Carlo Hauner and Martin Eisler Wooden Costela Chairs for Forma

A Ninfea (or Pieghevole Ninfea) folding lounge chair with a structure in the wood, seat, and back in woven white fabric and brass hinges. The Ninfea chair...

PL19 also known as Tre Pezzi armchair with black enameled steel tube structure, upholstered in white Mongolian goat wool. Designed by Franco Albini & Franca Helg for Poggi, Pavia...

Set of four dining chairs with a frame in black lacquered metal and seat in curved plywood, attributed to Carlo Ratti and produced by Società Compensati Curvati in the 1950s. In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread. The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel. The Ratti brothers of Monza took their cue from the solid wood laminate to create furniture that, instead of wooden elements, used sheets of wood. The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism). The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia. In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo. The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù. They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould. Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature. In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers. The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries. The Ratti Brothers, in the various international and national exhibitions, also presented incredible objects in their realization with the system in Telo. After 1930 Carlo and Mario produced many containers for radio and folding chairs for cinema but in 1939 they divided and in Monza Mario remained who, with his sons Antonio and Angela, formed the Società Compensati Curvi...

Gabriella folding lounge chair with a steel frame, seat, and back upholstered in black vinyl or Naugahyde. This iconic chair was designed by the Italian designer Gio Ponti and rele...

Mid-century modern Mitzi armchair with a black ebonized wooden structure, seat, and, back upholstered with a bright red velvet. Designed by the Italian designer Ezio Longhi for E...

Set of six Catilina chairs with frame in painted steel, seat top in multi-layered wood, and upholstery-shaped polyurethane cushions covered with red fabric. This iconic seat was designed by Luigi Caccia Dominioni, and produced by Azucena since 1958. Luigi Caccia Dominioni firstly presents this seat at the XI Triennale in Milan in 1957 and from this moment Catilina became one of Luigi Caccia Dominioni’s classics. Caccia Dominioni created a new chair and also defined how to sit in it. Catilina is not designed for relaxation and letting go but for thoughtfulness and elegance. You could almost be transported back to ancient Rome ensconced in the seat of the Roman senator, Lucio Sergio Catilina, after whom the chair is named. In turn, the chair harks back to medieval thrones...

Beautifully reupholstered with soft nubby white bouclé, this pair of 'Concha' chairs by Martin Eisler and Carlo Hauner for Forma, Brazil, encapsulates the quality and innovation of t...

Carlo Hauner and Martin Eisler for Forma, 'Conchinha' lounge chairs, iron, fabric, Brazil, 1950s Elegant and modern armchairs by Brazilian designer duo Hauner & Eisler. The thin, el...

2 Costela lounge chairs in wood, metal legs and curly fabric cushions by Martin Eisler and Carlo Hauner. Seat height: 48 cm. Wear due to time and age of the lounge chairs.

Beautiful and iconic pair of two Costela Armchairs by legendary Brazilian designers Carlo Hauner and Martin Eisler for Forma, Brazil. Excellent condition, teak wood. The name ‘Coste...

A 1960s Brazilian ‘Costela’ sofa by Martin Eisler + Carlo Hauner for Forma. This sofa features a slat wood frame with subtly curved edges and fou...

Stunning and comfortable ‘Concha’ (shell) lounge chair designed by Carlo Hauner and Martin Eisler and manufactured by Forma Moveis, Brazil 1950. This chair has a solid steel structur...