans produced his “Argente” series: consoles and other furniture forms that feature aluminum and pigment-infused metal surfaces welded into abstract organic forms and patterns.

     Last, Evans's “Cityscape” design series meshed perfectly with the sleek, “high tech” sensibility of the later ’70s. Evans constructed boxy forms and faced them with irregular mosaic patterns that mixed rectangular plaques of chromed steel, bronze, or burlwood veneer. These, like all of Paul Evans’s designs, are both useful and eye-catching. But their appeal has another, more visceral quality: these pieces have clearly been touched by an artist’s hand.

About the Seller
No Reviews Yet
Located in New York, NY
Recognized Seller
This designation is for sellers whose items consistently exemplify the best of 1stDibs.
1stDibs seller since 2004
Typical response time: 9 hours
Associations
20th Century Specialists
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