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Melville Swivel Roxy Chair Designed by Milo Baughman for Thayer Coggins c.2000s

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Alvar Aalto, Pair of Armchairs Model 402 for Finmar, 1930's
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Pair of Vintage DCW chair by Charles & Ray Eames for Herman Miller
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A Pair of Alvar Aalto Hallway Chairs, Model 403 by Finmar
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This Biedermeier 90 collection, Milo Baughman did with Thayer Coggin in the is one of the last collections Milo and Coggin did together in the 1990's. Milo Baughman believed the midcentury style needed to be warmed up a bit. For admirers of Biedermeier furniture, the neoclassical style that flourished in Austria and Germany from 1815-1830, the choices are few: scarce and expensive antique pieces and now, Milo Baughman's Biedermeier 90 collection for Thayer Coggin, a furniture maker in High Point, N.C. ''When I teach the history of modern design, I start with Biedermeier, because it's the first indication that there would be a new philosophy in design, furniture designed to be more honest and simple,'' said Mr. Baughman, who has designed furniture for Thayer Coggin since 1953 and also teaches design at Brigham Young University in Provo, Utah. The 27-piece collection, which includes consoles, tables and upholstered seating, captures the spirit of Biedermeier design with honey-colored wood veneers, neoclassical fluted columns and natural steel finishes. - Ref NYTIMES, 8/10/1989 “Eurostyle started out as a fairly valid design statement,” says Milo Baughman, a highly regarded veteran furniture designer who teaches at Brigham Young University in Provo, Utah. ''But when it was reduced to more commercial levels and picked up too quickly by people who make cheap furniture...
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