Carlo Hauner & Martin Eisler Set of Four White Fabric Chairs for Forma

Set of four Longobarda chairs with chromed metal legs, seat, and back upholstered with blue shade fabric. The Longobarda chair was designed by Vittorio Introini and manufactured by ...

Set of four dining chairs with a frame in black lacquered metal and seat in curved plywood, attributed to Carlo Ratti and produced by Società Compensati Curvati in the 1950s. In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread. The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel. The Ratti brothers of Monza took their cue from the solid wood laminate to create furniture that, instead of wooden elements, used sheets of wood. The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism). The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia. In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo. The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù. They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould. Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature. In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers. The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries. The Ratti Brothers, in the various international and national exhibitions, also presented incredible objects in their realization with the system in Telo. After 1930 Carlo and Mario produced many containers for radio and folding chairs for cinema but in 1939 they divided and in Monza Mario remained who, with his sons Antonio and Angela, formed the Società Compensati Curvi...

From 1963 to 1966 the architects Afra and Tobia Scarpa collaborated with the Italian company Cassina, designing a series of furniture characterized by the use of solid wood, the stud...

Set of four Leggera dining chairs with structure in black lacquered wood and seat in padded blue leatherette, designed by Gio Ponti and manufactured by Cassina in 1951. Leggera is a...

Set of six Catilina chairs with frame in painted steel, seat top in multi-layered wood, and upholstery-shaped polyurethane cushions covered with red fabric. This iconic seat was designed by Luigi Caccia Dominioni, and produced by Azucena since 1958. Luigi Caccia Dominioni firstly presents this seat at the XI Triennale in Milan in 1957 and from this moment Catilina became one of Luigi Caccia Dominioni’s classics. Caccia Dominioni created a new chair and also defined how to sit in it. Catilina is not designed for relaxation and letting go but for thoughtfulness and elegance. You could almost be transported back to ancient Rome ensconced in the seat of the Roman senator, Lucio Sergio Catilina, after whom the chair is named. In turn, the chair harks back to medieval thrones...

Living room set composed of a Nuvolone modular sofa (with six modules) and a large coffee table (with storage units) which can be arran...

Stunning and comfortable ‘Concha’ (shell) lounge chair designed by Carlo Hauner and Martin Eisler and manufactured by Forma Moveis, Brazil 1950. This chair has a solid steel structur...

Beautifully reupholstered with soft nubby white bouclé, this pair of 'Concha' chairs by Martin Eisler and Carlo Hauner for Forma, Brazil, encapsulates the quality and innovation of t...

This Brazilian modern chair was designed by Carlo Hauner & Martin Eisler in 1955. The frame is made with a black iron structure that supports t...

This fabulous high stool was designed by Martin Eisler and manufactured by Forma S.A. Móveis e Objetos de Arte in circa 1955. The piece is composed of an iron structure with brass ti...

Carlo Hauner and Martin Eisler for Forma, 'Conchinha' lounge chairs, iron, fabric, Brazil, 1950s Elegant and modern armchairs by Brazilian designer duo Hauner & Eisler. The thin, el...

Carlo Hauner & Martin Eisler midcentury sofa and armchairs; 1950s Sofa designed for their manufacturing company, Forma around 1955. This model is an icon of Brazilian midcentury design and was used to illustrate some advertisements for Forma in the 1950s. We offer the set of sofa and matching armchairs. They are stunning together. The set has been newly reupholstered in beautiful blue velvet, feet in imbuia wood, lacquered finish. Sofa Dimensions: H28.35, W76.78, D30.32 in H72, W195, D77 cm Armchairs Dimenions: H 28.35, W30.32, D30.32 in H72, W77, D77 cm The creative duo were the leading designers behind the Brazilian furniture company Forma, and produced many celebrated pieces of Brazilian midcentury design. Martin Eisler (1913-1977) was born in Vienna, and studied architecture in his country. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Buenos Aires, where he settled and worked as an architect and designer. There here...