Items Similar to Børge Mogensen #330 Fredericia Oak "Football" Sofas Vintage Danish ModernView More
Includes wall hung head cushions with saddle leather straps, back cushions and two extra cushions.
Spring mattress seats covered in original Cotil plaid fabric.
Solid oak wood frame.
A rarely seen pair of "Football" sofas/daybeds by Børge Mogensen for Fredericia. These are perfect for lounging and can be configured in a variety of combinations due to there 2:1 size ratio.
Each piece is 56" by 27.5" by 12.75".
We offer worldwide shipping via a variety of methods depending on location and preferred service. Services include white glove, curbside, terminal or port or to door depending on size and weight. Please contact us for full details and pricing.
In the Style Of
Place of Origin
Date of Manufacturecirca 1955-1960
WearWear consistent with age and use. Minor fading.
Seat Height12.75 in. (32 cm)
Seller LocationWinnipeg, Canada
Number of Items2
About Børge Mogensen (Designer)
Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.
Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 “Spokeback Sofa,” with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s “Shell chair,” designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.
Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s “Hunting chair” (1950) and “Spanish chair” (1959) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues. As you will see from the furnishings on these pages, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.
1stdibs seller since 2015
Located in Winnipeg, Manitoba